Issue 88 January 2021

The Girl-Shaped Jar

by Camille Alexa

February 2, 2015

Sammi’s sister sent her a funny email. A funny, funny email, showing crazy Japanese inventions to make things into other crazy things, other crazy shapes they weren’t. All crazy and stuff stuff, like watermelons grown in tempered glass jars, square right off the vine.

She clicked a picture of square watermelons, followed link to link to link from the chainletter her sister forwarded from a forwarded forward to her until it was junked up with blue boxes and sideways carets around names and addresses of everyone who’d sent this thing ever. Forward this email to three friends, the email told her at its nether-end, and you will know happiness the rest of your life.

Staring at the screenful of square watermelons, Sammi wondered if she had three friends. She couldn’t forward to sender, and was a sister a friend, anyway? She had a boyfriend, but wasn’t sure he could properly be called a friend friend. Boy-mate, man-mate, man-meat, whatever he was. If he was whatever, what did that make her?

Deciding to count him as one friend, Sammi clicked: Forward to:.

Good job, yes. Job well done. Happiness will now find Sammi, now stick to her forever like toilet paper to the heel of her shoe.

That evening at supper her manfriend of too many years to count grunted at his computer screen. She glanced up briefly from her lemon-peppered edamame and inbox to watch the light of his laptop screen flicker in his glasses as he shoveled spaghetti between his lips. “Good,” he said. “That’s good.”

Blinking, Sammi said, “The pasta? It’s from the box you like. With the dinosaurs on it. With the organic vegetable in a little circle with the red line through it.”

He licked his lips, frowned. “No. Square watermelons. Smart. Fit easier on shelves. Much more convenient.”

Late into the night, Sammi lay looking a the ceiling, thinking about convenient watermelons and glass jars to make things the perfect size. Next morning, she dug through her emails, clicking link to link to other links, until she found the page selling square jars to grow square watermelons to fit easily onto shelves. She clicked more links, and shopping carts in modern pictography, and entered credit card numbers, and scarcely had shut down her computer for lunch when the doorbell rang.

After the deliveryman left, Sammi sat staring at the enormous box in her small livingroom. Fragile, it read, and listed a return address someplace in Idaho.

She slit the tape from top to bottom, ignoring the sharp edge of the knife where it shone. Packing foam in small shapes like mangled snails tumbled from box slits, little styrofoam avalanches. The jar itself was surprisingly light, surprisingly easy to handle. It is convenient, she thought.

Thanks to excellent foreign design and mediocre American engineering, the jar stood easily by itself. Sunlight streamed through glass patio doors, only slightly muted by the fraying screen, glancing off rounded surfaces, shining through hollow interior spaces the perfect shape and size of a real, perfect girl.

I will know happiness the rest of my life, she told herself, stripping off her clothes and folding them neatly in small like piles on the arm of the sofa she wouldn’t pay off until 2610. She climbed up onto the sofa, then up onto the arm, placing one hand on the neck of the girl-shaped jar. She eased into the jar one leg at a time, her body sliding into its spaces, filling its hollows. First one leg, then the other, then her torso slipping in like slipping into a tight swimming pool, her arms flowing into the proper cavities of a jar designed for just such a thing.

Breathing was difficult, what with the need for expansion and contraction of the diaphragm and the lungs and whatnot; but never had Sammi felt so perfectly shaped. She’d always been rather too slender here, too full there, concave where she should’ve been rounded and vice versa. But with the firm glass edges of the jar holding her in place everything felt the way it should for what seemed to Sammi like the first time in her life.

She smiled. I’ll know happiness the rest of my life, she thought, glancing at the clock to see how long before her man-person-boy came home from work, ignoring the increasing difficulty of drawing breath within the confines of the girl-shaped jar; Yes… The rest… of my… life.

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Across From her Dead Father in an Airport Bar

by Brian Trent

January 1, 2021

Andrea sits across from her dead father in an airport bar, their table a red square rimmed by black. Dad’s recorded hands cradle a frosted beer from 2020, and his recorded lips part to ask, “Does he make you happy?”

“He does,” she says quietly, meeting her father’s gaze across two decades. “He is a good man.”

Her father sighs and conjures a smile at his unborn daughter. She smiles back and tries to touch his hand on the table, but her glasses and earpiece have their limitations. His visual presence, and the sound of his voice, will have to do. 

And that’s good enough, she thinks. 

Dad sips the foam of his beer. From his side of the conversation, a disembodied voice announces, “Flight 5532 to Heathrow is now boarding.” He lowers his drink and grins, the foamy white moustache providing a brief glimpse into what he might look like if alive today, part Santa Claus, part Mark Twain. He sighs and stares deeply into his smartphone camera, seeing past the technology and into an era he will never witness first-hand. “Time to fly, honey,” he says.

“Together,” she replies.

* * *

The flight to England is one hour for her, hypersonic. Six hours for Dad, passenger jet. Upon boarding, she settles into her aisle seat and shifts Dad to her left; his old ticket indicating that he’d been sitting by the window during his final trip to Great Britain. 

London from 30,000 feet is a circuit-board on black glass, electrons sketching neat geometries and clustered souls. Andrea knows that her father is seeing a different city—an older city, a bygone city, a place that no longer exists because time marches far in twenty years—but up here among the heavens there is little difference. Intricate lattices of electric light display the stamp of humanity upon darkness. Andrea wonders if anyone down there is looking up and seeing her plane swooping low at Mach 5 like a shooting star. 

She wonders if they’re making a wish.

“Your mother and I met in London,” Dad records into his smartphone. The device is not visible to her, but Andrea fondly recalls those rectangular, handheld devices from twenty years earlier. “We fell in love here. We swore we’d return—as a family—once you were born.”

He coughs—the cough that will kill him—and Andrea whispers to the empty seat, “You’re here now, Dad. And so am I.”

* * *

Outside the airport, Mom clutches an umbrella against the rain, remembering when she stood here with a smartphone camera twenty years earlier on a sunny afternoon. But today is overcast and storm and glassy streets and autodrive cabs. Today is a storm that seems primeval, like some deluge from the planet’s dawn, molten possibility sizzling beneath a rainstorm of a million lonely years. 

Andrea emerges from Heathrow Airport and crosses the street towards her. Her daughter appears to be alone until Mom dons her own glasses and sees the sunlit ghost accompanying her, and the sunlit smile she never forgets.

Dad’s recorded presence stares at his wife with an intensity that pierces the rain. “Hi, my love.”

For twenty years, Mom has thought about this moment. It’s a parallax they had set up in desperate conspiracy, as a young couple with a newborn daughter and a prognosis that set a terrible countdown. They talked of physical letters he could scribble on paper—for letters were the original defiance of time, incantations in handwritten ink speaking across seven thousand revolutions of the sun. They discussed emails he might mark for future delivery, and time capsules, and crates that she might open on certain important dates—sweet sixteens and high school graduations and college commencements.

They decided on something else.

“My love,” Mom whispers, seeing the ghost and thinking of all she might say and all he will never hear. “My love…”

It is all she can think to say.

* * *

The hotel hasn’t changed in twenty years, and the guests check into rooms that were old when Dad was alive. Thunder booms over lobby news-holos and real-time updates from every corner of the world as Andrea checks in with the ease of a biometric blink while Dad manually inserts his credit card into the reader.

“I’m always here for you,” he says, looking at Andrea.

“I know, Dad,” she assures him.

Their fingers brush on the welcome desk. She knows there are recorded files to conjure like old spells, and that late at night she will listen to his advice, his reflections, his best wishes for the daughter he would never meet. There are secret conversations to be had. Stories to be told like forgotten legends. Dad as confidant to his daughter’s dreams and fears. 

The bar is closed, but in her room Andrea clinks an imaginary glass against his and they talk long into the night. 

“I love you,” Dad says, and Andrea replays the moment and responds in words that he will never hear.

* * *

The next morning, London of two time periods interlaces in gold and gray. In 2020 there were several bridges over the Thames, and in 2040 there are several more, but at the Big Hour a rainbow adds its own prismatic band. Divergent points of geography and chronology are united in the touch of a star ninety-three million miles away.

The attendees are mostly flesh-and-blood, though several far-flung relatives decide to remote-in from various corners of the world. Andrea is glad for that, because it means that the crowd is already donning their glasses. They are sharing the same looking glass, the same portal, the same forum. 

A flourish of music cues everyone to stand at attention and switch to the agreed-upon channel. The surrounding city fades away. The groom waits patiently at the altar. The audience turns to watch Andrea, in bridal white, being walked down the aisle by the father who promised he would.

Comments

  1. Holly says:
    Beautiful, evocative, and imaginative.

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The Technology that Connects Us

by Wendy Nikel

January 1, 2021

Back in October, our editorial team took a technological leap forward: We held our first-ever staff Zoom meeting. Across five different time zones, with the help of computers and laptops and WiFi and Zoom, we were able to talk about some of our hopes and dreams for Flash Fiction Online and how best to continue bringing you, our readers, the most brilliant, dynamic, and beautiful flash fiction we can find.

Here’s just a few of the things we discussed, which we’ll be implementing going forward:

  • Flash Fiction Flashback
    In months with a fifth Friday, we’ll be using that final Friday to revisit a story from our archives that ties in with our current issue and that has stuck with us through the years.
  • Flash Fiction News Column
    Want to know more about flash fiction? We’ve asked Ancestral Futures’ Audrey T. Williams to share with us what’s going on in the flash fiction community, from reviews of flash anthologies and stories to interviews with those who are making waves in this unique niche.
  • Guidelines Changes
    If you’ve submitted work to
    Flash Fiction Online before, you may notice that our guidelines have some changes. We’re still looking for the strongest and most compelling stories of flash (500-1000 words) that you can send us but there are some changes in our process going forward, including:
    • Monthly submission windows
      We’ll now be open to subs from the 1st – 21st of each month.
    • No multiple subs
      Please wait until we have responded to one submission before sending another! (You may, however, send one original and one reprint when we open to reprints again sometime this spring.)
    • #ownvoices
      On our Submittable form, you will now have the option to indicate if your story involves the experience of someone within a particular marginalized group (race, nationality, culture, religion, disability, gender identity, neurodiversity, etc) which you also identify within and are comfortable sharing with our editors.

With all of the time we spent on computers and spreadsheets and Zoom and Slack over the past months, working to put together this issue and plan for moving forward, it worked out well for the first issue of 2021 to be all about the technology that connects us.

In “Across From her Dead Father in an Airport Bar,” Brian Trent presents us with a new invention that helps connect us not just across the world, but across time, and even beyond death. (Available online Jan 1)

In “Into the Lightning Suit” by Kyle Richardson, two siblings take very different views on the extent which technology should be used following the death of their mother. This story asks again that age-old sci-fi question: Just because we can, does that mean we should? (Available online Jan 8)

In “Warlord” by Steve DuBois, we see how technology can keep us connected to people we already know, but it can also help us form new bonds and connections going forward. (Available online Jan 15)

Our reprint this month, Southside Gods,” by Sarah Grey, is a story of broken technology, originally published at Orson Scott Card’s Intergalactic Medicine Show. (Available online Jan 22)

And finally, for our very first Flash Fiction Flashback, we’ll be revisiting Camille Alexa’s “The Girl-Shaped Jar” and reconnecting with the author, nearly ten years after that story’s initial publication in Flash Fiction Online. (Available online Jan 29)

As we enter this new year, may these stories inspire you to connect with the important people in your life, be it on Zoom or Slack or email or tin-can telephones or video game chat or some new technology that you invent yourself. Share a smile. Share a laugh. Share how much they mean to you.

Or simply share a story.

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Into the Lightning Suit

by Kyle Richardson

January 8, 2021

My brother, Ben, rebuilds Mother out of leather, gears, and compressed steam. Iron plates, for her face. A cylinder with bearings, for a spine. Her brain is the only organic part, suspended in syrup within smoke-colored glass, with a shred of spinal cord dangling below, connected to wires and tubes.

Ben spends hours tending to the brain, but I can never bear to look at it. I already said goodbye to Mother, anyway. It’s Ben who’s still hanging on.

“Perhaps we should let Mother rest,” I mumble. A storm is raging outside, turning the night into a cloudy stew. Even with the windows shut, our steam carriage shudders and groans.

Ben glumly shakes his head. He’s not ready to move on yet.

I sometimes wonder if he’ll ever be.

“We’ve come this far, Cora,” he says. “Why stop?”

I can think of a dozen reasons, but I keep them to myself. Ben may be mad, but he’s still family. “I don’t know,” I mutter.

In the quiet that follows, I nurse the fragile hope that, one day, my brother will come to his senses.

“We need more than lightning,” Ben finally says, “to wake Mother up.” He reaches around the steering wheel and dips a thermometer into Mother’s brain syrup.

I grimace from the back seat, then peer at the octagon beside me—this strange box that functions as Mother’s heart. Electricity quivers in the upper chamber, illuminating its copper-lined windows. The lower chamber is dark and empty. I drum my fingers against the glass slits and ask, “What else do we need?”

Ben squints at the thermometer, seals Mother’s brain, then frowns at the heart-box beside me. “Hydrogen halides,” he mutters. “And ash.”

I blink dumbly at him.

“That means,” he says with a sigh, “we need a volcanic vent.”

* * *

Aside from our steam carriage, a suitcase stuffed with dehydrated food, and Mother—the lightning suit is all we have. Part scrap metal, part diving suit, part modified insanity. From what Ben has explained, the fabric inside the suit disperses the static, while the iron exterior grounds the charge.

Or something. I’ve never paid attention to the details.

“Can the suit withstand a volcano?” I ask.

Ben dribbles corn starch into Mother’s brain syrup. “Absolutely,” he says. “. . . I think.”

I frown and grope under the passenger seat, until I find a dusty map. The parchment crackles when I unfold it.

Ben leans over and taps the paper. “There.”

I gape at the markings beside his finger. “That’s easily a month’s trip.”

Ben shuts Mother’s brain case. “She would’ve done it for us, Cora.”

I honestly doubt that. But I merely roll my eyes, slide into the driver’s seat, and wrench the carriage into gear.

* * *

We travel for weeks—quibbling over directions, toiling with the carriage’s leaky boiler, scavenging the hills for wood to fill the firebox. Our meals consist of: beef powder, starch paste, dehydrated omelets. Ben’s beard grows in wild.

I still wear my corsets, my stockings, my hats. When Ben asks why I bother, my answer upsets him. “Because,” I whisper, “I still believe sanity will prevail.”

* * *

Hand-painted signs adorn the curbs on our journey, announcing the volcano.

Glimpse the planet’s lifeblood!

See Hell floweth over!

Fiery peril ahead—and fresh fruit!

We reach the cracked earth after midnight. Ben clambers into the suit, then lumbers outside, cradling Mother’s heart-box. The area is deserted, the night tinged with smoke. I scramble around with my eyes shut and stinging. Somehow, I chain the suit to the carriage.

By the time I stumble back inside, Ben has trudged out of sight. Only the chain remains, dangling above the parched soil, its end vanishing beyond the glow of the carriage’s headlamps.

I watch the magma blaze on the dark horizon, until I can’t watch anymore.

* * *

When Ben comes crawling back to the vehicle, I know something is wrong. Crawling isn’t normal behavior in a two-hundred-pound suit. I crank the winch, dragging him the rest of the way. Then I do my best to wrestle him free from the suit.

All the while, he doesn’t stop screaming.

* * *

Back in the carriage, I examine Ben carefully, prodding at whatever makes him shriek. The injury is obvious: a badly fractured leg.

I fashion a splint from the hem of my dress, using the trim from our suitcase. It’s not ideal, but it’ll have to do. “Perhaps this is a sign,” I say.

Ben stifles a sob. “We can’t surrender, Cora,” he says, sitting up. “Not this close.”

I shove him back down. “You’re crazy. You could’ve died.”

“Perhaps I should’ve,” Ben grumbles.

It takes everything I have not to slap him.

“I dropped her heart, Cora,” he whimpers. “All this way, and I stumble at the end. You have to retrieve it. You must! There’s simply no other choice.”

The sigh I let out is long and draining.

* * *

And after our shouts have withered into silence, this time it’s me who climbs into the lightning suit—not because I want to, but because Ben wants me to.

Because my brother doesn’t know how to let go.

Because I now understand what I must do.

When I finally lumber outside, the world is all noise and fury. I chain the suit to the carriage, then trudge toward those blazing lines in the dark. The suit clatters against the rocks. The visor bubbles and drips. My lungs beg for relief.

This might be the death of me.

Then I spot it on a ledge above the volcano’s steaming mouth: Mother’s octagonal heart, close enough to touch. Waiting to be saved.

I twist around and eye the shimmering carriage, its edges barely visible through the heat. How long before Ben realizes what I’m doing? Probably not long at all.

His rage will be tearful. Cruel, even.

But necessary.

I turn back toward the crater, squeeze my eyes shut, and kick Mother’s open heart into the flames.

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Warlord

by Steve DuBois

January 15, 2021

Kobi hadn’t yet gotten out of bed, and was in fact just settling in in front of an Alf rerun, when the cockroaches arrived. They marched straight in under the curtain that separated his bedroom from the rest of the double-wide and up the leg of his pull-out bed in single file, then assembled by his feet in perfect ranks and rows. He closed his eyes in weary resignation.  The boys are back, he thought, and they’ll want blood. 

“WE GREET YOU, O GREAT KHAN,” they buzzed, their wings whirring in a synchronous hum that changed pitch to mimic a human voice. “WHAT ARE YOUR ORDERS?”

 “Go away?” Kobi muttered, hoping to banish them back to their lair in the septic tank.

“BY NO MEANS, GREAT KHAN,” they replied. “FOR YOU ARE THE DESCENDANT, AND WE SHALL SERVE AT YOUR SIDE. TOO MANY CENTURIES HAVE THE MEN OF THE WEST RENT THE SKIN OF THE BLESSED EARTH-MOTHER WITH THEIR PLOWS AND DWELLINGS. NOW IS THE TIME OF RETRIBUTION! RIDE FORTH, GREAT KHAN!”

Kobi sighed and sat up in bed. Even as a tiny child at St. Jerome’s, he’d been attended by these bloodthirsty little minions. He’d initially assumed every kid had talking animal friends, a notion which was later dispelled by his horrified fellow orphans, several shrieking nuns, and a professional exorcist. As a teenager, he’d learned that it was a unique legacy, a function of being the heir of an abolished royal line. The internet had brought him into contact with a fraternity of similarly “blessed” individuals. Larry Musa of Stillwater, Oklahoma, scion of the ancient Malinese sultanate, had a talking goat. George Washington had never accepted a crown, but nonetheless, a descendant of his younger brother was followed everywhere he went by a bald eagle. There was a guy named Trevor in Cornwall who couldn’t visit any large body of water without a sword-bearing female arm reaching up out of it; he was notably unpopular among local water-skiers. The UK’s Jacobite heir could apparently talk to trees.  Well, so can you, she’d explained in an email. The difference is, for me, they talk BACK. The current royals can also hear them. George III was a little too free with this fact, and his attendants had to contain the secret by treating him as insane.

Kobi’s lineage was different, of course, and as befit that heritage, he was attended by a Horde, a sort of creepy-crawly secret service detail. I suppose horses would make more sense, he thought, but it’d be difficult to fit a herd into a trailer park. 

Nature finds a way, I guess.

Kobi steeled himself to his fate. “Okay, guys” he said, leveraging his considerable bulk off the bed, and stood, arms outstretched, in his underwear. “Let’s Disney Princess this shit.”

“AT ONCE, GREAT KHAN.” The horde was airborne, flitting hither and thither around the double-wide, swooping in swarms to collect articles of clothing from the floor. They circled his body three times in twenty frantic seconds, at the end of which, Kobi found himself decked out in red and gold Zubaz pants, a ratty, ill-fitting Nickleback T-shirt, and a John Deere visor. The shirt’s on backwards, Kobi mused, but they’ve done a lot worse.

“THOU ART ROBED IN FINE RAINMENT,” the roaches pronounced. “NOW IS THE TIME TO MAKE WAR.”

Kobi rolled his eyes. And here we go. It had become a daily ritual; his court demanded conquest, and he had to explain to them that he couldn’t even afford a car, let alone an army. Their nagging is gonna make me insane, Kobi thought, though he supposed his circumstances suggested that his carton was already a couple of Twinkies short. He shoved the curtain aside and wandered into the neighboring compartment, where the mini-fridge waited. He returned bearing a slice of honeydew melon on a small plastic plate, a filthy spoon, and a carton of chocolate milk, which he set on the fold-out. 

Kobi was reaching out to turn off the television when an idea struck him. “Hey, guys,” he said. “Have you ever actually, you know, seen a war? Like, with your own eyes, or antennae, or whatever?”

“WE DEFER TO YOUR EXPERTISE, MIGHTY ONE.”

A smile crept slowly across Kobi’s face. He reached over to a small end table and shoved aside a sheaf of unpaid bills, revealing a battered gaming console. He switched it on, and a title screen appeared on the Trinatron.

“The tools of war change,” Kobi intoned, his voice solemn. He showed the roaches his controller as he logged on. “But the nature of war remains constant. Join me, Sons of the Steppe.” Kobi’s fan club chittered in excitement, clambering over one another for a better view of the tiny screen. CALL OF DUTY, it read. MODERN WARFARE.

“WHAT IS THIS WORLD?”

“Beyond this window lie the fields where mighty armies clash,” Kobi replied. He reached for the milk and took a long swig straight from the carton.

“AND WHO IS ‘1337HAXXOR69?’”

“He is a dread warlord and fearsome enemy. Only with the aid of the gods will we be saved from pwnage at his hands.” The screen-sprites reflected in Kobi’s dark eyes, and he brushed aside a loose strand of hair. His audience stared up at him, awestruck.

Kobi turned his attention to the screen, outfitting his avatar with weaponry. After a time, there came a strange buzz from his audience that almost resembled the sound of a human throat clearing.

Kobi bent double with a grunt. His hand probed beneath the foldout, then emerged with a three-quarters-eaten bag of Flamin’ Hot Chee-tos.  He upended it on the sheet beside him, and his charges scuttled forward joyfully.

“YOU ARE A FEARSOME WARRIOR, O KHAN. AND A GENEROUS PROVIDER.”

“Damn straight,” Kobi replied. “And now…onwards! To glory!”

The roaches cheered. Kobi grinned and charged into the fray.

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Southside Gods

by Sarah Grey

January 22, 2021

This is his element: water.

* * *

Holloway has come to repair the Goodwins’ washer. It chokes and sputters and burps suds across the laundry room floor. 

Mrs. Goodwin apologizes for the mess, for the heat, for the mangy cat that glares from the shelves above. She offers him fresh iced tea. He accepts and hikes his jeans up, for her sake.

When she returns with the full glass, the floor is clean and dry, and the washer hums and churns like a hive of honeybees in spring.

Her eyes widen; her lipsticked mouth falls open in surprise. She tips him generously, and asks him if he can repair the air conditioner, too.

He cannot, he tells her. He blames it on his education, but HVAC is for the gods of wind.

“Oh,” she says. “That’s a pity. I haven’t been able to get ahold of anyone to fix it.”

* * *

This is his realm: from Oakview Avenue south to Jones Road, between 18th Street and 53rd.

Within these lands, he is every plumber in the directory; he is all search results for toilet repair and leaking faucet. He is the alpha and omega of pipes, a small god of irrigation.

He takes pride in his realm. Within it, the water is clean, and the elements are in balance.

Until now.

* * *

“I could recommend a repairman, one that specializes in–ah–home ventilation,” he tells Mrs. Goodwin.

“Could you? I’ve scoured the phone book. No answer, anywhere.” Her lips pucker in disapproval. “No one takes pride in their profession, these days.”

He excuses himself and steps outside. The August air is thick with dust, stagnant and broiling.

He dials the local god of wind.

The call goes to directly to voicemail, where “Ortega’s HVAC Servicing” promises prices that will blow the competition away.

* * *

This is his weapon: the 18-inch straight-handle pipe wrench. The body is ordinary aluminum, lightweight and solid. But the jaw, it is forged steel–part carbon, part fragments of iron scraped from the colossal trident of Poseidon himself.

But Poseidon, long may he rest, was a god of kings and conquerors. Holloway is a god of suburbs and slums, of working women and men.

* * *

Ortega lives at the west edge of the realm, in a ranch home with wind-shredded awnings.

His lights are off.

Holloway knocks twice, but loses patience. He slams his wrench through the paned-glass front door and lets himself inside.

The house is quiet, the air still. It is several long minutes before he finds Ortega in the closet.

Holloway has never seen a god weep. He’s humbled by the sight, by the realization that even Ortega has water within him. He’s never questioned the air in his own lungs.

He stares at Ortega. Ortega stares at the wall, and wipes his sleeve across his face.

* * *

These are his foes: mercury; unrestrained effluvium; herbicides, insecticides, fertilizers; second-hand oil that flows out of leaking filters and into the bedrock, into the soil, into the aquifers beneath.

* * *

“I’m done,” says Ortega.

“Suck it up,” says Holloway. “The Goodwins need AC. You wanna see an old couple cooked alive?”

“You see that sunset last night?” Ortega’s voice cracks.  “They said it was gorgeous–all pinks and oranges.  Hell, it was even on the news. You know what that was?  That was a sky full of pure filth, from all those factories, from all the millions of cars.  And they all thought it was divine.”

Holloway shrugs. “Clean it up.  Make it even more beautiful.  Blues and whites.”

Ortega shakes his head. “Too much.”

Holloway holds out a hand to help him up. Ortega accepts, reluctantly.

* * *

This is his ally: sweet, unfiltered rain.

* * *

When Ortega’s on his feet, Holloway lays a solid punch across his left cheekbone.

“Screw you!” shouts Ortega. “The hell you do that for?”

Holloway doesn’t answer. He throws another punch.

Outside, clouds roil.  A storm breaks. Raindrops fall heavy as stones onto the blocks between 18th and 53rd. The water scrubs the street clean, sweeps grime and leaves into storm sewers, feeds the summer-starved lawns and trees.

“Pull yourself together,” says Holloway.  “You’re a god.  Act like it.  Don’t complain.  Fight.”  He swings again.

Ortega spits blood into his hand, and glares. 

Outside, the wind picks up.

* * *

This is his mission: to guard, to keep safe, to keep pure.  To keep taps running and brooks flowing.  To unleash the rain, to roar with the wind, to chase the lightning and wash through the bones of the earth.

Within his narrow realm, to cleanse.

* * *

The storm shatters windows and tears down tree branches and doesn’t relent, not for a moment, until long after daylight has fled.

But the sunrise is clear as fine crystal and crisp as fresh laundry. The Goodwins’ cat gnaws the wet grass, then scurries up a tree. The leaves shiver in a clean breeze.

Mrs. Goodwin watches her cat climb. It’s well enough he’s slipped outside, she tells her husband, since the AC technician will be here soon–yes, the one the plumber recommended.

His name’s Ortega. 

He’s promised the repairs will be quick as the wind.

 

 

Originally published in Intergalactic Medicine Show, September 2013. Reprinted here with permission of the author.

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