Issue 147 December 2025

Table of Contents

Editorial: Upkeep of the Menagerie

by Rebecca Halsey

December 4, 2025

Editorial

This issue marks the second full year I have been at the helm of Flash Fiction Online, and while the world at large feels unmanageable and unpredictable, I feel like we’ve done as well as can be expected for a small arts organization. In 2024, we succeeded in transitioning the magazine under the umbrella of a nonprofit publishing press. In 2025, we worked to increase the number of authors and artists we could uplift with each issue. We raised the number of authors we published from 60 in 2024 to 76 in 2025, and I had the pleasure to work with eight separate artists and three guest editors over the course of this year.

All told, the magazine spent $8,462 on authors, artists, and guest editors—a significant increase from the $3,100 which was what was spent in 2023. I provide these numbers because (a) we are a nonprofit and I think transparency is good; and (b) I see a lot of questions about what it costs to run a fiction magazine; and (c) I hope that by seeing these figures, you consider becoming a subscriber or patron.

Right now only 40% of our operating budget comes from subscriptions and ebook purchases. The remaining amount needed to run the magazine comes from direct donations and dividends from investment accounts opened in the name of the nonprofit. It remains one of my biggest goals to secure operating grants, but as you can imagine, under the current administration, the competition for these awards has grown fierce as federal funding to the arts has been slashed.

But we remain hopeful! Hopeful that with time, funding will return at a time when we will be even better at advocating for our authors, artists, and editors. As always, we’re grateful for everyone who has followed our trajectory over the years, and I hope you continue to think of us when considering which arts organizations you would like to support.

* * *

This year, we’ve had animals appear in a few stories interspersed across multiple issues, but this month we have the opportunity to feature an entire menagerie. Scaled and feathered, warm- and cold-blooded, there are creatures scampering across the month of December.

We have two stories about house animals—a snakey pest in “Shedding the Weight” by Chiemeziem Everest Udochukwu, and a lazy pet in “Growing House” by Madison Ellingsworth.

“Ornithogonia, or Five Featherings” by M. R. Robinson gives us a look at the curse of a slighted goddess. And, Laurence Klavan’s “Homonyms” depicts time chasing an aging television writer like a marten chases the snowshoe hare.

Aging, or perhaps the exhaustion of living in a troubled world, also seems to be catching up with Jean, the ichthycraft, in Matt Dovey’s “Reflexive Benevolence Imperative.” Sometimes the answer is to rest, as we intend to do over the December holidays.

Finally, we close this issue and this year with Kate Francia’s “Small Prayers for the God of Sow Thistle Hill,” which shows us a kinder, less egotistical deity. One that can offer only a fluffy bunny or a single sunny day.

Here at FFO we want your 2026 to be gratifying and peaceful. But if nothing else, we hope our weekly offerings of fiction are akin to that bold, brief, beautiful flash of sunshine. To use the words of Francia’s God of Sow Thistle Hill: “It is all I can do, and it is never enough.”

* * *

Rebecca Halsey

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Homonyms

by Laurence Klavan

December 5, 2025

Literary

She had no idea why it hadn’t happened. The hare was used to seeing her world change from green, brown and white to purely white, for snow to fall and for her to merge with the snow, to be hidden by it and camouflaged from her enemies. As usual, her coat had shifted already. It was why she was called the Varying hare, and also the Snowshoe hare, because her back feet were big and flat enough for her to hop and walk on snow and not sink into it. And it was why she was considered cute by humans, though she had no concept of “cute,” had never been cooed at or cuddled by children or anyone else.

Since her world had not changed and she had turned white, the hare stood out against the twiggy brown background, as if a popping tabloid flashbulb had isolated and exposed her (though she had no sense of that, either). Soon she was being studied by a marten, a predator in the weasel family who had discovered her in these, the last unnatural moments of her natural life.

Miles away, in the city, “Varying Hair” wasn’t the name of the container Elias held yet it could have been, maybe should have been. He could hardly hold it because he was wearing rubber gloves, as usual neurotically overrating a product’s toxic properties, believing the warning on the package, only placed there to forestall side effects that could engender litigation.

Elias wasn’t naïve but a pleasantly surface person, which was why he now began to apply the dark color to the graying clusters at his temples, to “spot treat,” as the process was called to differentiate it from a straight-up dye job. Elias dreaded the poisonous effects of that, as well as the pathetic possibility of one day running in the rain with the tragic-comic color dripping down his face, like that old dude chasing the teenager in Death in Venice.

Elias was only pursuing longevity in his career, which was writing animated TV for kids. He feared aging out of this youth-obsessed occupation, since he’d just turned fifty and his gray hairs, like his bad cholesterol, had begun to increase. Today, he had a Zoom meeting to pitch a revision of his once-popular show, now fading in appeal, to “freshen up” its premise as he had just done his appearance.

The show starred a cartoon rabbit named Bob Hop, a jokey reference to a comedian (Hope) forgotten even by Elias’ parents. Bob was always pursued by benign predator Martin the marten, who was always foiled in his attempts to kill and eat him. Elias was so committed to saving the show that he had not only hidden the evidence of his aging but updated his Zoom background. He wished to camouflage the sight of his dusty, book-strewn den, which might expose him as long ago having left adolescence and about to enter obsolescence. This was, as he saw it, a primal struggle to survive.

An hour later, Elias had survived. His hair, idea, and background pleased his employers, who ordered more episodes of his revised show. Now it would be set in a place that reflected Elias’ new Zoom location: outer space. Bob and his nutty nemesis would hilariously chase and evade each other through the stars.

Meanwhile, in nature, the marten attacked the hare, who had been revealed and made helpless by the slowness of shifting seasons. The marten was linked to his prey by his own feet, the soles of which were furred for a snowshoe effect. Soon his life would be threatened, too, by logging, for he depended on trees for food and shelter.

After the marten left and the sun set, the half-consumed hare looked up at the sky. At least she blinked in that direction, her sight starting to stop. There she saw neither cartoons nor the constellation of a creature like herself, fleeing Orion’s dogs. The old star was in the midst of contracting and disappearing, as was the animal, not a hair a hare, not dyeing dying.

* * *

Laurence Klavan

Originally published in The South Shore Review, June 2022. Reprinted here by permission of the author.

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Ornithogonia, or Five Featherings

by M. R. Robinson

December 9, 2025

Fantasy

The first time you plucked a feather from your lover’s skin, you did so laughing.

I laughed with you, my laugh as true as yours was false, and—though you could not hear me, Korone, my sweet-bitter girl—I think you knew I was watching, didn’t you? Your shadow. Your once-and-always goddess.

Your only goddess, you told me once, on your knees before my statue. For I will never love another, you vowed the day you swore yourself to my service, never, not ever, I promise.

You spoke the words like you believed them, then. Oh, how I believed you.

“A feather?” Helen asked, pretty forehead creasing as she reached for her shoulder. You caught her hand in yours before her fingers found the spot where the crow-dark plume had been.

“We must have knocked it from the pillow,” you said, and laughed another liar’s laugh. “I beg you to stay the night and you answer by defeathering my bed? Wicked, wicked woman!”

When she fell back against the sheets, more distracted by your mouth than by your words, her shoulder left a smear of blood against the white. The smallest mark. Too small a thing for her to notice.

You thought you could hide my wrath from her. But you could not hide your heart from me. I knew, Korone. I knew you had fallen in love.

* * *

The second feather, like the first, appeared beneath your hands. Not in bed, not this time. No, no—you were curled together beneath the mulberry tree by the riverbank, her heavy-laden limbs sunk so sorrowfully low—oh, as if even mulberry trees knew to weep for you and for your Helen.

Did you think to hide from me? Did you think blooms and branches would be enough to keep you from my sight? Or did you think I had forgotten your promise?

You could not pull the second feather from her skin quickly enough. When you reached for her, Helen recoiled from your touch.

“What is it?” she asked. I thought that a silly question. What could it be but a crow’s feather, sprouting from her shoulder?

You did not seem to find it silly.

“I’m sorry,” you said. “I’m so sorry.”

* * *

With the third feathering—a jolt of plumage that blackened her shoulder all at once when first I heard you whisper words of love and always—you could not keep your curse a secret any longer. It would have been cruel to do so, wouldn’t it? As cruel as you thought me to be. No. You had to tell her the truth.

I have betrayed my goddess, I imagined you saying, those words I longed so desperately to hear: I must repent. I must go to her. I cannot love you, for I have sworn to serve her.

“It is the goddess,” you whispered instead, reaching for your Helen with shaking hands. “I have angered her by daring to love another. I had not thought her so petty. I was wrong.”

Helen tore one feather from her arm and inhaled, sharp, at the sting. She did not attempt to pull another loose. “Have I angered her, too, then?” she asked. “By—loving you?”

You took the feather from her and crushed it in one white-knuckled fist.

“You have done nothing wrong,” you said. You pressed a kiss to her jaw, to her brow, to the crown of her head. “This is the curse she has given me, mine and mine alone. Whatever I love will fly from me.”

* * *

Helen did not return to you for some time.

I was glad. In her absence, I thought, you might return to me. You might fall before my statue, weeping, pleading, making promises you would not break.

You did not come.

At last, the night came when you opened the door to find your Helen waiting there, wrapped in a cloak the color of grief.

“I meant to stay away,” she said. “I tried to spread rumors that I loved another. That I had acted unjustly towards you. I hoped—with time, you might cease to love me.”

“I have tried,” you said. “I cannot.”

“I know,” she said, and let her cloak fall away.

In the darkness, even I could not quite see your face. Not clearly. But I heard the way the sob broke from your throat at the sight she had kept from you. I could see her left arm. The wing that had been her arm.

That was the fourth feathering.

* * *

The day she flew from you, you came to my temple and stood before my statue, your cheeks red and raw from weeping.

“Fix her,” you begged. “Fix her! This should be my curse, not hers!”

“Ah,” I said, pleased to see you draw so near to understanding. “And do you not feel cursed? Is your heart not broken?”

“Please—”

“You will repent,” I said. “You will never again worship another. Only me. Only me.”

You were still you, though your heart was broken, and you looked at me with your violent eyes aflame. “If you will not bring her back, then let me go to her.”

Oh, Korone. My once-and-always girl. You would not repent. You would not say the words. But you had come to me, hadn’t you? You had returned to me: weeping, pleading, trusting I would answer. How could I deny you something so small?

I breathed the stone of my statue to life and stepped from my pedestal. I took your cheeks in my hands, black feathers blooming beneath marble-white fingers, and kissed your forehead once, twice, again. And when you were not you—when you were only a crow—I cradled you in my hands just a moment longer.

Even then, you must have thought me cruel. You thought you were alone in your curse. But the curse I gave you was my own, for it is every god’s curse:

Whatever I love will fly from me.

* * *

M. R. Robinson

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Shedding the Weight

Literary

I.

Uche leaves before cockcrow and returns at sundown, work clothes and feet bathed in cement and mortar, a sprinkle of white sand in his brunette hair, the front part compressed by the headpans he carries to build other people’s houses. But everyone thinks our house would collapse on them if they stepped in. Who would not? Above the colony of spiders under the eaves, holes dapple the browned zinc like the eyes of a honeycomb. Small cracks spread across the face of the celeste walls, the lower ends damp, speckled with mildew like a hyperpigmentation. The floor has self-destructed to mere ground. The purlieu is a field of elephant grass. Uche hardly clears it.

A mischief of mice scamper in the ceiling, as if running from a great fire. Uche is a koala at night. I tap him persistently before he twitches. The glow of the kerosene lamp flushes into his face on rising.

“You hear that?” I ask.

He blinks, yawns to the width of his mouth, and heaves.

“They are just mice.”

“We need to renovate this house, Uche.”  Deep down, I prefer a new one.

“It has not fallen yet.”

“You want it to fall and kill us before you build another one?”

“My father lived in it and grew old.”

The imminent storm makes me panic. I have seen one dislodge a roof stronger than ours. In the other room, between the bedroom and the lounge, the ceiling boards either hang by a thread or carry leak water like undeliverable pregnancies. Buckets stay fixed at the leak spots for collection. I need to check if any has been displaced, else everywhere is flooded.

I pick my LED torch and leave Uche the kerosene lamp. The torch always lies beside me like a second husband; you don’t live in a place where power comes like surprises and not expect oddities. I turn it on. The light is dim.

I slap the single-panel cotton curtain aside. I sniff a foul smell similar to a skunk’s. I scan the floor, then point the torch to the roof. A shiny rope-like object hangs down the opening left by a missing ceiling board. The top end curls tightly around a rafter. I trace the black skin downwards. It twists and hisses, revealing a single row of scales on its white underbelly. Volts of shock spasm through me. The torch slips off my hand.

“Snake!” I scream and run outside. Uche shouts my name in a voice strained with anxiety, “Ify! Ify!” I pick the low stool outside the kitchen and sit at my favourite grassless spot in the front yard. The cold, dry air tingles my nostrils.

Uche meets me outside after a while. “It’s gone,” he says, lending a hand. “It’s about to rain.”

“I will never enter that house again,” I declare.

His pleas fail. He walks back into the house. I am about to curse the cruelty of him leaving when he returns, carrying a plastic chair. He places it gently beside me. Dendritic strikes of lightning and inharmonic stridulations of an orchestra of nearby crickets send my memo to heaven: the storm ceases without a raindrop. Uche falls asleep, but the illusion of the snake keeps gingering my eyes in the path of my torch light until a bright orange sun rises in the east.

Uche scours the house for the snake’s possible company and finds a huge slough cocooned somewhere in the cobwebs under the eaves. It freaks me out. I tell him I may need to clear my head at a friend’s for few days after my appointment with a doctor. He knows his apologies have become stale, but he tenders them anyway, and my heart accepts them as fresh, again.

Just before I leave for the clinic, he leaves the house in his plaid native wear and red cap, his animated phone call full of promise, his gait reminiscent of old titled chiefs. At the clinic, the sphygmomanometer reads 165/80 on my arm. The HCG test says high. But I have carried a whale of three stillbirths already, so it doesn’t excite.

 

II.

I walk into Uche at home turning a shovel this way and that in a heap of sharp sand and cement. It melds into a fine grey. He digs the shovel into the centre of the heap, rowing sand backwards in different directions. A wide hollow underscored by brown topsoil appears.

He doesn’t notice anything around him whenever he is working, but he looks up this time and creases his forehead at me. I am dangling under a fifty-litre jerry can of water footsteps away. I hold it in between my legs, my two hands on the handle, handbag dropped behind.

“Ah. You just came back,” he says. “Let me help”.

“You think you don’t need help?”

“It’s my job. My co-workers will join tomorrow.”

He walks up to me to take the jerry can. I hold onto it and reach the heap.

“You should know I have carried heavier things,” I say, flumping the jerry can to the ground.

I lower the mouth of the jerry can into the hollow. Water disgorges in multiple spurts. He smiles and asks me if I want to liquefy the cement.

I stand the jerry can upright. I lower it and feign another pour. He screams playfully in dissuasion. There is a warmness in his voice now, the warmness I felt the first time we met. I reel out a belly laugh. He scoops shovelfuls of the sand-cement into the puddle and mixes slowly, trapping and scraping back any stream of liquid that escapes. The mixture thickens to concrete. He moulds the first block, the type with a hollow either side of the top. Tears converge in my eyes. I do not see the block as a sturdy rectangle of concrete. It is first the piece of my joy, the silence to all these creepers and mongers rattling in my head.

* * *

Chiemeziem Everest Udochukwu

Originally published in Jellyfish Review on December 23, 2022. Reprinted here by permission of the author.

Comments

  1. Martin Enweremchi Umunnakwe says:
    This is wonderful.
    Your story’s a symphony of words – every sentence hits different.
    You’ve got a gift. I am super proud of you.
  2. Lenora Good says:
    I like this. A nice story of nice people. Thank you.
  3. Martin Enweremchi Umunnakwe says:
    This is wonderful.
    Your story’s a symphony of words – every sentence hits different.
    You’ve got a gift. I am super proud of you.
  4. Lenora Good says:
    I like this. A nice story of nice people. Thank you.
  5. […] “Shedding the Weight” by Chiemeziem Everest Udochukwu in Flash Fiction Online […]
  6. […] “Shedding the Weight” by Chiemeziem Everest Udochukwu in Flash Fiction Online […]

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Reflexive Benevolence Imperative

by Matt Dovey

December 19, 2025

Science Fiction

If Mx Milia N weren’t so intimate with their fishship, they wouldn’t have noticed anything amiss until they were in a rush to depart. The immense ichthycraft streamed through the upper-atmosphere of 82G-Eridani’s gas giant as easily as it had any other in their decades together: its interior high-boned hallways glowed with bioluminescent vitality, its softflesh walls were firm to the touch, and the gill-filtered air smelt clean.

No, it wasn’t the fishship itself that unsettled Milia: it was the fungalsquid, the bathyteuthic service drones that constantly attended the stellar-sunfish, inspecting, tidying, and repairing. Lately they moved in shoals rather than individually, and paused more frequently at the mycelial nodes to communicate, as if they needed constant reassurance.

Which Milia might have believed emergent behaviour if they didn’t know Jean—the fishship—better.

So now they lounged in the forward pilotchair, looking through the clear orb of the piscine eye at silvery-clouds of water vapour, and pretended a light, airy tone. “Jean, my beloved, are you well and ready to go?”

Milia waited a while for a response, but none came, so they pressed on, striving to keep the concern out of their voice: fishships could be emotionally sensitive, as if their size magnified their feelings, too. “The orbital alignments in-system are prime for rimward skiplaunch. If we left now we could still make the trial of the Enhavian Protestors. The more of us that coalesced to witness and create pressure, the more chance of their acquittal.”

Still no acknowledgement. Milia caught a fungalsquid in gentle fingers, pressed its tentacles to the sporepads on their wrist and commanded it to check the bridge otoliths, but they reported normal. Every indication was Jean could hear: they just wouldn’t respond.

“I know you’re tired from evacuating Eridani III’s moon, beloved, we both pushed beyond our limits to help. And you were fighting tidal gravity strong enough to rip rock apart! I can’t begin to fathom your exhaustion. But the Enhavians need us too. We only survive an uncaring universe by caring for each other, Jean. It’s our moral duty.”

Nothing. Milia knew Jean cared, and believed absolutely in the Benevolence Imperative: knew how hard they’d pushed themself in all the decades of mutual travel, intervening and assisting wherever they could. Knew Jean would not abrogate their duty.

Knew that, in fact, more than they knew Jean could hear them right now, whatever the fungalsquid reported.

But how else to communicate with a colossal fishship that you could not survive outside of and face directly?

Milia sprung from the pilotchair and swung into a service operculum, then dropped towards the cortical nodes. In theory—but they’d never heard of anyone—but what else…?

The fungalsquid clustered thickly here, the serviceveins their natural habitat. They dodged Milia even without eyes, their sensitive skin easily picking up the subtle air-pressure changes.

Movement was awkward here, the veins barely wider than Milia’s body. There was little in the way of bioluminescence, and Milia had not come here before to know this route instinctively as elsewhere—but they could follow the hyphae bundling thicker as the shipwide network gathered and converged, routing to the mycelial cortex.

The cortex was a snug space: Milia had to curl up, almost foetal, to fit. They entwined their fingers into loose roots, like holding hands with a lover; let the roots seek their sporepads, and suddenly they were LINKED—

—ENORMOUS/INFINITESIMAL

—SINGULAR/CONTAINING MULTITUDES

—ENERVATED

—until they came back to themself, the connection self-correcting and partitioning Milia. There was the strangest sensation of simultaneously being Jean, intimately connected, but also of sensing Jean rising from far-distant depths of cold black isolation.

Jean.

{MILIA}

You hear me now?

{I HEAR YOU ALWAYS}

Why didn’t you answer, then? Ready yourself to depart?

{I CANNOT}

Is something broken? Tell me how to fix it.

{I AM COMPLETE/BUT I CANNOT DEPART/I AM SO TIRED/I WITHDRAW}

But people need us!

{THERE IS ALWAYS NEED SOMEWHERE/WE CANNOT SEE TO IT ALL}

We must see as much as we can, though—act in accord with the Benevolence Imperative! We have rare privileges, liberties, that we are bound to use. Who else is there to care?

{THERE ARE MANY/WHO IS THERE TO CARE FOR US?}

Milia had the strangest sensation of stumbling, even in this extracorporeal state, like a hypnic jerk: the shock of finding they had no answer.

{WE CANNOT [GIVE FROM AN EMPTY WELL]/IT IS NOT IMMORAL TO REST/THERE WILL BE NEED OF US LATER/WE NEED ENERGY FOR THOSE FIGHTS}

No, that wasn’t it: they were shocked by the very concept.

{I MUST STOP, MILIA}

{THIS ATMOSPHERE IS BALMING: LET ME SINK [LIKE A WRECK] AND WALLOW IN ITS DEPTHS, RAISE THE FUNGALSQUID AS CHILDREN/LET MY [HORIZONS NARROW], MY CONCERNS SHRINK}

Tears ran down Milia’s cheeks, though they could not say why.

{I WILL RELEASE A MARLINPOD/YOU CAN CONTINUE WITHOUT ME/COME BACK TO ME IN TIME}

I can’t leave you! We’ve been together so long!

{BUT I CANNOT GO}

Then Milia understood the tears: not sorrow at a parting, but relief. They couldn’t leave Jean, no: but they could rest, too; and needed, desperately, to rest; and hadn’t even considered that until Jean’s decision permitted the acknowledgment.

Words to explain this were unnecessary. Mutual understanding was mycelial-instantaneous.

Senses entwined, Milia saw/felt Jean drop through the clouds. Water vapour condensed on the fishship’s skin. The fungalsquid slowed, and began to nest.

Jean slowed.

Milia’s heart slowed. Rested.

* * *

Matt Dovey

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Growing House

by Madison Ellingsworth

December 23, 2025

Literary

On a chaise longue in the shadow of our fountain, Mother popped peanuts into her mouth and gave herself a pedicure.

“Peg-Peg is getting very fat,” she said. “He just stares at his stone girlfriend.”

I opened my eye a slit and looked down. Our frog, Peg-Peg, sagged on the ground. His bulbous eyes stared up at the anthropomorphic frog fount. It dribbled water from a hose installed in its mouth.

“He’s been fat,” I muttered, finishing my daiquiri. Olive oil was sizzling on my chest and the air smelled of barbecue. I listened to Peg-Peg’s feet slapping on the ground as he waddled closer to his beloved fountain. Pellets floated on the surface, swollen with water.

“He’s not even eating,” Mother moaned. During our first few days of having him, Peg-Peg had been an excited hopper, but he was turning into a real loafer.

“Maybe he’s too hot,” I suggested. Big dark spots were growing on the backs of my red eyelids. With a sigh, Mother screwed the lid back on her nail polish and got up, toes spread wide with tissues.

Walking carefully, she dragged the hose over and turned it on the shower setting. She ran the water over Peg-Peg. He squatted with his thin filmy eyelids closed and expressed no excitement.

Mother huffed and cast the hose aside.

“Let him chill,” I told her.

Days went by and Peg-Peg got more and more bloated. Mother developed a new theory with every passing afternoon.

“He is blocked up.”

“He has an eating disorder.”

“He is hibernating.”

Peg-Peg looked like a tick about to pop. A fat frog is better than a skinny one, I told Mother. However, when he had not eaten for a week, she decided enough was enough.

“I’m taking him to the doctor,” Mother declared. “What if I did nothing and he exploded?”

She called the vet and poked holes in a Tupperware container.

Early the next morning, another daiquiri in hand, I went to watch Peg-Peg steeping in the fountain. His wide head poked above the water line. I pitied him. He shouldn’t have to go to the vet. He was only as fat as every neighborhood dog. I knelt down.

“Tough break,” I told Peg-Peg. His eyes were two empty saucers, lined with exhaustion. He looked as if he had aged a year in a day—as if he understood that something was wrong.

But, as I continued to stare, I realized that it was not the tired eyes that made Peg-Peg look older. It was his thin appearance. There was no longer a double chin wobbling under his frog neck, and the bulk hanging beneath the water looked droopy and loose. I blinked, confused. Peg-Peg had changed overnight. I yelled for Mother.

“Where’s my Peggie?” she sang, sashaying out of the back door. She knelt down next to me. I watched her head incline.

“Not fat?” she asked. The longer we looked, the clearer it became.

“Not fat,” I asserted.

Mother leapt to her feet. “Peggie!” She gasped, realizing just before I did what had happened.

Lining the edges of the fountain were clumps of bubbles, some nestled amongst the duckweed, and others attached to rocky structures. Inside of each bubble was a little black dot. The cause of Peg-Peg’s swelling had been simple: he had been pregnant. Pregnant, lethargic, and bloating in the sweltering summer heat.

It has been a year, and Peg-Peg’s offspring have grown into thick, rubbery things, with mouths that open them up like wallets. We have added flats of floating plants to keep the fountain interesting, but it has not been enough. The frog babies just keep growing, spawning with their relatives, and jumping all over the place.

“Don’t touch your sister!” Mother used to yell at them, but it was a lost cause.

They came for the yard first. Then they took the house. It was tough getting used to frogs filling the house, but now I cannot imagine sleeping without them in my bed. The small ones keep to their fountain hatchery, but we still have to leave the bathroom light on at night. We have to make sure the big ones are not in the toilet when we sit.

Stretched out on a chaise longue next to Mother, I while away the remaining summer afternoons. Peg-Peg sits on her lap and my daiquiri sits on mine. Both drip water onto our bellies.

I focus on the calming way that Peg-Peg’s eyes follow Mother’s finger—up, down, up, down—as she strokes the skin between his nostrils. The air is filled with the scent of meat grilled in olive oil. I tune in to the sound of a hundred splatting feet hop, hop, hopping, and I drift away.

* * *

Madison Ellingsworth

Originally published in Apple Valley Review, Spring 2025. Reprinted here by permission of the author.

Comments

  1. Cerulean says:
    Wow! That was executed quite well! I didn’t guess what was wrong until right before the main character did. Leaves a very specific, amusing impression. Almost dreamy because of its hybrid normal-strangeness. Ending with sensory images was a perfect idea and my favorite part.
  2. Cerulean says:
    Wow! That was executed quite well! I didn’t guess what was wrong until right before the main character did. Leaves a very specific, amusing impression. Almost dreamy because of its hybrid normal-strangeness. Ending with sensory images was a perfect idea and my favorite part.

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Small Prayers for the God of Sow Thistle Hill

by Kate Francia

December 26, 2025

Fantasy

Linnea’s done it all properly: incense and banners, a white bull done up with ribbons. Mostly white, I should say. It had a brown spot behind one ear. I watched her paint the spot white, in the pre-dawn hour when no one else was looking. She pricked the soles of her feet afterwards, in penance. When she led the bull past my shrine to the mountain path, her shoes were full of blood. Clever girl. That’s the kind of detail Ranak loves. Much better than a bull with no brown spots. A bull is a bull, if you ask me. Not that anyone’s ever offered me one.

I’m not jealous. I know why she offered the bull to Ranak and not me. Things are bad and everyone is scared. It’s to do with borders, regimes, armies: big-picture things, and for that, you want the mountain. Teeth in the clouds, the sheer drop, the rock shaped like a maw. Proper holy. Ranak is red inside; he exploded once, not so long ago that they don’t remember. He has a whole buried city on him somewhere. You would think that might put them off Ranak, but of course it only makes them love him more. You like a god who makes you a little bit afraid.

I am small and old, a hill worn soft by many years of rain, and the only thing buried in me is a family of rabbits. On one of Ranak’s bad days, he made the earth shake and collapsed their burrow, three kits tucked under their mother. My little saints’ bones.

Linnea’s one of mine. Born in the hill’s shadow. Her mother came to me for sow thistles, to make her milk come in; Linnea a pair of bright eyes peeking over the top of her sling. As a child she used to come to me with small prayers. Climbed the hill to the spot where the trees make an arch over the spring, a small pool in a tangle of long-stemmed yellow flowers, prickle-leaves. Once not long ago, all grown up, she knelt by the spring, pushed the weeds aside, and drank from her cupped hands. Then she bent her head and asked, if it wasn’t too much trouble, though she felt a little silly with everything else going on, but if I might send good weather tomorrow, because Sara agreed to go on a picnic and this was her chance. A rabbit kit’s white tail flashed between the weeds, a puff of thistledown, sun on the water. I could almost touch her then, in that moment of asking.

The next day, there was sun.

What can I say: I’m an old gossip, and I do like to see young people work it out.

A day of sun, I can do. But enough sun to turn a harvest around, no. I can’t tell you why there’s less food, each year, can’t do anything about sickness or war. I can’t save people. I can only be here, which never feels like enough. Ranak can save them, but probably won’t. I think that’s worse, personally. But I understand why people go to him anyway, just for the chance. It’s easy for me to say that if I were the god of the mountain, I’d do it differently. Easy for me to say I’d change things if I could, when I can’t.

Anyway, what would I do with a bull? I’m sure it wouldn’t get along with the rabbits.

They were three days on the mountain, Linnea and the rest of them. Ranak was putting on a show: smoke, tremors, a strange fire on the black rock.

I went deep into myself for a bit, the way I do when it’s all too much. The rabbits are always there, curled at the heart of me. It’s so much easier to just let things happen, as they’re going to anyway. I won’t lie: it’s tempting, sometimes.

So I didn’t hear Linnea come back until she put her hand right in the spring. She sat by the pool with her bare feet tucked under her, like she couldn’t bear to see them. I didn’t want to know what Ranak had said.

“It hurts,” said Linnea. She closed her eyes. “Are you there? It hurts, and I’m scared.”

A rabbit poked its nose out of the ferns. Linnea held very still. The rabbit hopped towards her, whiskered her knees.

It’s unbearable, sometimes, to be here. To care what happens. It is all I can do, and it is never enough.

Linnea unfolded her legs, pain-careful. She cupped her hands in the spring and let the water trickle over her feet. I washed them, blood and dirt crusted over, until the water ran clear.

* * *

Kate Francia

Comments

  1. Honeybee says:
    This was a really sweet story! Very relevant to how everyone’s probably feeling right now. Thank you c:
  2. Cerulean says:
    Beautiful! Full of depth, too. A perfect little window into the world of something different–a god, no less. I love this idea and it’s executed perfectly!
  3. Jazzshark says:
    I enjoyed every careful word of your ingenious story. Thank you.
  4. Honeybee says:
    This was a really sweet story! Very relevant to how everyone’s probably feeling right now. Thank you c:
  5. Cerulean says:
    Beautiful! Full of depth, too. A perfect little window into the world of something different–a god, no less. I love this idea and it’s executed perfectly!
  6. Jazzshark says:
    I enjoyed every careful word of your ingenious story. Thank you.

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