Issue 119 August 2023

Table of Contents

Editorial: Stories of Change

by Anna Yeatts

August 1, 2023

Welcome to the August Issue of Flash Fiction Online. This month, we delve into stories of longing, self-discovery, rebellion, and renewal, offering you narratives that mirror the complexity and beauty of the human experience.

“Let the Field Burn” by M. C. Benner Dixon opens the issue with a powerful narrative of loss and renewal. It’s a poignant exploration of the human capacity to endure, to heal, and to find hope amidst the ashes of the past. Available 8/4/23.

In “Nancy Shreds the Clouds” by Phoenix Alexander, we meet Nancy, a character who lives her life under the watchful, judgmental gaze of her unique companions – the clouds. Her path, though fraught with rebellion and conflict, culminates in a triumphant acceptance of self, a testament to her indomitable spirit. Available 8/11/23.

“Little Fish, Big Fish” by Jennifer Hudak is a compelling exploration of a mother-daughter relationship set against the backdrop of longing and an elusive sense of belonging. It reminds us of the inevitable tide of life and the rippling impact of our choices. Available 8/18/23.

Finally, “Of Tales and Dreams,” translated by Aysel K. Basci from Ahmet Hamdi Tanpınar’s work. This story invites us into the inner world of a young boy, a realm where dreams and reality intertwine in nostalgia and longing. It’s a poignant reminder of the places and memories we leave behind yet somehow always carry within us. Available 8/25/23.

Thank you for joining us in exploring these stories. As always, if you enjoy Flash Fiction Online and want to support our work, consider becoming a Patron. Your patronage not only keeps our virtual doors open but also grants access to exclusive content. We appreciate your readership and your support.

Enjoy!

Anna Yeatts
Publisher & Co-Editor-in-Chief
Flash Fiction Online

Let the Field Burn

“Can I have this? It’s in the Goodwill pile.” Micah was pointing to a large frame with a cardboard back, the picture facing him. I knew what it was. It was the man in the field. I hated that one.

The picture was propped against an enormous stack of Guinness Books of World Records. I loved my mother very much, but if there were a record for the World’s Tackiest Woman, her name would have been in every one of these books. Her cupboards, which we were now emptying, were full of novelty glasses from tourist traps and cheap dishware with cloying flower decals that flaked off year by year. She had favorite TV commercial jingles that she would sing around the house like Christmas carols. She was tacky as hell, and I missed her terribly.

But now these mountains of bric-a-brac were all that were left of her. I would’ve been happy to take a few cookie-cutters and torch the rest. Lord, have mercy. But she loved this stuff—she really did—and I had promised myself to sort through it, to handle every stupid bit of it. For her sake.

So there I was, up to my elbows in collectable keychains, and this kid—some teenager Mom hired to mow her lawn and who was helping me carry boxes of her crap out to the dumpster or the car—was asking for the man in the field.

“You don’t want that,” I said. I held the keychain with the little cutout diver before my face and turned it over. The diver, a pale man in an old-timey bathing costume, drifted down the plastic tube towards a blue pool.

“Yeah, I do,” Micah said, tilting the frame back to regard the picture with his approximation of a discerning gaze.

Micah was a good-looking kid. And he knew it. He was constantly sweeping his curly dark hair to the side to uncover his shapely eyebrows. That’s probably why Mom hired him. I told her I could mow for her, but she liked having Micah do it.

“What do you like about it?” If he wanted the picture, he would have to work for it.

He eyed the picture tentatively. “I like the scenery. It looks really quiet.” Not a bad start. I tossed the keychain onto the counter and came around to look over his shoulder, though I didn’t need to look at it to see it. Every detail was firm in my memory.

It was a print, a painting-as-poster behind plexiglass. The style was fairly on the nose realism, but he wasn’t wrong. It was a quiet landscape. No buildings. No roads. Just a man (we see him from the back) in the middle of a green-turning-yellow field, a haze of purple grass seed hovering over everything. In the distance, a mound of trees. The sky soft with clouds.

“And the light,” Micah added. Some art teacher had told him that people talk about light when they talk about paintings. But it was a misfire. There was nothing good about the light in this painting. It was flat and graceless.

“What about the light?” I asked, feeling increasingly edgy.

Micah shrugged. “It’s bright.”

I bit my tongue. The kid’s allowed to like bright, boring, unforgiving light if he wants to. “How about the man?” This was a loaded question. In the picture, the man’s shoulders were hard and tense. His right arm was bent, hand up by his face. He seemed always on the verge of dropping a lit cigarette onto the ground—as I had seen my father do a million times—and half-heartedly grinding it out with his toe. I knew—I had always known—that when the man did this, the ember would catch the grass on fire, and the whole field would burn, and the trees and the sky, too.

Mom saw the man as my father, too. That’s why she bought it in the first place. She showed it to him proudly:

“Look, honey, it’s you!”

“Don’t be dumb. That looks nothing like me.” He had barely even glanced at it.

“No, it does! Look at his shoulders—so strong.” And she had reached to touch my father flirtatiously.

“Stop it, Trina. I don’t like that.” She did as she was told and pulled her hand back, but she hung the print in the living room. Even later, broke and heartbroken, she kept the picture. I begged her to get rid of it, but she wouldn’t. It made me nervous. I would wake in the night to the smell of smoke.

“I like that he’s texting,” Micah answered.

I stared at him, at the picture. “Texting?” No. It was a cigarette in his bent hand—dangerous and rank. I knew it. I could smell it. Even now.

“Totally.” Micah pulled his phone out of his pocket to demonstrate. “Like this.” He laughed awkwardly as I edged around behind him to look.

My stomach lurched to see his wide, athletic shoulders, head dipped down, doubled by the man in the field. This boy. This damned beautiful boy.

“You know what, Micah? I think I’m going to keep this after all.” He turned, disappointment in his face. “Sentimental reasons.”

“Okay.” He glanced back at the man. “Whatever.”

I carried the picture out to the driveway and shoved it face down into the steel dumpster, cracking its plastic spine. You’ve done enough. You’re done. As if in response, a burl of smoke bulged out around the side of the frame, elongating as it rose. I watched until I saw the yellow tongue of flame in the smoke, then stepped back. Let it burn. Let it turn the man and all this junk to ash. Let the grass grow again from the dark, bare earth. The boy could have that field instead. I heard the fire’s sharp voice snapping, accusing.

I turned and went back inside to sift the tinsel of my mother’s life.

PATREON EXCLUSIVE: INTERVIEW WITH AUTHOR M. C. BENNER DIXON

FFO: What piece of writing advice would you give to people interested in learning to write flash fiction?

MCBD: I pace my flash fiction like a poem, but my sentences are those of a novelist. Both forms know how to move and how to take their time. In prose, movement happens like a little electrical spark of an idea being handed off from one sentence to the next. Poetry creates movement in all directions, with language, image, and meaning simultaneously. Neither form can afford to stagnate. That said, they don’t rush, either. The novel, obviously, has the advantage of thousands of words to spread out into. But through economy, a poem gives the reader time to appreciate the significance of each little turn, until—bam—it’s over, and you’re plunged into ruminations that extend the piece well beyond its conclusion.

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Nancy Shreds the Clouds

by Phoenix Alexander

August 11, 2023

Edited by Sabrina West

Storm clouds gathered, as they always did, when Nancy fought. Jaundiced thunder-carriers, chaotic with rain: lowering and brutish cumulonimbi spoiling for both combat and ceasefire.

They stacked themselves now over Meadows Elementary as she lashed out at Fiona McCarthy.

She called their leader ‘Crown,’ because that’s what he tried to be. Lord and Savior, bully, sky king. He came with his retinue: wheedling clouds that made plates in the sky, sinister smears of stratocumuli, puffs that looked innocuous yet were just as vicious as the bigger brutes.

“I hate you Nancy Michaelis!” Fiona yelled, because there was nothing left to do, with a face flushed with blood, scrapes on elbows and knees, and smarting patches on her scalp where her hair had been pulled.

Nancy had tried to be kind to her. Offered to connect in VR for a multiplayer game, to paint her nails nylon-pink. Fiona had sneered and called her names. The clouds had been silent about that—and how was that fair? Nancy, alone, was judged.

So she had taken justice into her own hands.

Nancy’s posse filmed the fight on their smartphones, and they sent her the video afterwards as, breathless with adrenaline and cruelty, they went to get boba tea. The clouds followed, rumbling across the sky. Nancy hid her anxiety behind loud laughter, open-maw chomping on tapioca orbs. Only when she was home (running upstairs straight away, knowing she only had about an hour of peace) did she acknowledge the clouds that hung low enough to form a mist outside her window. Some people were gifted with a sensitivity to spirits, a sixth sense, serpentine shivers of insight that allowed them to move with ease through the world.

Nancy’s ‘gift’ was to hear the clouds—and the bastards just wouldn’t mind their own business.

A vaguely equine face drifted beyond the glass, for all the world like a horse beheaded.

“You shouldn’t be bad,” it said, in the glutinous voice that all clouds had.

“Leave me alone,” she replied, looking back to her phone.

The front door slammed. Her parents were back and, as always, her father had had a bad day, and her mother was in a shitty mood. Nancy was sent downstairs to watch a television set to high volume while they swore and swung at each other upstairs: an endless mystery of thuds, and yelps, and even more alarming silences that kept her listening, frozen in powerlessness, for the sounds to resume.

Sounds meant her parents were still alive.

Nancy glared out at the featureless sky.

“Did you want to do anything about that?” she hissed.

Upstairs: the crystalline cacophony of glass breaking. A cartoon duck hollered on the television, beak torn bloodlessly off and replaced with a slab of metal to comical sound effects.

From the clouds: not a word.

* * * 

The clouds were an annoyance, a literal headache that plagued her with their admonitions whenever she did something they disagreed with. And, as the years passed, she did a lot of things they disagreed with. But Nancy had another power: she went through life with the elixir-clear understanding of its injustice and resolved to be entirely happy, anyway.

When she was good she was alone.

When she was kind, and loving, and sincere, her reward was: nothing. Condescension. Misogyny. Being overlooked—by clouds and people alike. There was an awful absence when the sky was silent. No thunder from above, no parental footfalls, no acknowledgement at all. Perversely, she missed it. So she took pleasure from speaking down to baristas, jack-knifing from holiness to rage and back again in boardrooms, on phone calls, online. And of course, the clouds came to judge. Crown came to judge.

In college she chose subjects that would make her money, and everyone loved her. Strong, willful Nancy. Nancy, who tells it like it is. She pushed people to their limit until, until, she could insult them almost explicitly to their faces, propose all sorts of plans and strategies that would actively harm them, and benefit her, only—and still they loved her.

To Nancy, that made perfect sense.

* * *

Crown and his lackeys changed form over the years, like clouds do. Constituting and reconstituting, dropping from sky to the heavens. Piss to troposphere to ocean and back again. All that feeling in fleeting forms: horses, carrion birds, dream-carousels that wheeled dramatically while she slapped her partner for the first time—and then kept doing it until he left. Pressure falling around her head: localized shame. And Nancy’s rage grew, because unlike the little girls in the playground all those years ago she could not fight the clouds.

Until one day she could.

* * *

On her sixtieth birthday Nancy Michaelis ascended to the rooftop of Axiom Tower—an architectural insult to carbon-neutral initiatives—as the factories behind it belched their own clouds up into the sky. Nancy’s entire career had led to this. Now she had her own retinue—and not of cruel, cowardly, powerless girls.

No.

Now she had nitrogen, sulfur, dross particles of water flung upward: uncountable insults to her old nemesis.

Crown came. The biggest he’d ever been: stretching from the horizon line to a dizzying height above her head.

She smiled, holding the champagne flute up to him. Above her, spears of smog surged upward, almost to the sky’s limit. Higher, and higher still, until looking up at them she felt the very smallness of the planet. The sight was infinitely more satisfying than kicking young children in a playground, than screaming at warring loved ones who would not ever stop, held together in a bond so toxic it had taken a lifetime for her to understand.

Crown issued a syllable like thunder in her mind.

“Why?”

Looking up—eye-wide in the sting of smoke—Nancy laughed in triumph as the factories’ emissions made a jag of structure, looking, for all the world, like a diadem, just for her, hundreds of miles up.

And the diadem was its own answer.

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Little Fish, Big Fish

by Jennifer Hudak

August 18, 2023

The creek starts calling to me as soon as we cross the county line. Gravel crunching under my tires is the sound of water tumbling over rocks; sunlight becomes silver fish glinting off my windshield. My daughter Lacey turns her head toward the open passenger-side window, like she smells something unexpected and delicious.

By the time Lacey was born, I’d long since left this place in my rearview. In the years since, I’d managed to convince myself that the creek was just a creek, and that everything I thought I’d felt was nothing more than an adolescent delusion. I swore up and down I’d never come back, but my mother can no longer manage alone, and she stubbornly refuses to move out of her house.

“You know I can’t,” she said when I asked. “You of all people.”

“I don’t know any such thing,” I replied. We both knew I was lying. The creek churned and tumbled through my dreams even when I was years and miles away; each morning, I woke up shivering from the feel of icy water lapping around my ankles, and then around my waist when I bent to reach for the silver fish below.

* * *

I set Lacey up in my old room, with its yellow twin bed and the hollow core door I used to slam on the regular. I make do on the couch downstairs. It’s cramped, but I don’t mind. Part of me still needs to think of this move as temporary.

Lacey takes to this town right away, settling into her new high school as easily as a seed in damp ground. When she walks home in the afternoon, she wanders, and comes home flushed and dreamy, smelling of sunlight and fresh water. It’s like she was born here; like the town was just waiting for her to come home.

“I’m going to the library,” she tells me, zipping up her backpack.

“By yourself?”

She busies herself with the zipper; it’s stuck, and she tugs at it impatiently. “Why?”

“Just, be careful,” I say, trying to keep my voice even. “It’s quiet here, but that doesn’t mean it’s not dangerous.”

“I’m just going to the library.” She gives up on the zipper and trots down the stairs. “I’ll be home for dinner.”

After Lacey leaves, my mother scuffs up behind me on slippered feet. For a moment we just listen to the buzz of the cicadas through the open window. “Why haven’t you told her about the creek?” she finally says.

Because telling her would make it real, I want to answer. Because I don’t want to give her ideas. Instead, I ask, “Why’d you make us come back here? Why did you never leave this place?”

My mother places a hand on my shoulder. It’s the same hand that hauled me out of the water, giving me finger-shaped bruises that lingered for days.

“We belong here. You, me. Lacey. And what you belong to…” Her eyes tighten. “Well. The creek doesn’t let you go without a struggle.”

* * *

I’m starting a load of towels when I hear Lacey thunder down the steps, slam the front door. When I come out of the laundry room my mother’s at the top of the stairs, gripping the railing, poised to descend.

“Lacey left,” she says.

Even though a chill skitters up my back, I climb upstairs and help my mother away from the landing. “She’s probably just meeting a friend.”

“You have to save her,” my mother says urgently. “Like I saved you. The daughters go; the mothers bring them back. You remember.”

I want to argue, but I can hear it, over the sound of the washing machine filling. A different kind of water flowing. I can feel the pull.

I run as fast as I can through the woods, but when I get there, only Lacey’s shoes remain on the bank. It’s like a fist punching me in the stomach. Even so, I plow right into the creek, just like my mother did when it was me in the water. The silver fish dart around my ankles, and I claw at them.

“Give her back! She’s mine!”

She chose, whisper the fish. She took what you could not.

“She’s too young!” I’m in the creek up to my hips, the icy water stealing my breath. “Give her back!”

Then Lacey emerges, just out of reach, her hair lank and dripping. I stumble toward her, before noticing that her fingers are already webbed.

“This is what I want,” she says. Her voice has taken on the churning cadence of the creek.

“You’re too young to know what you want!”

“When will I be old enough?” Gills gape at her neck, gasping in the open air. “When were you?”

I remember what it felt like, to yearn for something I couldn’t name. How I resisted when my mother’s strong arms pulled me from the water, made me remember what I was supposed to want and do and be. But the creek has never let me go, not really. Its cold fingers grip as tightly as my mother’s ever did, and the only time I ever really knew myself was when I let it claim me.

Lacey laughs like water pouring over rock. “The daughters go. The mothers stay behind,” she says, and slips beneath the surface.

I plunge my arms into the creek until they touch bottom, but Lacey is gone. The fish have disappeared, too, leaving me standing there alone. Even so, I stay in the creek until my legs are numb from the cold, waiting for them to come back. Knowing that they won’t; not for me. I’ll never stop hating myself for letting Lacey go. I’ll never stop hating my mother for pulling me out. I’ll never stop hating the creek, for giving Lacey what it couldn’t give me.

I’ll never stop hating this place, and I will never, ever leave it.

PATREON EXCLUSIVE: INTERVIEW WITH AUTHOR JENNIFER HUDAK

FFO: What other work of yours would fans of this story most enjoy? 

JH: I think they’d like “Mirrored,” which also appeared in FFO. It has similar conflicted mother-daughter feels, as well as a (super)natural force that grants wishes. They might also enjoy “The Day of the Sea,” which is out in the July/August 2023 issue of F&SF.

Of Tales and Dreams 

Our school was a rudimentary rectangular building consisting of three classrooms. Each class had a teacher. The Tigris River passed close behind the school’s large yard, which had no trees and was adjacent to a graveyard. When the weather was good, our noises mixed in with those made by women doing laundry on the shores of the river as they used sticks to beat the dirt from their clothes spread out on large rocks. Sometimes, at the beginning of spring, the Tigris surged so high we feared it would enter the school. Clumps of daffodils soon sprang up, covering the entire muddy area left behind after the waters receded. The heavy and overpowering fragrance of the daffodils flooded our classrooms. Sometimes, immediately after heavy rains, the waters raged. The water level did not rise much, but the river’s surface was covered with weeds, broken branches, small trees, and orchard crops plucked from the mountains. Destitute folks swarmed the river banks trying to save what they found floating on the surface.

One of my biggest pleasures was to watch the Tigris when its waters surged really high and flowed over the bridge connecting Mosul to the other side after the bridge’s wooden parts were removed, skipping over large stones like a giant. During these times people crossed the river using crates. When the waters subsided, a small island would become visible again and turn emerald green within days. For me, separating from all this would be torture. Yet I wanted to go—leave everything behind and go!

In these lands, summer nights carry a special magic most probably due to the weather.

In the tales I listened to, which were full of amazing incidents that made me instantly forget everything else, there were men who glided into fountain pipes and disappeared with the help of some magical potion; animals that spoke; phoenixes that carried princes on their wings; girls imprisoned in underground palaces with jeweled ceilings and pure gold columns who cried pearls instead of tears and used those pearls in their embroideries; foolish looking Keloglans who were actually quite smart and came to the rescue of those girls; and coral-gazed snakes that coiled up in front of rooms full of treasures. They all lived their adventures, which were profoundly different than ours, in lands filled with incredible amount of action. As my nanny told me these tales, she would suddenly get sleepy and her last sentences would get mixed-up; when the grumpy horses, in the tale, traveling at night got startled and stopped, she would also stop. When I asked her, “What happened next?” she often responded with a shrilling grunt. In my child imagination, after playing with these incomplete tales a little longer, my eyes on the stars which in these lands shine with a completely different brilliance, I would dive into a new tale where the protagonists were my mother and I.

I do not remember my mother; I was too young when she died. But with the help of what I had heard from my nanny and others in our household, I had constructed a special face for her in my mind. These tales always revolved around that face. At times, I imagined her pale, anxious and crying in a marble underground palace, her brown-haired head leaning over a white embroidery hoop as I waited for the dervish who would teach me the magical spell which would help me save her from there and for the mysterious phoenix who would fly me to the opening of a well that led to that palace. At the bottom of that well, there were black and white sheep. I was supposed to get on the ugliest and grumpiest of the black sheep, but somehow, this was impossible and I always ended up encountering a white sheep. And finally, when I was on the black sheep, instead of the underground road that led to the palace where my mother was captive, I would find myself traveling with frightening speed in the exact opposite direction, crossing steep cliffs that separated the stars from one another with huge leaps of my black sheep, its mouth spluttering foams. Then, I would wake up shaking from my dream—which I could not tell when it started—anxious and exhausted worrying that because I had enjoyed that dizzying speed, I had forgotten about my mother. Then, again, but this time from a different angle, the same dream would begin. Again, I would see my mother in the lands of the tales, sleeping, looking paler than the white blouse she wore and desolate. In front of her, a large black snake gazing at her, its gaze glowing with a frozen glitter, and I too would fall asleep because once I encountered that frozen glitter in that gaze, it would never let go of me.

Ahh those dreams, which at an innocent age gave me the taste of torments impossible to escape… The warm and luminous nights of those lands that I knew I would never see again… The sultry, somber air that filled those nights with creepy sounds with slow rhythms and turned death into a garden filled with overpowering scents—on the one hand invisible to the eye, on the other, close enough to touch by hand… Then, the stars, which dove into my dreams with their large and small glitters, and the peculiar shape they formed in my orphan-child imagination every morning before I woke up…

Now that we were no longer in Mosul, I developed a huge longing, a deadly longing, for the past, for those things that—just two months ago—I had desperately wanted to leave behind. I missed our house. I remembered the pomegranate tree in the garden, by the small pool, which produced ruby-colored flowers every summer. I wanted to be under that tree again, daydreaming as I watched its reflection on the sheer surface of the pool. I even missed my tormenting, at times terrifying, dreams…

Extracted from Hikayeler (Short Stories / Evin Sahibi) by Ahmet Hamdi Tanpinar, Dergah Yayinlari, Istanbul 1983.

© 2023 Translated by Aysel K. Basci

 

Ahmet Hamdi Tanpınar (1901–1962) was a Turkish novelist, poet, literary scholar and essayist, widely regarded as one of the most important representatives of modernism in Turkish literature. He was a professor of aesthetics, mythology and literature at the University of Istanbul. Although he died sixty years ago, his writing and poetry remains very popular. His novel The Time Regulation Institute is considered one of the best novels in Turkish literature. With this novel, Tanpınar became one of the two Turkish novelists whose works are published by Penguin Classics.

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