Issue 143 August 2025

Table of Contents

Editorial: The Character of Relationships

by Rebecca Halsey

August 1, 2025

Editorial

I saw a shareable, online platitude that goes something like, “Someone feels like HOME when they let you be your authentic self.”

Truth! Of course this is true! Don’t say FFO didn’t tell you about staying true to your authentic self.

But… Also true… We can’t help ourselves!

In the words of every hopeless romantic, “I can fix them!” In the words of Taylor Tomlinson, “Have you seen any good red flags lately?”

Not only do we love the idea of fixing someone else, we love the idea of changing the worst parts of ourselves to fit next to them. And me, personally—this is why I love the genre of romance. Romancelandia is where I began as an author, and every now and then I get a hankering to do an issue full of love (lost, found, dreamed of) and, of course, relationships in all their messy glory.

For a writer, relationships are like the toys you love to play with because they fall apart as easily as they can be put together. That’s one home-grown LEGO tower of a relationship. I love a relationship that’s its own character.

What does A plus B equal exactly? Two characters with all their unique idiosyncrasies come together to make something totally new and different. Just think of all the relationships you’ve been in, then assign an adjective or two or ten to each one.

As a writer, you can frankenstein two misfits into one heck of a creation and send it anywhere. You can send a relationship to wreak havoc on a small town’s holiday celebration. You can send a relationship to colonize space, to ride dragons, to solve mysteries. To the dystopic craters of today and the utopian edges of tomorrow. You can send a relationship anywhere, even to therapy.

In this issue, the FFO team has attempted to find relationships at various stages and forms. We actually begin this issue with the romancy-ist concept of them all—the Happily Ever After (aka HEA). Lisa Fox’s story “Textures” explores what happens to a bridal shop owner in the ever after part of the equation.

Lauren Kardos’ “The Body, Electric” also takes a science fiction lens to this concept by asking whether everlasting happiness can be truly everlasting.

This issue also has new beginnings and somewhat-helpful friends. Stephen Granade’s “Dislocated” champions finding your sense of home in a wacky-but-loveable teleportation sickness support group.

Underscoring my intro on authentic self, not all of these characters know who they are. Anna Clark’s “No Laughter in a Vacuum” follows the capitalist opportunities and dating mishaps of a personality vacuum. And later, we meet a 1970s divorceé flirting with her next chapter in “I Was Made for Loving You” by Angela James.

We end this issue on the other side of “I do” than where we began. We meet a Midwestern gal wondering how much of a man-pleaser she is. If you’re a fan of the show White Lotus, you’ll enjoy Eleanor Lennox’s “The Color of Things.”

Like the relationship between characters, we value our relationship with you—our readers. Thank you for your support! Happy reading!

* * *

Rebecca Halsey

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Textures

by Lisa Fox

August 1, 2025

Romance

‘If love had a texture, it would be satin.’

It’s what I’d often told my brides, tucking and pinning them to perfection as they stood on a pedestal under the bright lights of my little shop. Draped in white and unsteady in shoes they hadn’t yet broken in; they confronted their reflections in my triple mirrors.

‘Satin shines like no other. It’s lustrous. Romantic and soft.’

Their eyes shimmered as they transformed into the princess they’d always dreamed of—joy and anticipation twinkling like their newly-gifted diamonds. Yet, sometimes, they stared into themselves, searching—rigid smiles masking the trepidation exposed in their gaze.

‘The underside of satin is subdued. Durable. With the right level of care, it can last.’

In thirty-five years of working with brides, I knew which marriages would last by the way they responded to my metaphor. Deep inside, those brides knew, too.

* * *

I brush past the three forsaken gowns hanging in the dark storage space that now holds the remnants of my life. The fabric sways in ethereal stillness, underskirts rustling like a whisper. Cardboard boxes pile as high as the ceiling, entombing surplus veils and combs, handbags and shoes. A single rental tuxedo—a late and final return—lays crumpled in the corner, like molted skin.

It’s all that’s left—everything else was sold at auction.  

My husband Bill tried so hard to keep my shop alive after I died. But it was just too much.

* * *

If memory had a texture, it would be Alençon lace.

Its patterns run twisted and corded; beading and adornment stacked. Each design bursts in its own bloom, multi-dimensional and unique. The lace remains timeless—a wisp upon which life’s most intricate stories are built, stitch by stitch.

I was twenty-seven when Bill first came into my life. He’d raced into my newly opened shop, wild-eyed and sweating.

“Help. Please,” he said. “My brother’s wedding is in two days, and my fiancée lost her mind when she saw the tux he picked out for me.”

“Isn’t that his decision?”

“You don’t know my fiancée…”

“What’s the problem?”

“She said I’d look tacky in some low-class dinner jacket.” He sighed. “She wants me to wear a peaked lapel. Whatever that is.”

“There’s nothing low class about a dinner jacket. Besides, with your build, you’d look amazing in it.”

I couldn’t turn my gaze from his broad shoulders, the adorable cleft in his chin, and the pink tinge creeping over his cheeks.

“That means a lot, coming from an expert, that is.”

“I’m a great judge of fit.”

 He grinned. “You can help me?”

I nodded, seeing my future in his eyes.

“More than you know.”

Bill went stag to that wedding. He wore the jacket his brother selected.

And six months later, I wore a sparkling emerald-cut diamond on my left hand.

* * *

The tragedy of forever is that forever is finite.

Bill stood, lost, among the vacant racks and bare walls—my beloved husband a shell, my shop nothing more than a skeleton.

The bell rang, and a young man sheepishly entered the empty space.

“So sorry this is late.” He handed Bill the used tux. “I’m sorry about your wife.”

After that final customer left, Bill stayed for a while, staring out the storefront window.

“Annie,” he whispered. “I can’t believe you’re gone.”

I’m still here! My life disappearing, I was desperate for something to cling to.

My spirit rushed toward the suit, latching on to the fabric as Bill pulled it close to his chest, so close I thought I could feel his heartbeat.

Though I could no longer feel anything.

He flicked the lights off and closed the door, locking my shop like a crypt.

A phantom burrowed in that tuxedo, I traveled to storage, where relics of my little shop live. Where I reside now.

* * *

I dare myself to glance into the triple mirrors leaning against the storage unit’s cinderblock wall. It’s a game I play sometimes, to fight the monotony. In here, it’s dark as night, but that doesn’t matter. I can see the room and all its contents.

What I can’t see is me.

Reflected only are the things left behind, the things I cling to here. The unwanted gowns hang like wilting flowers on that metal rod, beautiful and sad. I wonder why no one chose them when my merchandise was liquidated. I wonder why Bill didn’t toss them out—why they’re here. Why anything is here.

No matter how hard I look, I can’t find myself in the mirror.

I don’t know if my spirit presents as sixteen, twenty-seven or sixty-two—if the ‘me’ at the time of my death becomes my indelible self. If I get to choose.

I wonder if Bill would know me, should we meet in an afterlife beyond… this.  

I wonder if I’ll ever see him again.

* * *

If regret had a texture, it would be a layer of crinoline.

Its coarse stiffness boasts a firm structure; layers give it strength. It’s abrasive to the skin, its presence obvious, yet hidden—the wearer mired with discomfort, yet resolute to its purpose.

I nestle into the rumpled tux on the floor, longing to pick it up, dust it off, place it on a hanger with the dignity it deserves.

It’s been so long; I can barely sense Bill’s touch in its fibers.

I wish I’d said ‘I love you’ more. ‘Thank you’ and ‘you’re wonderful.’ ‘You’re my everything.’

I wish Bill hadn’t been the one to find me collapsed at the back of the shop that random Friday evening when it all ended. That he hadn’t had those moments of white-hot panic when he attempted CPR before the ambulance arrived.

I wish he wouldn’t remember me like that.

On my wedding day, I wore an ivory satin ballgown with Chantilly lace capped sleeves and a chiffon train embroidered with roses.

Bill cried when he saw me.

It’s why I can never leave this place. In this vault, love lingers—abundant—though the inventory seems sparse.

Our love is satin. It’s always been satin.

* * *

Lisa Fox

Comments

  1. Katarina Behrmann says:
    Beautiful story.
  2. Eloise says:
    This is such a heart warming story from the spirit of the wife… This is truly beautiful and such an amazing story.
  3. Caspian says:
    This really touched me. The tenderness. The delicate agony. The unique and textural use of metaphor. This story stays with you..
  4. Christine says:
    A lovely story. It says so much in so few words. Flash at its finest
  5. Katarina Behrmann says:
    Beautiful story.
  6. Eloise says:
    This is such a heart warming story from the spirit of the wife… This is truly beautiful and such an amazing story.
  7. Caspian says:
    This really touched me. The tenderness. The delicate agony. The unique and textural use of metaphor. This story stays with you..
  8. Christine says:
    A lovely story. It says so much in so few words. Flash at its finest

Leave a Reply

No Laughter in a Vacuum

by Anna Clark

August 8, 2025

Fantasy

Ellen’s ex-girlfriend called her a personality vacuum before she considered doing it for work.

It came out at a house party of Rhia’s debate-me crowd, Ellen backing some Rhia-espoused view, like she always did, and then— “God, El, get your own opinion for once. It’s like talking to a parrot. Do you have a personality in there, or are you a vacuum all the way down?”

They’d broken up shortly afterwards, but it had a gnawing undeniability, and when Ellen saw the ad for “persons of unstable sense of self; social mimics,” she was depressed enough to answer it.

Which was how she found herself sitting across from her new CleanCharacter supervisor, still raw from an interview where she’d failed to answer a question about hobbies (with Rhia, she’d gone climbing and attended poetry nights, but that was for Rhia).

“Just do what you naturally do,” instructed the older woman. “Chat with the client. Any topic. You pick up the social defect, and our product secures it to you for the defined period. They have their event, make a good impression. We revert the trait, and you go back to being a blank slate.”

“Got it,” said Ellen. Brisk. Unsentimental. Afterwards, she’d realise she’d been tapping her finger against her armrest to the same rhythm as her supervisor.

“You’ll be perfect.”

Ellen walked away thinking it was a very bleak compliment.

* * *

The first client was a businessman with the tendency to over-gesticulate. His latest pitch had been judged “unhinged,” so he wanted to ditch the habit before the next one.

Ellen met him in the CleanCharacter bar and lounge, and managed to knock over the soft drink he’d bought her as a courtesy while professing that she, too, believed in portable dishwashers.

She didn’t. Probably.

The moment of transfer happened partway through his second spiel, when his arms stopped mid-sweep and settled on the bar. Ellen responded with an animated gesture. She interlocked her fingers in her lap; they sprang loose with her next answer.

He left, and she dissolved in the bathroom with a panic attack, a social chameleon stuck on one colour, failing to camouflage her nothingness.

Her hands were still acting without her when she arrived at the pub for a landed-the-job pint with her one long-term friend.

“That’s new,” commented Nathan, with dry distaste. His distaste wasn’t new; sometimes Ellen suspected he only stuck around because he liked seeing his reflection.

“New, yeah. Part of work.” Fluttered hands.

“Okay, well, I was going to ask if you wanted to go to a speed dating event next Saturday. It’s gay. Molly got a ticket but can’t go, and I said that you’d cover her cost, since you don’t exist without a girlfriend. If you’re stuck with that, though…”

“Oh, this, don’t worry—it’ll be gone by then. Yeah, cool, thanks, I’ll find the money.” Ellen didn’t mention she might be afflicted with something else, because he was right; only becoming a partner, merging, appropriating, let Ellen feign identity.

She went home and sat in the dark, arms stuffed down the body of her jumper.

* * *

The Friday of the speed-dating event, Ellen met the client with the excessive laugh. The laugh was incompatible with an ex-boss’s wake, and the client was chatty.

“God, you wouldn’t believe how many times people have looked at me like ‘huh?’ Like, it’s not that funny. Then they start cracking up too!” she said, and followed it with a bellow Ellen could only imagine had evolved to carry over mead halls or amphitheatres.

Ellen laughed with her.

The woman stopped first. “It sounds nice on you.”

Nathan disagreed; he dropped her off at the event with a “Great, now you’re giggling at everything.”

She circled table to table, trying on people like it was a dress fitting—then the pins bursting with each “Ha!” A couple of the dates promised something. One woman—who reminded her of Nathan—said she thought they’d connected on a deep level (Ellen barely needed to speak besides occasional affirmatives).

After the end, a quiet non-binary person with cute eyebrows approached and told her she had a terrific laugh. Ellen left with a mixture of elation and shame, wishing she really did.

* * *

“Can I keep a trait?” asked Ellen the following Monday.

Her supervisor barely glanced up. “CleanCharacter doesn’t do permanent transfers.”

By Tuesday, the laughter was gone.

Clients like costume changes. Another. Another.

Female-Nathan from speed dating told her it wasn’t working out.

Ellen was too many people to calculate. She was an abuser of “like” and active listening and “that’s so profound!” and talking too fast and talking too slow. And she was nothing: a shape-shifter sheathing a vacuum. She dreaded going home without part of another person and having to lie with herself. Her panic attacks came nightly, and her mimicked smiles felt sharp enough to crack her face.

She was leaving CleanCharacter for the weekend, shoulders hunched, when her supervisor caught her elbow in the revolving doors.

“Look, whatever-your-name-is, off-record, our clients could probably ditch habits themselves if they really put in the time. Personality isn’t static. Not theirs. Not yours. Practice being someone. Practice gets real. Or keep your job. Whatever.” She exited, letting the door hit Ellen’s back.

Ellen trudged to the station, feeling close to breaking.

On the platform beside her waited a stern-faced man and an old woman with a knobbly walking stick. A busker was singing rough-around-the-edges comedy songs to the unimpressed commuter crowd.

Too much. Too many shifting shapes to merge to. Too hollow inside. It was cry or—

Ellen laughed. First shrilly, a valve releasing steam. Then full-chestedly, trying to believe. The song hit an off-colour chorus, and the stern-faced man frowned his disapproval. Her throat caught. Nothingness reached an encompassing hand, promising this wasn’t her, not yet; she could still be the man.

But then the old woman emitted a cackle, and Ellen became her, and the laughter became theirs. Or, just maybe, the woman became Ellen.

* * *

Anna Clark

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I Was Made for Loving You

by Angela James

August 15, 2025

Satire

The boys are staying overnight at their dad’s apartment for the first time. A perfect opportunity, I’m sure, for my ex to introduce them to his twenty-five-year-old tart.

Flopped on my bed upstairs and partway through the Carol Burnett Show, I think I’m hallucinating when I see Gene Simmons hovering outside my bedroom window and tapping at the screen. After all my yapping to the kids: “No, the members of KISS don’t really have magical powers.” “The blood stuff is fake.” “All that flying in their tv concerts is staged.”

Maybe Gene got our address from fan letters from the boys. Perhaps the Universe thinks I deserve a dash of spice in my life. Something more thrilling than mediating sibling disputes, washing never-ending piles of clothes, and chasing child support payments from a man who abandoned our life together in search of fun.

Gene and I are having a nice chat through the window when he asks me to invite him in. I glance around at the cheap veneer bedroom set, pilled chenille bedspread and sagging mattress I used to share with my serial impregnator. I catch Gene giving me a naughty smirk. Surely this tall strapping young rock star has no interest in kneading my middle-aged, weighted-sock breasts?

I insist Gene come downstairs to the salon so we can get to know each other properly. Gene swears he’s “never met a lady” like me before.

“This is nice,” Gene says, between swigs of TaB cola as we sit side-by-side on the Chesterfield. “Sometimes, I just like to feel like a regular person, you know?” Our fingers brush and he lightly squeezes my hand as he reaches for the Jiffy Pop popcorn. Butter-flavored oil dribbles down his chest and I suppress the urge to dab a napkin to his lush chest hair.

* * *

The next time he visits, Gene is without makeup, and I find myself marvelling at his curved cheekbones and nougat-y lips. If I didn’t know he was a rock star in his mid-twenties, I might have wondered what grade he was in. His poor eyes, though, are red and beady behind heavy lids. Apparently, the stress of feuding with his drummer, Peter Criss, has been affecting his sleep.

“Why don’t you go to the guest room and have a wee nap?” I ask him.

He perks up and asks if I’m joining him. If I’d been a teenaged mother, I could have a child close to his age now.  Maybe my sleazeball ex doesn’t object to scarring young people by exposing them to his aging flesh, but I can’t, in good conscience, inflict such horror on this taut, handsome young man.

“I don’t think that’s a good idea,” I say.

Gene’s face falls.

“I’ll tuck you in, though.”

I pull the comforter tight under his chin and he’s snoring by the time I close the door.

* * *

At first, the boys were thrilled to finally meet Gene. I fessed up that he had been coming around when they found hand towels caked with black and white makeup in the guest bathroom. Gene and I told the boys that, yes, the KISS band members have powers and can fly. We said the blood is fake though— little white lies never hurt anyone.

On the nights I expect Gene will visit, I find myself going all out. So far, his favourite is chicken breasts with rice, smothered with a sauce I make with my favourite go-to ingredients— Campbell’s cream of mushroom and Lipton dried onion soup mix. 

Tonight, though, nearly all the meat in the house is gone. My cheating ex showed up earlier with a burlap sack and loaded it with the contents of my chest freezer.  “I paid for all of this, Barb,” he said, looking around.  “And I’m still stuck sending you half my earnings.” I was too shocked to remind him that his children don’t cease to need food just because they are out of his sight.

The grocery stores are closed so I make do with what’s in my cupboards. I pull together a feast of Rice-a-Roni and fried spam with toasted Wonder Bread.

“Delicious!” Gene enthuses. After licking the last of the Jello pistachio pudding dessert from the spoon with his long tongue, he says: “I haven’t eaten like this in ages.”

The boys gripe that I always make Gene’s favourites. I tell them that maybe they should consider being as appreciative of my efforts as Gene is.

* * *

While Gene and I are watching Sha-Na-Na, I catch him peeking out the window at one of the neighbour girls. He’s licking his lips and I swear he’s salivating at the blood vessels in the young girl’s neck.

“Chaim Gene Witz Simmons!” I say. “Don’t even think of doing that!”

* * *

When a bouquet of two dozen pink roses shows up at my door, I’m stunned. Gene has kept track—he remembers it’s been one year since he tapped at my window. I pull out the card: “Dear Barb, thank you for being the best second mother a Demon could have! Love, Gene.”

Gene’s other mother was on the Phil Donahue Show just this morning. “My Gene may like the ladies, but he’s a good boy,” she boasted.

* * *

Gene doesn’t have as much time to visit now that he’s dating Cher. We are on the phone and I’m telling him that the boys’ father has convinced the tart to marry him. The boys told me the waiters at the engagement party assumed she was their sister. The old codger didn’t even have the sense or the decency to be embarrassed.

Gene puts Cher’s kids on the phone. I hear him encouraging them to call me “Nana Barb.”

Back on the line, Gene tells me he’s remembering when we first met and how he was immediately struck by an overwhelming mother/son type of connection between us.

“Yes. That’s what I remember, too,” I tell him.

* * *

Angela James

Comments

  1. Andrew says:
    I love this. So beautifully constructed, complex and leisurely prose. Such subtle humour. Absolutely great!!
  2. Wayne says:
    Hella good. The two male characters couldn’t be more different, flow well, and end as distant from narrator as they began, Cher’s kids notwithstanding. Well done you.
  3. Dallas says:
    Loved the story but a lil disappointed that they didn’t hook-up. Hahaha
  4. Alyx says:
    That last line is PERFECT. This was such a strange and enjoyable read!
  5. Andrew says:
    I love this. So beautifully constructed, complex and leisurely prose. Such subtle humour. Absolutely great!!
  6. Wayne says:
    Hella good. The two male characters couldn’t be more different, flow well, and end as distant from narrator as they began, Cher’s kids notwithstanding. Well done you.
  7. Dallas says:
    Loved the story but a lil disappointed that they didn’t hook-up. Hahaha
  8. Alyx says:
    That last line is PERFECT. This was such a strange and enjoyable read!

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The Body, Electric

by Lauren Kardos

August 19, 2025

Science Fiction

My body is a body in which I mean it eats, sleeps, pisses, and shits, all thanks to the 200 jolt-a-roos the ruffian at the corner gives me once per week. I am ageless, I am boundless, but I can no longer stand outside to watch our frequent thunderstorms. This galvanized heart of mine requires a fine balance. Too large a zap, and I’d be toast.

Your body is no longer a body, but a little speck of dust hovering above the city of Pittsburgh or a gulp of riverbed silt during a Polar Plunge. You could double as dry shampoo or popcorn seasoning or diatomaceous earth, zap zap zap killing bugs, blandness, and oily scalps all before I tip out of bed and guzzle down my first fuel of the day.

Our bodies, we promised to one another. You said yes, I said yes, and we kissed under a sun-dappled pergola with honeysuckle tickling our noses, sneezing away from the officiant’s face because our bodies once reacted to now long-dead things like pollen and mildew.

Our bodies hiked the mountains around Calgary before the wildfires ate them up. Sampled street food snails in Saigon’s alleyways lucking into one of the last trans-Pacific flights. Waved back at saintly reliquaries in the Florentine museums soon to be flood-lost. Our bodies coupled though failed in reproduction, but we hosted office holiday parties, and volunteered for the library and animal shelter, and held fundraising barbecues in the backyard. Pretended at normalcy as the world worsened as it spun. Our bodies loved, held one another and most others, and we pined for a love without end.

Our bodies might live forever, the scientists began saying, and the pharmaceutical companies threw onto billboards, and our doctors went along with because they were tired, harried. Insurance companies chomped at the chance to build the never-ending patient, a body doling out money, everlasting.

Your procedure was scheduled the same day, right after mine, but when my anesthesia wore off, you already sat at my bedside, reading. In your sad Didion phase, you loved saying, and I felt too groggy to ask why you’d been discharged ahead of me, why you wore no gown. The tears streaming down your chin, I assumed, were nothing more than relief for surgeries complete and a heartrending book, tented over your jittering knee.

After the hospital, my body healed.  Your body slowed with each passing year, your heartbeat turning elephantine, trudging through quicksand. You made a choice opposite my choice, as twilight sleep rendered me agreeable. You chose mortality.

Why? My body raged. Your body stood tall, firm in your decision.

My body pled, crawled, begged, and craved understanding. Your body offered only kind smiles and soft words against the inevitable. Why should we live forever when we’ve killed the bees and the trees and the fish and the fungi? Years, decades, eons would pass, and what beauty would remain? I loved blaming those damn books, your shelves of grief-filled memoirs and morbid microhistories. You’d always quote from your favorite one: death is a gift for a life well-lived.

Time trotted on, and I couldn’t stay mad, not when your organs stuttered and failed, all the ones they could no longer replace, while my ticker only needed the occasional winding. I haunted your bedside until the back alley jump cables couldn’t wait, when insurance stopped covering “maintenance visits” for me and bodies like mine. You haunted our household until you couldn’t, when the spark you were born with grounded back to the earth.

My body is a body I wear about our ghost-gray house, cobwebs adorning the corners in the decades since you dusted. This rechargeable corpse I drag through the bare-aisle supermarket, the running path down by the dried-up canal. Here my body is, as long as the corner ruffians stay in business. Here your body isn’t. My body, electric, persists without your pulse, throbbing, bleeding, next to mine. I once laughed at your prayers before mealtime, your commitment to confession every Sunday. And here I am, praying into the gusts that carried your body’s ash away. These days I find my hands clasping, willing the jump cables to deliver a final shock, the lightning to catch me unaware.

* * *

Lauren Kardos

Comments

  1. Lenora Good says:
    Well done! Enjoyed reading it. Thank you for writing, and thank you FFO for publishing!!!
  2. Lenora Good says:
    Well done! Enjoyed reading it. Thank you for writing, and thank you FFO for publishing!!!

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Dislocated

by Stephen Granade

August 22, 2025

Science Fiction

Nicola’s teleportation sickness support group used to meet in the public library, but then the library sealed its entrance and went teleport-only. For tonight’s meeting, Nicola rented an Irish pub’s snug. The Ivy and Cross is one of the few places that still has a physical entrance. Teleporting while drunk can do a number on you.

Nicola’s fighting to be in phase enough to set out cookies when Kate and Katherine arrive, already arguing. They’re duplication twins. The teleporter hiccuped and copied Kate. Katherine thinks the snug is in fact too snug. Kate disagrees out of contrariness. Their bickering is sandpaper on Nicola’s already-frayed nerves. She’s in charge, though, so she has to calm the waters. She sends Katherine to fetch beers and has Kate set out the cookies so Nicola can let her throbbing hands de-phase.

Once everyone’s arrived, Nicola agrees with Katherine. The six of them are cheek-to-jowl. Santiago has it the worst. He flickers from spot to spot, Schrödinger’s group member. It’s not as bad when he moves. In the old meeting room, he’d pace. Here he can only walk in and out of the snug, and after the third muttered comment from a patron, he sits, vibrating at one end of the table.

Nicola’s failure pulls her shoulders down. She should have found a better location. She puts her guilt aside for later and asks each member how they’re doing. She calls on Ainsleigh last. Everyone waits the several seconds for the words to reach Ainsleigh. The teleporter left her on a permanent delay, like her mind orbits out past the moon. Ainsleigh eventually says that her mom wants her to move out. Rent’s too high, though, and her last roommate found her too slow to live with.

Nicola wants to help. It doesn’t hurt that Ainsleigh’s very much Nicola’s type, stocky and fit, so grounded that it’s no wonder the teleporter struggled to move her. But Ainsleigh’s a cipher. She won’t even look at Nicola, and doesn’t speak unless spoken to directly.

At discussion time, Oneida leans forward and brandishes her phone. A new study, she says. No one’s heard of the research organization. When Oneida mentions the vitamin supplements that the organization wants her to sell, the mood drops from frosty to Antarctic-frigid. Kate and Katherine’s arms are crossed tight, lips pressed tighter, both in agreement for once. No mid-level-marketing vitamin will reintegrate them, and would they even want that?

The teleporter left Oneida convinced she was a ghost haunting her own body, and she’s desperate to be alive again. Remembering that helps Nicola have patience with Oneida. She tells Oneida to post the link to #medical in their Discord. Everyone but Oneida and Nicola has that channel muted.

Nicola encourages everyone to mention last week’s wins. There are a few, like Kate and Katherine’s new jobs, though the schedule’s murderous because the company assumes everyone can commute to work instantly. Santiago’s brother has finally accepted that it’s not Santiago’s fault he’s living with teleportation sickness. Santiago smiles for the first time in months. His vibrations ease. So does a knot in Nicola’s chest. She’s been so worried about him.

Then Ainsleigh asks how Nicola is.

Surprise almost makes Nicola honest. How she’s still wrecked by her girlfriend leaving her last year, but it’s not her girlfriend’s fault—who wants to date someone who can only be physically present by a painful act of will? Instead, she mentions the new medication that may help her stay in phase. Smiles all around, no one admitting the doubts that they all share. Every past cure has been a mirage. Why should this be any different? But boulders don’t roll themselves uphill, so they carry on until the hour is up.

Nicola’s gathering up the leftover cookies, brow furrowed with effort, when Ainsleigh lifts them from her. “You should tell us how you’re really doing.”

Ainsleigh’s reacting far too quickly. Shocked, Nicola blurts, “How did you do that?”

“I’m like you. I can push through if I want to bad enough.”

She’s noticed Nicola struggling. “You don’t even look at me.”

“Hard to steal glances when you’re three seconds behind.” Ainsleigh packages up the cookies. Sweat dampens her forehead.

“You don’t have to push for me.”

It’s seconds before Ainsleigh slumps in relief. Nicola holds still as Ainsleigh moves to take Nicola’s hands. Nicola makes them solid. A beat, and then Ainsleigh says, “You don’t, either.”

Nicola’s girlfriend hated feeling her when she was out of phase. Said it was like a too-warm mist. But Nicola relaxes. Ainsleigh’s hands fall into hers. Ainsleigh doesn’t pull back, though. She stays still long enough that it’s clearly her choice.

Ainsleigh finally steps away. “Text me,” she says as she leaves. “We’ll start with coffee.”

Nicola’s hands tingle with the memory of Ainsleigh’s touch.

* * *

Stephen Granade

Comments

  1. Kellie Miller says:
    I loved it. Such a clever metaphor.
  2. Kellie Miller says:
    I loved it. Such a clever metaphor.
  3. […] Dislocated by Stephen Granade was published at Flash Fiction Online.A local disability support group meets up and shares their wins, and so much more. […]

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The Color of Things

by Eleanor Lennox

August 29, 2025

Literary

At noon, they ate fried river fish out of banana leaves with their fingers. The guide ate with them. Laura had forgotten his name but could not bear to ask it now. Craig called for salt, and Laura flushed with shame.

Craig had asked her to marry him that morning, and she’d said yes.

“The jungle is always silent at midday,” the guide said, rolling a cigarette.

She didn’t want to marry Craig. Yet she couldn’t bear the thought of telling him no, the look on his face as she said it.

After lunch, they ascended Bukit Teresek. All around her bloomed the musky fungal smell of dying things: mushrooms in the dark, moss and earth, steam and rot, fat-petaled flowers splayed open in old, blackened logs. Life turning itself over. 

“Keep moving, or leeches will get into your shoes,” the guide said.

She sensed judgment everywhere—from the guide, Craig, the vine-choked trees.

Did you really come all this way just to look at us? the trees crowed. And you paid how much for the privilege?

“Careful of the vines. There are snakes.”

The guide’s frequent warnings were either sincere or performance theater for Westerners craving exoticism, it was impossible to tell which. He was almost gleeful when he warned them about the antivenoms—the ones he had on hand. The ones he didn’t.

“Walk backwards if you see a tiger,” the guide said.

They had been dating for eight months. She’d met Craig at a bowling alley in Taiwan.  People always exclaimed at bowling alley, so quaint, so cinematic, but no one lingered on the bowling alley being in Taiwan. The incuriosity of other people was a familiar irk, but then there was Craig, an exception to the rule. And yet, she could not love him.

The air was a hot, slick hand pressing down on her, compressing her. Craig stopped and stripped his shirt off, wringing the sweat out before stuffing it in his bag. The guide leant against a tree and lit another cigarette. Laura gazed at Craig, shirtless, abdomen glistening, arms strong and defined, more so now than when they’d met. She felt nothing, not a flicker of arousal. Craig hefted his backpack and began walking again—there was meant to be an elephant watering hole up ahead. The guide looked at her, eyes aglint and knowing. She turned away and retied her shoelaces. She could feel the guide moving beside her. He tossed his cigarette onto the earth and ground it with his boot.

“Elephants shouldn’t be far now,” he remarked. “You may see them before you hear them. They’re quiet walkers, silent when they want to be.” He smiled at her. “Good at sneaking.”

She had not seen any elephants, nor any other mammal. She’d found where life hid itself in this place while burning leeches off her ankles—six-limbed and writhing on the other side of a glossy fallen leaf. It clung to shadows, lurked in puddles, oozed from crevasses. Life was insectile, fungal, parasitic. It seldom announced itself.  

She would think about what to do tomorrow. She only knew she couldn’t bear to hurt Craig. She was a Midwesterner, bred to maintain sangfroid and ensure minimal surface tension at all times.

“Are you mad at me?” She could still hear her friends, her mother, herself, saying it to each other, that pathetic refrain. “Are you mad at me?”

They were so exquisitely calibrated, they could detect when a houseguest was secretly disappointed there was no skimmed milk. Family, lover, guest displeasure—all manifested as a pain in the stomach that only went away when one laid down. Stand back up again and there it was, waiting for you.

They caught up with Craig. The path here was narrow and strewn with obstacles. They walked single-file, Laura in the rear. Every so often, they had to grip a low-hanging tree branch for support as they navigated rocks, logs, other things. The trees were a primordial shade of green, pure and electric, hidden under a coiled mass of lianas like so many veiled brides. 

“The frogs are singing. It will rain soon.” the guide said.

The screeching call of a drongo pierced through the drone of cicadas, the mellow burps and rasping croaks of invisible lizards. As Laura’s ears grew sharper and more attuned to the forest, she began to pick up the sounds that were trying not to be heard. The crunch of leaves being stepped upon, the crunch of leaves being eaten. The sound of something wet and heavy being dragged on the forest floor.

She knew with a sudden clarity the truth about herself: she would do anything rather than tell him no. She would even marry him. 

She heard a hiss, disquietingly close. Then a flash, an apparition of black and white in the bush just by Craig, up ahead.

Craig.   

Now that supple black-and-white stick, rope, snake was on Craig’s arm. Now it was rearing back—

Craig screamed.  

The snake vanished. Craig fell heavily to his knees, then flat onto the earth. 

Laura didn’t move. She stared at Craig prone on the ground, the guide hurrying to his side.

The guide was kneeling beside Craig, rummaging through bottles in his bag.

“What color was it?” the guide asked, voice calm but fingers clumsy with fear.  

“I didn’t see it,” Craig said. His face was already ashen.   

Laura saw two puncture marks on Craig’s arm, each leaking a feeble trickle of blood.

“Laura, what color was it?” the guide asked. She was taken aback that he remembered her name, that he would use it only now. She said nothing.

“Laura,” Craig moaned, his voice weak. “Did you see it?”

Laura turned to the guide, to Craig.

“Yellow,” she said at last.

“It was yellow.”

* * *

Eleanor Lennox

Comments

  1. Daniel M says:
    Very nice metaphors and symbolism. A great story.
  2. Daniel M says:
    Very nice metaphors and symbolism. A great story.

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