Issue 125 February 2024

Table of Contents

Editorial: Trust Fall

by Rebecca Halsey

February 1, 2024

My first trust fall was in the summer after ninth grade. It was 1995. It was the summer of Alanis’s Jagged Little Pill, of Jim Carrey as the Riddler, of “if it doesn’t fit, you must acquit.” For me, summer of ‘95 was also the summer of the Ulster Project.

At that point in my academic career, I had not joined my high school debate team, so I wasn’t quite up to speed on recent history. I needed to get the debrief from my parents, who told me that Ulster is Northern Ireland. And in Northern Ireland, Catholics and Protestants “don’t get along.” But never fear, there was a plan: the Ulster Project organization found twelve teenagers – half Catholic, half Protestant – and paired them with equivalent American host teens. All twenty-four of us kids then went forth and did activities all summer, thus realizing we’re all the same. Let the hijinks ensue!

To emphasize how clueless I and the other Americans were, we didn’t understand why they wanted to call us Protestants. In Georgia, a “Protestant” was definitely a Southern Baptist. All the “Protestants” in the Ulster Project that summer were Episcopalians (or Anglicans if they came from across the pond), and seeing as we were basically all watered down Catholics, none of the Troubles made much sense. But no one offered any explanation, probably because explaining sectarian bombings and centuries of strife to a bunch of kids wasn’t going to get anyone very far. What was going to go the distance?

Definitely trust falls!

Ours was the non-brain-injury variety in which you stand close together and take turns catching the person in the middle. No one was in any real danger, yet supposedly we were building familial bonds.

The trust falls were part of a one-day youth group seminar that included leadership challenges, collective puzzle solving, and overly enthusiastic attempts to get us to perform skits. A pair of former circus performers, who had not retired their clown outfits, ushered us from one exercise to the next, seemingly oblivious to the deadpan stares and snarky chuckles from the lot of us. They even juggled. 

I maintain that it was our ruthless mocking of this couple that built more trust. We parodied them for the rest of the summer, mostly at the numerous sleepovers we participated in. Late at night, the chaperones left us to our own devices, and we felt free to curse, listen to shitty music, and…well, I mentioned hijinks, didn’t I? The Northern Irish kids taught us how to drink and how to “snog.” We were adolescents after all, and young love is its own kind of trust fall.

As I gathered stories for this issue, I felt a need to represent that very specific kind of rush. The abandon, the leap of faith, the hand-holding that we knew wouldn’t last, the vertigo of pairing off with the boy I fancied in the sacristy of a church hosting a “lock-in.” There really was love between Catholics and Protestants that summer. Perhaps not the diplomatic kind that led to the Good Friday Agreement in 1998, but who knows – maybe those kids are sitting at their desks to this day feeling the same level of nostalgia for a night by the campfire, for the roller coasters we rode, and for those damn clowns that made us catch each other over and over again.

The February 2024 edition of Flash Fiction Online is an all-literary issue dedicated to the patron saints of love – whether canonized or not, whether working to diplomatically end strife or merely turning a blind eye to the teens they should be chaperoning.

We have scrappy, unexpected love in our reprint story of the month – Christine Hanolsy’s “Afterimage.” We have a neurodivergent meet-cute in Eric Witchey’s “Flirting Implicature in Cooperative Discourse.” We have tentative, wounded love after heartbreak in Marilyn Hope’s “Somebody Lonely.” And in honor of Leap Year, we have a celebration of self-discovery in Melissa Fitzpatrick’s “Leap Day.”

Thank you for reading! If you love visuals, I post issue-specific mood boards and other random jokes on FFO’s Instagram account. If you love music, you can check out our Spotify playlist for this issue. If you just love reading and like what we do, consider becoming a Patreon patron, or subscribing via our independent distributor Weightless Books.

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Afterimage

by Christine Hanolsy

February 2, 2024

“Come to the Kimball tonight,” Melanie said. “They’re showing that French movie I told you about, with the dog.” 

She knew I didn’t speak French, didn’t much like foreign films or her friends. But I went anyway because she was tall and blonde and her voice hit me right in the solar plexus every time, y’know? 

The Kimball was one of those run-down theaters, worn-out red velvet seats, old-timey 35-millimeter film. Used to be a big deal, before the hipsters moved in. When I pulled up on my Harley, Mel was already there with her art school friends. You know the type: fake-ripped jeans and rectangular glasses. Wouldn’t see anything that came out of Hollywood. Therese with her stupid skateboard strapped to her backpack and her white-girl dreads like everybody didn’t know she graduated from Payton. And then there was me, in the only pair of jeans that I hadn’t ripped yet and barely twelve credits at the community college. 

My best shot with Mel, I figured, was to make nice with her crowd, learn their language. Only I couldn’t follow half of it: symbolism and camera angles and people just don’t understand Art. I stood in the lobby trying not to look stupid until I couldn’t stand it anymore and ducked out for a smoke. The only other person out there was this tiny little thing in bell-bottom overalls with rainbow suspenders. I barely gave her a second look.

“Need a light?” she asked, pulling out a Bic. “I quit last month.”

I said, ”Sure, thanks,” even though I had a lighter in my pocket.

I figured I oughta make small talk, as long as we were both there. Asked if she was here to see the movie. Like a pro.

“Seen it,” she said. “About thirty times.” 

“God, I’m sorry,” I said. It just kinda slipped out.

Her laugh was light, throaty. Turned out her name was Kaya and she ran the projector. “It’s not about the movies,” she told me. She liked being in the booth. Liked the sound of it, the gentle heat of the bulb and the hypnotic motion of the platters. 

“Mostly,” she said, “I like being in control.”

Well. Me being me, I gave her a wicked grin. “Really?” I said, thinking I was gonna make her blush. Only she didn’t. 

“Yeah, really,” she said, and shot me that same look right back.

That’s probably what started it, that look.

They couldn’t run the film without the projectionist, of course, so she had to get back to the booth. And I had to get back to Mel. I sat through that whole fucking movie trying to forget that look while Mel played hard-to-get. By the end of the movie Mel let me hold her hand. She was so goddamn smug about it, like it was this big deal, holding another girl’s hand. Maybe it was for her, I dunno. 

I started hanging around the theater, buying tickets with money I didn’t have to watch films I didn’t like. I learned her schedule, showed up even without Mel. Those nights I’d catch Kaya outside before the show, borrow her lighter. It was kind of a running joke. I’d wait with her, after, until her bus came, smoking cigarettes I didn’t even want. 

I stopped watching the movies; started watching the blue-white brilliance of the projector’s bulb instead. It flickered and pulsed like a heartbeat, and I imagined I could hear her whispers in the steady whirring of the projector, like she was showing these movies just for me, only it wasn’t about the movies, it was about the beam of light running through my veins. I started seeing her in the glow of the marquee, the reflection of headlights in the rain. Whenever I closed my eyes, I saw her face in the afterimage. 

One night she invited me up to the booth. It wasn’t allowed, but what the hell, right? The projector was this ancient mechanical thing, and she had to thread the film on there just right. She wouldn’t let me help, just made me sit in the back of the booth and watch. 

There’s something about a girl who knows how to use her hands.

I don’t even remember what the movie was, because next thing I knew she was in my lap and I was thinking, why the fuck was I working so hard for Mel? Kaya didn’t care if I thought art films were stupid. Didn’t care about making an impression. She cared about the moment, the connections we make, the blue-white arc of electricity when two people touch.

Twenty, thirty minutes went by–we weren’t exactly paying attention–and this guy walked in and stopped dead. I don’t blame him, really.

Don’t get me wrong, we weren’t tossing clothes around. We were decent. Only, it was Kaya’s boss, who never came by during a show. He kicked me out so fast I didn’t even have time to get her number. I waited around outside until the movie was over, and who walked out? Mel. She thought I was there to surprise her, and wasn’t this romantic, and hey girls, look who’s here. By the time I peeled her off me, Kaya was gone. Hopped on the bus when I wasn’t looking.

She wasn’t there the next night; not before the show, not after. I sat through an entire movie with no dialogue, staring at the booth until I thought I’d go blind. And she wasn’t there. I don’t know who was running the projector, but it wasn’t her. Same thing the next night, and the next. Finally, the ticket guy told me she got fired. 

I stood outside the Kimball a long time that night, eyes closed, trying to fix her face in my mind.

Just as the image faded, her voice cut through the shadows. “I hoped you’d be here. Need a light?”

“Yeah,” I said, drawn into the blue brilliance of her eyes. “Yeah, I do.”

 

 


Originally published in Crush: Stories about Love by MidnightSun Publishing, September 2017. Reprinted here by permission of the author.

Comments

  1. Sean McKinney says:
    Nice Story. Got a lot done in a few words. Sweet ending.
  2. Jude says:
    The story made me smile, especially when I connected the beginning with the end. Such a lovely piece of work.

Leave a Reply

Flirting Implicature in Cooperative Discourse

by Eric Witchey

February 9, 2024

After ten minutes, I’m beyond my party limit, am starting to shake, and am working my way to the door. 

She says, “Hello.”

If I assume cooperative principle, it follows that she is talking to me because she wants to; and, furthermore, I’m talking to her because I want to. That, I think, is a given. I am certainly talking to her because I want to.

She is pausing. Her emeraldine eyes are searching, shifting left first, a good sign that she is feeling rather than thinking. Prolonged pauses suggest thought, disaffection, or—ah, you fool—merely a relative transition point in the conversation. She has passed the baton to you. Pick it up.

Say hello. 

No.

Any idiot can say hello. 

A question. Ask a question to show interest.

“So,” I start. I hate coordinate openings. They are false implications of continuation of cooperative exploration of existing discourse goals. But I’m in it now. Utterance can’t be revised, erased, or modified. I add, “you’re not attending classes here?”

The eyes come back to me. Her long, red hair catches light, refracts, creates linear prismatic effects. I almost gasp. Her pupils are deep and black. Dilated pupils are a good thing. I hope it’s because she likes me and not from drugs or alcohol.

Does alcohol dilate? I’ll have to look it up.

“Yeah,” she says.

Cooperation. Minimal utterance. She’s continued the conversation and fulfilled all four of the basic axioms: truth, quantity, relevance, and clarity. The pause is my queue. I don’t want to ask her where she is attending classes. She might not be. It would be awkward to get past that.

“What do you do to fill your days?”

“Massages, manicures, and energy work.” Her pupils narrow. The delicately plucked line of her red brow pulls in toward the center line of her face. 

She’s scrutinizing me.

She’s still working in the frame of the conversation according to cooperative principles, though she hasn’t established a personal discourse goal. A man can hope, though. As long as she has not violated or flouted any of the four axioms of cooperation, I can assume we are headed toward similar goals.

Assumption. Perhaps not. Perhaps she is here by accident. 

Certainly, it would seem an odd place for a massage therapist to spend her Saturday evening, especially one as pretty as this. I have to guess now. She’s examining me for something…Judgment, I decide. Contrasting the socio-economic mean of the population of the party against the stated and, assumed cooperative, utterance, the most likely intent of scrutiny is her own self-conscious expectation of judgment.

“Energy work? I think I have a good idea of what goes into a massage and a manicure, but I’m not sure what energy work is.”

She sighs. Her brows relax. She sips her drink. Her head tips slightly to one side, and I’m once more mesmerized by the contrast of pale skin, blue-green eyes, and shining, thousandish nanometer reflective hair. 

Paused over her drink, she looks up at me and says, “Most men want to know about the massage.”

I reel. I was wrong. Her knitted brow wasn’t anxiety about me judging her. She had been preparing herself to judge me, to dismiss me because I…

Now that I’ve missed the normal utterance, I feel a sense of loss, a bit of failed pride for not having been male enough, normal enough, quick enough to pick up on the sensual possibility of the implication. 

It’s so simple. I can’t understand why it’s so hard for me.

Relevance. It was all there.

Give as much information as is needed. Do not give more information than is needed. Strictly speaking, she didn’t need to speak all three activities, and the massage was first. Precedence suggests the most important item in a list will be first or last, depending on the discourse goals of the individual.

First and last. Massage was first because it has given her trouble in the past and it allows her to filter out the superficial, the prurient. Looking at her leaning against the wall the way she is, I can understand why. But then the last item, the energy work. That might have been the more important item to her, and I picked based on interest rather than evaluation.

Stupid, fifty-fifty shot. Luck. Dumb luck. “I’m sorry to disappoint,” I say.

She laughs, and the warm, lilting ring of it tells me she is still in-frame, still cooperating. I take it as encouragement.

“It’s just that I get a massage every Friday,” I say. “My curiosity demanded that I ask about the thing I haven’t experienced.”

“You get manicures, too?”

“No.” Honest. Direct. I double-down. “I’m much more interested in your energy work.”

She grins. 

I run through memorized facial expression photographs. The match that comes up is labeled “lustful, lascivious, interested, wicked.” I swallow hard.

She says, “Would you like me to clear your kundalini?”

The light touch of lacquered fingernails scraping along my forearm combines with her odd intonation to rob me of speech. I manage a nod.

She takes my hand and leads me from the party.

 


PATREON EXCLUSIVE: BEHIND THE SCENES INTERVIEW WITH AUTHOR ERIC WITCHEY

Q: What is your biggest challenge when writing flash fiction?

A: Effectively implying the characters’ larger body of experience that allows the piece to deliver its emotional/psychological impact…

Read more when you become a Patreon member. Click here for more information: https://www.patreon.com/flashfictiononline

Somebody Lonely

by Marilyn Hope

February 26, 2024

[themify_box color=”gray” icon=”warning”]Content Warning: Mention of murder, infidelity[/themify_box]

Emberly doesn’t do tender. Does triple-locked doors and capped X-Actos in her socks. Does shoulders folded inward, like a sealed envelope. She scales a red snapper with the back of a spoon, grating away the cloudy, fingerprint-sized plates as Windy de-veins shrimp with toothpicks and chipped French tips. They’re different kinds of messy these days, the two of them. Emberly doesn’t wash her hair often enough, and Windy perfumes her own pillows with two-thousand-dollar fragrances—sambac jasmine, cabbage rose, vanilla—because smelling is easier than sleeping.

It’s their first dinner together since their breakup. We’re making each other ugly, Emberly explained, and it was true: near the end, Windy’s swagger spilled into the silence between them; her vanity; Emberly’s rage. In relearning each other now, the briskness of Emberly’s hands as she bears into the fish’s white belly with a knife seems bland and undangerous. Pacifistic, even. Not about Windy at all.

Windy thinks she likes that.

The two of them met through a mutual friend, Kaz, who was solid and unapologetic and favored a rosy lipstick called Cravings that Windy carries around in her pocket. She was murdered in July. Shot by an obsessed ex-boyfriend at a convenience store. Windy still hasn’t begun accessing that fury because she busied herself these last months with the cello and Emberly’s mouth, and because the cop they interviewed on-scene said, “These things happen to girls.” Happen to. Occur upon, if you’re working alone—if you exist, or smile too long at somebody lonely—

Windy touches upon that gas station security mirror in her mind, sees her small, distorted reflection, and bounces off its convexity back into Emberly’s kitchen.

The throat is the best part of the snapper. Emberly grills it fins-on with butter and lemon while Windy finishes the shrimp, heating them into chubby pink curls. They haven’t spoken since they started cooking, but now Emberly smiles, little twist at the right corner of her mouth, and says, “Asleep.”

“Awake,” says Windy. It’s a game they play.

Déjà vu.”

Jamais vu.”

“Money.”

“Love,” says Windy, though she knows Emberly meant something like ‘debt.’

They cheated on each other on the same day, Windy with her chauffeur, Emberly with Kaz. Windy came home smelling of leather cleaner and airport to find Emberly showering off the stains of Cravings between her shoulder blades. They didn’t talk about it. They fell into one another, redeeming themselves with bared teeth, and it was new and it was transcendent and it was the last time. Emberly was gone the next morning.

Forgot a few things, though. Her safety pin earrings. Two pairs of dark wash jeans. A spiraled roseum succulent in a tiny jam jar. Windy brought everything back, and Emberly vacillated between a kiss and a handshake at the door for so long that a nod became the most appropriate. She slips the red snapper throat onto Windy’s plate now, though, and that’s as much apology as it is question. The two of them stand at the stove’s heat together, shoulders touching.

“Are we going to be okay?” Emberly never asks.

“Yes,” Windy never replies. “These things happen to girls.”

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Leap Day

by Melissa Fitzpatrick

February 26, 2024

It’s Liz’s birthday and she’s getting ready for water aerobics when one of the ladies figures it out. Amid the usual locker room banter about sagging boobs and the hunky new lifeguard and trying not to pee in the pool, Hazel realizes it’s February 29th.

“Liz! You’re a Leap Year baby!”

“Wait,” says Fran. “Does that mean you’re only twenty?”

This idea delights the ladies. Liz laughs along, tucks her white hair into her swim cap. 

As they exit the locker room, Phyllis wags a finger at Liz. Phyllis is tiny and bird-like, the oldest of the ladies at the pool. “You know,” she says. “When your birthday comes around only once every four years, you have to make it count.” 

Liz stops in her tracks. Stunned to hear, after all these years, the same words her father used to say.

* * *

 On her fourth birthday, Lizzie’s father set up the ladder and promised to catch her. She giggled all the way up, but lost her nerve at the top. I got you, kiddo, said Pop, so Lizzie closed her eyes and leapt. The thrill of the air — that momentary suspension between ladder and embrace — sent her wriggling out from her father’s arms and right back up the ladder. A squeal, a leap, a catch, again and again and again.

Four years later, Lizzie sneaked out the back door before anyone else was awake. She pulled the ladder from behind the shed, climbed onto the roof, and ran off the edge, arms flapping. Lizzie heard her mother’s shriek just as her feet caught air. Later, knees grass-stained and scraped, Lizzie swore that before she fell to the ground, just for a second, she flew.

On her twelfth birthday, Lizzie broke her arm flying through the air on a homemade trapeze. On her sixteenth, she convinced her friend Bonnie to ditch school. They rode the bus to the beach and bought tickets for the Giant Dipper. At the top of the roller coaster, they raised their hands in the air, screamed all the way down.

The Santa Ana winds blew warm the next Leap Day. Elizabeth (no longer Lizzie) heard the beep-beep of Robert’s Volkswagen bus and pulled a yellow sundress on over her swimsuit. She’d told Robert that for her birthday, she wanted to jump the Clam. When they got to the beach, all their friends were there. Elizabeth stood on the edge, the rock warm beneath her feet, the surf breaking below. The guys, full of whoops and bravado, debated the best takeoff points, gave instructions on how to time your leap with a swell. The way Robert looked at Elizabeth made her feel daring, fearless. When he said time to fly, babe, she knew she wanted to be with him forever.

On her twenty-fourth birthday, she placed Robert’s hand on her belly to let him feel the baby kick. They laughed about that day at the Clam. How enormous the leap felt then, how small it seemed now.

She spent the next Leap Day at her father’s bedside. Cancer running amok, nothing left to be done. After that, Leap Days came and went like any other day. One of the kids was sick or had a piano recital or soccer game. Before she knew it, the kids were grown, and Liz had forgotten the part of herself that was driven to leap.

* * *

Last Christmas, Liz’s grandson proudly told her that the cells in our bodies are constantly replacing themselves. Eleven years old, and he figures he’s already become a whole new person. “And Grandma, just think how many people you’ve been!”

Eighty years old. She wonders if this Leap Day will be her last. She still has her health, but knows just how quickly that can change. She’s outlived Robert, and Bonnie, and all the swaggering boys from that day at the Clam. Lizzie. Elizabeth. Liz. All the selves she has been. She’d almost forgotten. Almost forgotten her father’s arms snatching her out of the air. The Big Dipper and the trapeze and flying from the rooftop of her childhood home. Her hand in Robert’s. The sun, the spray of the sea as her feet left the ground. 

One by one, the ladies from the pool walk down the steps and into the water. Their instructor greets them and they break out in a chorus. It’s Liz’s birthday today, Vince. Go easy on us today, Vince. Spare us the wall squats, Vince.

“All right, ladies,” says Vince, and looks from swim cap to swim cap for Liz, but she’s not in the water. She’s walking along the side of the pool, away from them all.

The ladies call out, but Liz keeps walking until she reaches the base of the high dive and begins to climb. Vince speed-walks toward the diving board, blowing his whistle. Liz is halfway up the ladder when Vince reaches the bottom. 

“Come down,” he says. “Before you get hurt.”

Liz blushes, thinking of her sagging swimsuit, the veins that creep across her legs, and what she must look like from below. But she marvels at what her body can still do. Heart still pumping, lungs still breathing, legs still strong enough to climb.

At the top, she grips the handrail. The rectangle of the pool comes into focus below. Vince, the ladies – they’ve all gone quiet. The lifeguard leans forward, narrows his eyes. Water ripples softly in the pool. The sky stretches overhead, a vast and boundless blue.

 Later, she’ll have lunch with her friends. A loud, raucous lunch where the other diners will stare, will wonder what’s gotten into those old women. But now there’s a hush as Liz steps forward, toes the edge of the board. 

She bends her knees, sets the board in motion. Down, up. Down, up. And then, she’s in the air. That in-between place she’s always loved and had almost forgotten. She’s in the air and, at least for a moment, she’s flying.

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