Libel Tourism Law

This Publishers Weekly article reports President Obama’s signing of a libel tourism law. Libel tourism is the practice of shopping around the world courts for those that are more friendly to libel cases. So, instead of suing an American author in an American court, in the example given in the article, you’d sue them in a British court, which in the anecdotal case had remarkable results.

The premise of the new law is that such practices are a way to work around American authors’ first amendment rights, since those rights are of no particular concern to foreign courts. I presume that this may benefit print and  online publishers as well.

As a side note, shopping for courts is nothing new. It’s been long felt, for example, that certain federal district courts were hostile to patents. In local criminal cases, an accused may face a notoriously stern or lenient judge, depending on the luck of the draw. These examples, at least, occur under the same legal framework, unlike shopping for international courts.

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Trying to update blogs

I’m trying to update the blogs updated. The main page remains http://www.flashfictiononline.com/flashblog and http://www.flashfictiononline.com. Thanks!

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Problems with email on 10/15?

I’m running through queries right now, and three of them from the past several days relate to rejections that I sent on 10/15/09. I’m resending all critical emails from that day (about 25 of them) because that’s a bit too much of a coincidence for me. I apologize for whatever glitch caused the problem.

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Computer Rebuild = Delayed Publication

My computer had to be completely reinstalled. I have all of my data, but as a result of the rebuild I’m going to take a few extra days to publish the magazine for September.

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Reprint of Ripley Patton’s "Traveling By Petroglyph"

Ripley Patton’s “Traveling By Petroglyph”, originally published in our October 2008 issue, has been picked up as a reprint in Flash Me magazine. Congratulations, Rip!

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Editorial Calendar Through November

Here’s the editorial calendar for the next few months. This doesn’t include Bruce Holland Rogers’ contributions or the Classic Flashes. I publish on the first Tuesday or Thursday of the month, whichever comes first.

August: Going live on 8/4
* There Are No Great Truths Here — Danielle Friedman
* Purpose — R.W. Ware
* A Taste For Life — Patrick Freivald

September: Going live on 9/1
* Suddenly Speaking — Ray Vukcevich
* Doofus — Mark Patrick Morehead
* How High the Moon — Patrick Lundrigan

October: Going live on 10/1
* Eating It Too — Kristine Kathryn Rusch
* Death Babies — S. Craig Renfroe, Jr.
* The Door — Damon Shaw

November: Going live on 11/3
* My Superpower — Leslie A. Dow
* A Delivery of Cheesesteaks — Alan Grayce
* Irma Splinkbottom’s Recipe for Cold Fusion — Janene Reichert Murphy

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Publication Questions

I just responded to an email that I thought I’d reprint here:

> Do you publish authors who have not yet been published?

Yes, often. The competition is fierce, though.

> How do I copyright my story?

By current US law, you own copyright the moment you write your piece. When I publish it, I do so with a copyright statement at the end. I don’t actually “register” the copyright, but I’m obliged to take all reasonable steps in the event of a copyright violation.

> How many stories can I submit at one time?

I don’t have a formal limit, but you don’t do yourself any favors by submitting more than three at once.

> How long does a story you publish stay online?

Indefinitely. My contract also says that I get First Electronic Rights (i.e., this is not a reprint, and I’ll be the first to publish it) AND a non-exclusive one-time right to publish the story in an anthology. “Non-exclusive” means that you can submit your story to other markets as a reprint *after* I publish it, and you can have it in other anthologies if they’ll accept it, as long as everyone knows that I can publish it in my anthology as well. I will pay my authors royalties based on their word-count contribution to the overall word count of the anthology.

This latter information is all on our submissions page.

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Reopened to Submissions

It took longer than I expected, but we’re reopened to submissions.

As a reminder, if you have a query, please send it to query at flashfictiononline dot com.

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Two Important Items

First: Hopefully this won’t last long, but between an initial backlog and a serious email glitch that has hampered my efforts to track submissions, I am closing the magazine to submissions. I anticipate being reopened by the end of the month.

Second, and related: There is now a separate email for queries. Please send all queries to query at flashfictiononline dot com. I’ve had too many emails go into the ordinary submission queue, only for me to discover after two weeks that they’re queries rather than stories. Hopefully this will help us all out.

This isn’t as important as the other two — well, unless you’re on pins and needles — but if you’re waiting for a response from the latest winnowing round, we have completed it and acceptances / rejections will be going out shortly.

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Next Publication Date: May 5, 2009

As a reminder, we publish on the first Tuesday or Thursday of the month. Our May issue will be available on Tuesday, May 5. The lineup is:

* Bryan S. Wang, “Descent”, a literary story that doesn’t really make me long for the glory days of my youth.

* Isaac Espriu, “Jack Rabbit”, a story that makes me, a Crackberry addict, worry about my future.

* KJ Kabza, “Billions of Stars”, a story that makes me think that things aren’t always so bad after all. :)

Bruce Holland Rogers will be with us as always. After all, he always hits his deadlines, even when self-imposed: he published his three April stories for shortshortshort.com subscribers late last night!

Our Classic Flash will again come from that incredibly rich source of humor, Punch. In celebration of Cinco de Mayo, which is a celebration of the victory of outnumbered Mexican soldiers against the French / Mexican army at Puebla in 1862, we’ll be publishing the only war-oriented classic short-short story I could find that involved the French: To The Death, from the March 26, 1919 issue. I hope you’ll be as amused as I was.

See you then!

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