November 2024
The Inside of the Outside
The house sat a little back from the road, its leaning porch and sagging roof giving it a slump-shouldered look. In the front yard, the rusted shell of a pickup perched on blocks amid an ocean of weeds.
Connor pulled his rented Acura off the road and studied the house for a while. Aside from a couple of hens scratching in the dirt, nothing moved.
He climbed out, picked his way along the overgrown path to the front door. It stood slightly ajar, revealing only darkness inside.
“Hello? Anyone home?”
A minute passed, and then he heard the soft slap of bare feet on board. The door opened.
The girl looked to be about fifteen or sixteen, lank dark hair framing a pale face, faded dungarees revealing thin arms dusted with freckles. They studied each other in silence.
“I’m looking for Jacob Hutchings,” Connor said at last.
The girl pulled the door a little wider. “Hutch!” she called into the darkness.
When Hutchings finally shuffled into view, the family resemblance was evident. He had the same long face as the girl, the same lean frame. A dense white beard spilled down the front of his coverall.
“Ah’m Hutchings,” he said. “You?”
“Keith Connor. They said you could help me.”
Hutchings jerked his head. “C’min.”
The interior of the house was cluttered with rusted tools and ancient furniture that breathed an odor of dust and damp as he passed. A television, perched on a stack of yellowed newspapers, was showing a football game, the screen a brilliant square of green in the gloom.
“Out back,” Hutchings said, gesturing Connor to follow.
“You know why I’m here?” Connor asked.
Hutchings turned to face him. “Only two things people come to me for,” he said, “You ain’t here for the one, you mus’ be here for the other.” He coughed, a dry rasping that shook his whole frame.
The back door of the house opened onto a yard in which Connor saw more weeds, more hens, and a pickup even older and rustier than the first. Behind them rose a red-painted wooden barn.
“In there,” the old man said.
After the chaos of the house, the interior of the barn was shockingly neat. There was something almost church-like about it, the walls whitewashed, the boards freshly swept and sanded.
“We knew you was comin’,” Hutch said, and Connor could not tell if it was a joke or a simple statement of fact.
In the center of the empty space stood a windowless wooden hut. The old man paused with his hand on the door.
“We do’em in here,” he said.
“I had a hard time finding you,” Connor said, as he followed the man inside. He looked around. The inside of the hut was as spartan as the outside. Four tall white candles stood in tin cups on the floor, beside a yellow box of salt.
“Yep,” the old man agreed. He bent over the candles, flicked a lighter that he pulled from the pocket of his coveralls.
“Not many left who do what you do,” Connor said.
“They’m dead,” the old man told him. He finished lighting the candles and picked up the salt.
“What’s that for?” Connor asked. The other straightened up and gave him a look of vague contempt.
“Make a circle,” he said. “Then them as you summon cain’t get out.”
“Does it work?”
“Aye,” Hutch said. “Well enough. Demons cain’t cross salt.”
Connor watched as the old man tilted the box and began pouring out the white crystals.
The resulting circle was surprisingly neat, the line of uniform thickness all round. The old man studied it, as if assuring himself of its near perfect roundness. Satisfied, he set the box down again.
“Is it big enough?” Connor asked.
“Et’ll do,” the old man said. He brushed his hands on the front of his coveralls. “Now — who you want to call?”
Connor hesitated for a moment. Finally he said a name.
The old man seemed to think for a while. “Five hundred,” he said at last. Wordlessly, Connor reached into his pocket and took out a billfold. He counted out the money and passed it to the old man, who tucked it away in his pocket.
The transaction completed, the old man began to chant in a low tuneless voice. There was something unpleasant about the sound, the words that might not be words blurring and blending into each other in a way that made his skin crawl. Without intending to, he took a step toward the salt circle.
The old man stopped. “Don’t break ‘et,” he warned, then resumed his chant.
At last, his voice trailed off. The interior of the salt circle remained resolutely empty.
They looked at the empty circle in silence. At last the old man shook his head and frowned. “‘spose you’ll be wanting your money back.”
Connor smiled. “No need,” he said in a voice as smooth as honey. “I am here. You called, and I came.”
The old man took a step backward. “You,” he said. The candles threw horned shadows on the walls of the wooden hut.
“My brothers and I are tired of your kind,” Connor whispered. “Tired of answering to your petty summons.”
The old man took another step back. “You’re the one killed the others,” he said.
“Yes,” Connor said. He grinned wide, revealing his teeth. “All but you. And now —“
The old man held up a wrinkled hand. “Something you might want to see first,” he said. He pushed open the door of the hut and pointed. Reluctantly, Connor looked in the direction indicated.
The girl stood outside the door, a box of salt in her hand. At her feet lay a curving line of white crystals, an outer circle of almost geometric perfection.
Connor turned back to the old man, who stood now inside the inner circle.
“You —“ he began.
The old man smiled. “We knew you was comin’,” he said.
* * *
Ⓒ Angus McIntyre
Originally published in Factor Four Magazine, October 2, 2022. Reprinted here by permission of the author.
Hazards of Being Related to The Chosen One
You would think it’s hard when the villain’s henchmen strafe our house with photon lasers. Every Tuesday they saunter up next to our chicken coop, mustaches twitching in unison, and blast the house full of holes. They always seem surprised when no bodies are there to pile in a heap in the yard because we […]
To Curse with Needle And Thread
With my thread, I write murderer. I write colonizer when I patch up the soldier’s clothes and I hope they wear it to their graves.Ma, you taught me threadwork charms on a kitchen smock, just like your mother taught you. On your lap, I learnt to embroider love onto my future husband’s shirt for when […]
Editorial: Defining Rural Fantasy
Rural Fantasy might at first sound redundant. Aren’t many major fantasy stories set in rural places? The Hero’s Journey, for example, often begins with a farm boy or a hobbit in a pastoral setting. However, in its typical progression, the hero leaves their rural homeland to venture into the larger world in order to save […]
Final Harvest
I cannot believe you’re dead, Mother. I cannot believe you’re not sitting up from your deathbed to count the crinkles on my tunic and the unplucked hair on my chin. I still brace for impact as I roll out my harvesting knives and lay out my jars and pouches, expecting to hear how I’m doing […]
To Serve the Emperor
I’d always wanted to have a child, but I never imagined that in order to earn that right, I would have to give birth to the Emperor.After only two months of pregnancy but intense hours of labor, the Emperor’s fully formed homunculus emerged through my birth canal, clad in a blood-stained gold and purple robe, […]
The Tub
“I don’t want to be disturbed,” she yelled through the locked door. “That means you are a single father for the next forty-five minutes.”Her husband may have answered; she didn’t care. She turned the water on to a roar and as soon as it rose, she sunk her ears beneath it.Salt, copious salt. Poured out […]
Support Flash Fiction Online
Flash Fiction Online is a free online magazine that pays professional rates. So how do we make that happen? It’s due to the generosity of readers like you.
Here are some ways you can help:
- Become a Patron.
- Subscribe.
- Buy our issues & anthologies.
- Donate.
- Spread the word.