Issue 137 February 2025

Table of Contents

Editorial: Fear of the Uncontrollable

by Rebecca Halsey

February 3, 2025

When I was young I had a recurring nightmare of meeting God.

Capital G, God.

In my dream, God is a very bright light. So bright you can’t help but cower.

God-light roars. Not like Aslan or the intro to an MGM film, but like a rocket launching into space.

God-light is painful. Not like a headache, but like swallowing a grenade—the kind of pain that consumes your entire body and radiates back out into the world.

God-light demands that I admit it’s more powerful. That I’ll never have control.

And that’s when I’d wake up. In a sweat. Heart thumping.

What in the Old Testament was that?

God has been a lot of things to a lot of people, but a personification of innate control issues…?

It is this loss of control that I find most unsettling in this issue’s stories, and of course…in the broader world. In some respects, insight into the bastions of control we have in our society has only strengthened my need to be the one with my finger on the button.

When I worked as a 9-1-1 dispatcher in college, I would hear sirens while off-shift and could imagine the conversations happening—on the phone, on the radio, in the dispatch center. Even if I didn’t know what was happening at that moment, I could find out at shift change when I reported for work. For a solid month after I moved on from that job, I felt a sense of panic, an itch of unease, when I saw an ambulance or police car drive by. I just wouldn’t know.

When I worked for the U.S. federal government, I enjoyed insight into more levels of bureaucracy. Big Brother didn’t seem scary at all because I knew it was a patchwork of people. What others imagine as the power of someone like the President was diluted by layers of interpretation—managers and meetings and PowerPoint decks and mandatory training and promotion cycles, et cetera. Big Brother wasn’t efficient enough to be terrifying.

I haven’t been in that world for a full decade. I can still guess what is happening behind the scenes of course, but it now lies among the other unknowable, uncontrollable things in our lives.

FFO’s February 2025 issue is half unsettling sci-fi, half cosmic horror. Within these pages, you can find a human existing at the mercy of an alien society in Rodrigo’s Culagovski’s “BigHappyFriend Likes Humans.” You can find an organism fighting the threat of splintering into many pieces in Kiernan Livingstone’s “Schism.”

In “Conflict Resolution,” Holly Schofield gives us the ending first, then unravels the meaning of it.

Sometimes the unknown tempts us. In Beth Goder’s “Mirror-hole” a teenager can’t resist the urge to reach into her mirror. In “The Lonely Eldritch Hearts Club” by Faith Allington, a woman dates the Eldritch horrors, relying on rules to control the interactions.

All of this begins with “galactic oracle eulogy,” by our cover artist and returning FFO author Samir Sirk Morató. Samir captured the “cosmic + horrors” theme in the psychedelic colors and interpretive planet-like shapes of this issue’s cover art. Then, they take us to a dying god and its last caregiver.

God is a spaceship adrift. God is a terminal illness.

What is more terrifying—an all-powerful god or no god at all?

* * *

Rebecca Halsey

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galactic oracle eulogy

by Samir Sirk Morató

February 4, 2025

Science Fiction

Hear me: it is the second cencycle of decay, the forty-fifth season of cancer, the third cycle of exodus from Indus the Magnificent, and I am the last oracle left.

For many eras, our peoples thrived in Indus: our titan, our world of worlds, our galaxy-cleaving vessel. We slept curled in aer cell clumps. We walked aer silk veins from aer skyrise heart to aer extremities—spacebitten digit-tips and arctic setae—to aer deepest wildernesses: the entrail labyrinths, the cerebral sea, the cloacal trenches. In our heyday, we venerated Indus daily for providing aemselves as cornucopia and citadel. Now Indus is dying.

I am too.

Though it’s my duty to find and follow patterns, I feel little satisfaction in tracing Indus’ long death parallel to my own. What pleasure is there in terminal empathy? As my body suffered, so did we: dermis colonies flooded inward as Indus’ chitin cracked, and fleshrural dwellers fled as aer muscles quakecramped. Further exodus followed.

While my spawner was coaxing my larval self to stand, feeding their own stomach’s worth of ironrich blood into my breastmaw, the marrow metropoli grew crowded with refugees who carried nothing but prayers. What else could they bring? Everything they owned was woven into their wasting homes.

Back then, my health was already deteriorating, but I was heavy with prophecy. This made me hysterical. Every ache was an omen, every counted breath and day part of an augury. My predecessors had encouraged endless excess. Our apocalypse felt inevitable.

Inevitable or not, it came. Vesselways closed beneath swelling tumors. Erratic breathing destabilized the lunglivers. Organplexes collapsed. Thousands clustered into thorax shelters as their homes squeezed into unlivable layers of pulp. The stomach peoples begged for assistance as Indus vomited all the planets aey devoured. Undigested rings and meteors crushed communities on their way up. Their children’s entrails flecked the back of Indus’ baleen alongside cancerous waste. For so long, they suffered. Today, they’ve been eaten away.

Yet since time is a body of beautiful, self-propelling loops soaked in past turns, the stomach peoples remain in my flickering visions, forever thriving, forever dying.

In a way, I tell (told) my spawner, the cancer is an oracle. It knows growth is death.

They gurgled in disgust.

Don’t compare our blessing to that decimation again. My spawner knotted their shawl around my neckplace. If you confuse blessings and curses, something will befall you. Mind yourself. We are different.

A cycle later, they fled Indus on a globuleship without saying goodbye. I didn’t know they were gone until someone neuronwired me the news. When I learned they’d abandoned Indus and me, some soft core within my chitin shattered. I couldn’t even unravel this paradox. I laid inside Indus’ aching heart. I ignored everyone’s pleas. I cried.

Love, unlike cancer, has limits.

* * *

When I crawl the organ centrals now, all is quiet. Dim. Their raw luster has faded. Membrane skies have turned muddy. Veiny constellations and landmarks have vanished, sickened, or shifted. The stretches of artery where whole neighborhoods would line up to suckle are empty. Waste clutters byways. I can travel for setalengths without sensing anyone. All the webs of stardust made meat, all our hopes stacked high in this homeplace alongside infrastructure and history, and it amounted to this.

Desolation.

If I swim the vesselways, I might find someone in a subcutane, but there’s no guarantee the veins are open. So many are blocked by swelling tumors. The roads are already ruined from trapped commuters chewing holes in them to escape, even with saliva patches plastering those holes. I’m too weak to add to those injuries.

I crawl past wet ruin until exhaustion forces me to retreat.

* * *

It’s fruitless, but I do my duties. I bathe in the aortal shrine’s atrium until I’m cleansed. I chant, pray, and drink sacred blood until I’m sick in hopes it’ll grant me the visions I once had. I try divining meanings from Indus’ tremors. I perform pulse dances. Such rites used to be reserved for times of starvation. Now, they’re routine. When I weaken, I unspool one of the fine vessels in the shrine, then latch it into my breastmaw. I feed. This rich blood is all that’s sustaining me. When Indus goes, so will I. This leaves no room for hopelessness. My own undying tumors of acceptance and bitterness have forced it out.

I, too, am dying full of excess.

Oh, titan, tell me what to do. I stare at the three apertures above, watching them pump, alone, sore. What ails you? How can you be hospiced?

What hollow questions. Indus hasn’t spoken since my grandspawner was oracle. I’ve divined needs through reading aer snot, cleansed aer heart, and directed our peoples to pull upon sinew and nerve to steer our titan through space, but I’ve never heard aer voice.

Perhaps aey’re angry we neglected aem.

* * *

And still.

I sleep where my spawner and grandspawner slept. Eat where they ate. I stroke my shawl, tracing the pulsing web of fat, imagining what they would do, as if I don’t know. While Indus and I rot in the consequences of my predecessors’ choices, we live in all the cycles they loved us.

All that exists between swelling inevitability are apathy and abandonment. I stay with Indus less to prolong my life and more to enrich it: I’m dying a god’s death, or aey’re dying an orphan’s, which has put oracle and titan closer than ever before. I am ending. So is our universe. It’s all the same.

Hear me: it is the second cencycle of decay, the forty-fifth season of cancer, the third cycle of exodus. We are already gone, buried alive in our biotomb, but I pray that when Indus fleshcomets upon another galaxy, when the peoples of entropy eat our ruins, deduce meaning from Indus’ cancer-chewed bones, and peer into the cosmos, they find no sign of us.

Only our unspoiled potential.

Only the stars.

* * *

Samir Sirk Morató

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BigHappyFriend Likes Humans

by Rodrigo Culagovski

February 7, 2025

Humans like make commerce, yes?

It’s vaguely cat-shaped—it knows humans like cats—but with five legs, because it’s never seen a cat, and purple because all of the things that make up BigHappyFriend are purple.

The cat-thing holds out a root carved into a familiar shape. I take it and turn it around. I think they’re supposed to be sunglasses.

I put them on. I can see dimly through a worn-down area in front of each eye. They’re almost functional.

“Thank you, these are very good sunglasses.”

The Syndicate has a strict policy of being polite and encouraging to BigHappyFriend, especially for Understanding and Incorporation syndics like me.

Before the planet TOI-700-d, the Galactic Sentient Syndicate had never encountered any lifeform larger than one centimeter, anywhere. BigHappyFriend is as large as its entire home planet but made up of billions of smaller things of all sizes and shapes, and all the same bright purple. The Syndicate’s exophylogeneticists have a long, official, hard to pronounce name for it, but even they just call it BigHappyFriend, because that’s what it calls itself.

Humans like make pay for commerce, yes? We still don’t understand how it communicates with us. It doesn’t use sound—we just hear it. Current theory is a kind of resonant telepathy. That would also explain some things it knows about us that we haven’t told it about.

I pull down the almost-sunglasses. The cat-thing has its paw out.

I pick up a pebble and put it in its palm. It makes a musical thankyoupleasurebusiness and retreats to the back of the cave/office/apartment where I sleep and work.

About an hour later, a long, twisting, purple shape extrudes from the floor and comes up near my mouth.

Humans like food friedchicken waffle this day, yes? it says.

I’m tired of this posting, I haven’t seen or touched another Earthling in sixteen months. I don’t really believe we’ll ever accomplish our mission statement of welcoming BigHappyFriend as our first non-human syndic, and even if we did, the news would take ten years to get to Earth—another ten for any congratulations to come back. I have seven reports to compose, and BigHappyFriend wakes me up at random hours of each night with Humans like make listen music, yes? All of this is to explain why I’m not thinking clearly when I mumble “I’m not hungry.”

The cat-thing and the food-thing change, lose their bumpy, unstructured surfaces, expand, crystalize, and glow in alternating patterns that blind me.

Humans like food friedchicken waffle chickenfried this day, yes, yes, yes?

BigHappyFriend likes humans and wants to please us, but it doesn’t understand nuance—it’s way too big for that—or shifting wants, and it has a really hard time with “No.” There are three former syndics who refused something from BigHappyFriend—back when we had an even weaker understanding of it—whose families will recieve a lightspeed-lagged message in a few years starting, “We are sorry to inform you…”

I lift my head up sharply. The cat-thing is looking more like a lion-thing, and violet-glowing vapor is coming off its armor plating.

“Sorry, I mean… Yes! I would love some food.”

Cat-thing and food-thing return to their normal look. A nozzle pokes into my mouth and a paste oozes out. It tastes nothing like chicken or waffles, or anything I’d consider edible, but the exonutriologists say its harmless—probably, if we don’t eat too much.

I mumble thanyew around the nozzle and it retreats.

I’m granted almost half an hour before, Humans like make games, yes?

I let it beat me at tic-tac-toe even though it doesn’t understand the rules and drew a four by seven grid.

Two hours later, it’s, Humans like make view far away high, yes?

I pull up my facemask and activate my planetsuit’s enclosure mode as a large, purple insect-amoeba-thing flies down through the rainbow-colored bubble-field that keeps breathable air in my cave and the ammonia-based atmosphere out. The flyer picks me up, pulls me outside and lifts me to top of the tower it built for me to live in. We haven’t managed to make it understand railings yet, so I step back from the thousand meter fall.

I can see far across the surface of TOI-700-d—the hundred or so towers BigHappyFriend built for each of my fellow syndics, the shifting, oil slick colors of the wetlands, the sulfur ocean, the tall, fractal peaks that cluster together like mathematical, rocky forests, the floating islands, trailing their tendrils across the fields of crystals—all inhabited by BigHappyFriend in its billions of purple things. We don’t yet understand how it keeps contact between each separate piece—it’s probably similar to how it speaks to us.

TOI-700-d has a quarter of the Earth’s gravity and a much thinner atmosphere, and the GSSS Rudolf Rocker is the largest ship of its class. I can see it in its low orbit in the too-dark sky, near the weak, red sun.

Humans like first surprise time, yes?

“Sure, BigHappyFriend, we like surprises.”

A dozen things pop up in orbit. They look vaguely like the Rudolf, except purple, about twice as large, and with railguns. Every one of them is turning towards our single vessel, our only way off TOI-700-d and back home.

A purple, human-looking thing forms in front of me, pointing a large, purple, gun-thing in my direction.

Humans like make war, yes?

* * *

Rodrigo Culagovski

Comments

  1. Kathleen Beavers says:
    Excellent story. I really ‘got’ the ending. All too true, unfortunately.

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The Lonely Eldritch Hearts Club

by Faith Allington

February 14, 2025

Summoning an Eldritch horror is all about boundaries. This is no minor pantheon of darkness–demons, ghouls and small gods, hooved and hungry. No. These are horrors uninhabiting the cosmos, ouroboric infinity devouring itself.

I swipe through profile pictures. They undulate, defying the reality of liquid crystal pixels, biting my fingertips through the conductive indium coating the screen. Then one picture swells, drowning the room in carnivorous stars.

If you desire your true forever after, I will be the Eldritch for you. My eyes can be so blue, just as your heart can be so blue. 

The delicate lines catch in my chest and the screen turns to a mirror. I see myself remade by the horror’s light—split pupils, bones for cheeks, hollow throat. Liquid fills the room, compressing each rib, exploding the pressure in my ears. 

When it releases me, I swipe the complicated sigil with a shaking finger, trusting in the sanctity of my profile settings. The horror cannot speak until spoken to, the horror cannot manifest unless asked, the horror cannot disintegrate or transport you. All the usual.

* * *

For our first date, Oben is wearing a watercolor face, smudged and yielding, lights glowing under the skin. Their eyes go for miles, iridescent-blue as a hundred polluted rivers.

We eat and laugh and talk, the night glistening with potential. We already feel like a couple, somehow. Even though, in the glass, I cannot see Oben at all. Just my own reflection, unrecognizable on the rain-streaked surface. 

My clothes are muted and modest now. But I still remember Peter pulling my shirt higher up my chest. Are you really going out like that?

I ignore his voice and smile for Oben. Each bite of calamari enters the red-lipped cavern of my mouth, an offering of salt brining my heart. Tonight, it’s as if we’ve always known each other. Maybe this relationship will be the one that lasts forever.

Afterwards, Oben bends at the waist, oily hair slithering over their shoulders. I wait for the all-consuming kiss, shivering in the grip of our first-date fantasy. But when it comes it is delicate, a single exhalation of water, leaving nothing behind.

* * *

Our next date is at a museum. Oben stands so close to the paintings that the alarms should be going off. I am tethered by our held hands, suspended in the certainty of being desired.

Oben stands longest in front of a kraken painting, its limbs thrashing around a pirate ship, wood splitting, sky pierced by light. After a long time, Oben turns, a smile surfacing from their drowning face. Waiting for me to unbind their tongue.

I oblige. “What speaks to you about this piece?”

“Tam—” Oben whispers, then blinks. “The piece speaks to me about the first time I saw you.” 

The museum’s lights flicker and my heart jackknifes. A cold dampness in my lungs. It must be normal for a horror to say things that feel like my veins unraveling in the dark. I wonder who Tam is.

“Do you like it?” Oben asks.

I’ve hated the ocean ever since I tumbled under the waves, lungs filling with salt. Peter laughing when I emerged, soaked and shivering. Clumsy, aren’t you?

But here with Oben, I find myself wanting to like it again. 

“Tell me.”

“I like the brushstrokes, the way the white paint foams and the sea feels eternal.”

They press a smooth finger to my mouth, then study the splash of crimson that my lips leave behind. “You, too, are brushstrokes on a canvas that feels eternal.”

I blush, thinking of my profile pic, of how much I have tried to reconfigure myself into something that an Eldritch would desire when summoned. Something worthy of forever.

“I probably look different than you expected. Would you prefer it if I didn’t wear makeup?” 

“It doesn’t matter.” A flush of sadness crosses Oben’s cheeks, face tightening against a knotted rope of griefs. “Do you always dream in mirrors?”

My tongue sticks to the roof of my mouth. Oben floats away to the next painting while I gulp for air.

* * *

Weeks pass without a response. I thought I’d ruined things until Oben finally answers my latest summoning. My living room smells of takeout food and rain, one window swollen open. Oben pours onto the couch beside me, shadows dimming our surroundings into nothingness. 

My molecules drift towards them, ready to unmake themselves, if only I could find the words. Beads of sweat slick my skin like a tongue. Oben’s back is sharp and damp under my hands, jelly skin barnacled with scars, bloodying the beige couch to darkest blue. 

On my side table, their phone pulses red with notifications, better offers of desire from more experienced practitioners. Maybe we should stop. Already I feel too light, like the motes of my body are coming unglued. 

“I’m sorry,” Oben says, voice cracking the silence. 

The casual way Oben breaks the rule about waiting to be spoken to should frighten me. I have to dissolve the convocation, send Oben back. But I’m bracing for the spear-tip of rejection, heart contracting. “Is there someone else?”

“Something else, yes. Tam shattered me, left me strewn in pieces throughout the galaxy. I tried drowning a few continents, filling oceans with blood, but nothing worked. Until a friend suggested summoning.” Oben looks through me, cities burning in their eyes. Their voice rotting with guilt. “I just wanted a vessel to pour Tam into. I didn’t realize that you would be–sentient.” 

A whimper lodges in my throat. “But I summoned you.” 

Oben smiles and the room wavers, revealing endless dark behind. My body turns copper oxide green, foaming at every joint, buckling under infinity. No. This has to be a lie. Never trust a horror, that’s the first rule of every summoning. But a nebula of Eldritch tentacles whisper towards me and then pause, awaiting permission.

“Yes,” I whisper.

I close my eyes, wondering what forever will feel like.

* * *

Faith Allington

Comments

  1. Erin says:
    Evocative in all the ways 🙂

    I loved this story! It feels all hollowed out and ecstatic and yearning–just the was eldrich horror romance should be </3

    It hit the perfect spot on Valentines day!

  2. Cate says:
    I got to the end of this story and realized I’d been holding my breath. This was wonderful and heart-rending. Never thought I’d see the day that an Eldritch horror was sympathetic.
  3. Now that was a nice read, thank you

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Conflict Resolution

by Holly Schofield

February 18, 2025

I push Alicia hard, deep into the liquid, gripping her shoulders when she squirms. Silver balls of air bubble from her nose and her lips move as if she’s trying to speak, to cry, to plead. Finally, she sags into the viscous liquid. Her eyes stay open, staring at the ceiling of Cargo Hold One, strands of hair floating toward me like imploring fingers. One last glimpse as I close the lid. Her lips have become calm, accepting.

I swipe at my tears.

I’ve made the world a better place.

 

ONE HOUR AGO

“Sis, are you sure? It’s chilly in here.” Alicia peeks through the doorway.

I ignore her and heave my kit bag onto the makeshift bunk. Stacks of shipping crates loom above my personal stuff. Not very cozy but lugging everything to Cargo Hold One is worth it. First, it passes the time for twenty minutes, always a plus during this interminable journey. More importantly, staying in this creaking, cold ass-end of our courier ship means I won’t have to listen to Alicia’s quiet breathing all night long in the crew cabin.

She keeps trying, of course. “Move your stuff back? We can sleep different shifts, eat at different times. I’m so sorry you’re hurting.”

“I’m not hurting,” I say. “I’m annoyed, and depressed. And I want to be by myself.”

She slides the door shut after her and I’m finally awesomely, wonderfully, alone. I give my cryopod an affectionate pat. That has taken a big chunk of the twenty minutes, moving the fluid canister, the tubes and cables and portable controls. But its presence is comforting.

Darkness roils in my thoughts. I need distance from Alicia. After we finish this courier run, I’ll book the cryopod on an interstellar longhauler, climb inside, and travel so many lightyears away, Alicia will be a distant memory. No one to measure up to; no one to see me fail. And fail. And fail.

It will be like I never had a sister.

 

TEN MINUTES AGO

“You don’t have to lick your finger like that.” I need to eat sometime, and the infernal yam stew is even worse cold. So I stride into the galley, successfully ignoring Alicia until she sticks strawberry goo in her mouth for the one thousand three hundred and twenty-third day in a row.

It’s bad enough we’re stuck delivering overpriced equipment to some stupid colonists, but most of our situation is my fault.

First, I’d badly negotiated our courier fee after skipping over the fine print. It will leave us more in debt than we already are.

Then, I’d been reading our latest disastrous loan statement while I placed our order to the port food supplier, getting angrier and angrier. Just as my verbal transmission about the two foods I hate most—“NO yams or strawberries!”—went through, I smashed my fist down on the panel, muffling the first word.

Alicia wouldn’t have lost her temper like that, and she would’ve confirmed the order instead of impatiently signing off like I had.

Alicia never complains about either of those things. Why can’t she bitch like a normal person?

I shovel in stew, wishing my mind could be as blank as the bulkhead I’m staring at.

Alicia gets up. “I like strawberries.” She rubs my shoulder as she passes by the tiny galley table. “And I like being here with you.”

The thing is, Alicia really means it. No nasty thoughts in her head, no mean bones in her body. A truly nice person. It’s so unfair. The only thing I’ve ever been better at than Alicia is doing math in my head—something computers can do faster anyway. She carefully compliments me on it all the time.

She makes me crazy.

I slam my stew container into the galley bin and open my mouth to express an emotion I’ll be ashamed of later and that’s when the stream of meteors hits.

First, a deafening bang.

A high-pitched hiss.

A two-centimeter opening in the hull above the bin.

We catch each other’s eyes.

Big gulps of air, and we dive for our p-suits.

Alicia, first to the rack, shakes her head and points. A dozen holes pierce each suit. Below, a thumb-sized hole in Alicia’s cryopod, fluid already oozing out.

Alarms sound as automatic SOS signals transmit to nearby ships. Help will come, in hours or days.

We have only minutes of air.

We run into the corridor and Alicia hits the door seal which closes with a satisfying thrum. Useless. The meteor shower has hit the corridor too, its raw gray metal now pockmarked with blackness.

On to Cargo Hold One. There, my pink washcloth is already being sucked toward the biggest hole.

I hear–no–feel Alicia collapse behind me. Chest burning, I drag her toward my cryopod, dizziness blackening my view.

I catch her eyes and hold up two fingers. Both of us can cram ourselves into the single-person pod, and sleep until help comes. She reluctantly nods: less chance of survival with two. I glare at her. It should be feasible in these conditions.

But then, oh goddess, then…I can’t help myself. I do the math.

X days into our cargo run, Y lightyears to the nearest standard shipping route, Z amount of life-sustaining gel.

Easy math.

I do it again.

And again.

One, I mouth at her. Only one of us can make it.

She points weakly at me.

That gentle look in her eyes, even here, even now.

I will never be like Alicia.

I forgive her then, during that fraction of a second. For the person she is, the person I long to be, the dab of strawberry in the corner of her mouth. I see her goodness, and the world, and my place in it.

In that moment, I find peace.

That’s when I grab her shoulders.

* * *

Holly Schofield

Originally published in Nature:Futures, October 2022. Reprinted here by permission of the author.

Comments

  1. Anupam Rajak says:
    That was really an awesome story. The beginning appears as if someone is being murdered, but the end just stops short of expressing anguish at the manner one has to stay alive when the choice has to be made between saving one’s own life or that of another.
  2. Althea Whyte says:
    A very futuristic story with an interesting beginning that flows a surprising plot. Nicely done for a good read.
  3. […] “Conflict Resolution”, originally published in Nature magazine, was reprinted in January on Flash Fiction Online and is free to read. Siblings can be difficult at the best of times; confined together in a small spacecraft doesn’t make things any easier. […]

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Schism

by Kiernan Livingstone

February 21, 2025

Beneath Ibryn’s touch, the Instrument that Has No Name sings.

It is a complex affair—it took them several years to learn. Many more to master. Playing it is a puzzle, a complicated maze of levers and keys and dials only decipherable by the immense processing power of their hive. To even coax out a single sound takes weeks of practice. With Ibryn, though, it produces a symphony. One that never ceases. One everlasting.

Ibryn, currently, is not just at the Instrument. Their hive is also in the fields, tending to their acreage. They are also in the town of New Lausmus. Selling. Trading. Conversing. But always, through it all, playing.

When one drone becomes tired of playing, another fills in. The memory, the innate mastery of the Instrument is as transferable as their thoughts. The improvised melody twists and bends with their mood. Sometimes jaunty and exciting. Sometimes slow and serene. But always playing. Always urging them on to greater heights.

“I feel I see more of you everyday,” Palix says to them, in the town. Palix is another hive. Smaller. Their chitin shines darkly in the bi-focal sun as they inspect Ibryn’s produce. “How many are you now?”

“A few over a thousand”
“Just over a thousand.”

“Around twelve hundred,” Ibryn replies, the variations of their response echoing among the hive.

Palix conveys a sense of disbelief, underwritten with concern. A touch of discomfort. Palix’s hive stands at only just over a hundred. Hence the reason why there is just one of them that stands before Ibryn, versus the seven of Ibryn. “That many?” Palix asks. “Have you not considered severance?”

“Soon”

“Of course.”

“Just not the time.”

Skepticism from Palix. Worry. Reproach. “If you say so. Do not hurt yourself.”

Ibryn projects confidence to them. Palix need not worry. Ibryn’s hive has grown, true. But their connection is strong. Their drones spread throughout New Lausmus. Industrious. Working. Each an independent creature. Each linked nevertheless into the single great mind that is themselves. Ibryn is a tower, reaching towards the heavens, each mind a stone in its foundation. Some—most—have asked them why they choose such menial labour. Farming, of all things, for such a large hive. A mind like that, with its countless additional synapses, could be inventing. Debating. Schooling. Why risk such a large hive, with all its potential for instability, if not for greatness? But Ibryn does not wish to share their song, one that grows in complexity with each new drone. To the world, they remain a farmer. The song is for them, and them alone.

Ibryn has been here in New Lausmus since their own severance, when Y’kta separated just a dozen drones to help settle the planet. Ibryn has grown since then, beyond even Y’kta’s number, and they will continue to grow. Someday soon, they will sever. But not now. Not while the melody, that beautiful melody, is so tantalizingly close to perfect. The song of Ibryn. The one they have played, and will continue to play—

Wait.

What was that?

A falter.

A pause in the notes. In the fields, Ibryn trips, a hundred times over.

It was nothing.

Continue.

Except there it is again.

Ibryn at the Instrument holds a single appendage up, prepared to bring it down.

Two desires.

That note | This key

They are not separated. The thoughts. Both commands. Both instructions of equal measure to their limbs to move.

Stop.

Wait | Continue | Switch

A lancing thunderbolt of pain sears the mind. Indiscriminate. Ruthless. A single stone breaks.

The tower falls.

They are splitting. Are split. In two. Four. Seven. More. They reach desperately for each other. The disparate parts of themselves. It only serves to worsen the fracture.

Confusion.

Darkness.

The eyes fade from a thousand views. To hundreds. To dozens.

Where are we?

What are we?

Who are you?

They are dying. They can feel it. Broken. There is something that needs to happen. A constriction is growing within them. They used to know how to prevent it.

Breathing.

How?

Only half of Ibryn remembers.

There are too many thoughts. Too many. Conflicting. Ordering. A thousand minds no longer in harmony. They have to stop. Have to be quiet. And they tear. With claws and tools and teeth. Silence it. Quiet. Each thought a thousand scratches, a thousand swings.

Quiet.

Quiet.

Quiet.

Silence.

Ibryn is… still Ibryn.

They think.

They are here. Alive.

Where are the rest? There must be more. There has to be more.

They hesitantly reach out with their mind, trying to find the rest of themselves. There is something missing. Something Ibryn no longer has the capacity to comprehend.

They are in the field. They don’t know how long it’s been. Ibryn remembers starving. Vast parts of them starving. The hundreds of drones that once were Ibryn cover the ground. Many are torn to pieces.

Many more simply lie there. Unmoving. Their motor functions abandoned until they had wasted away.

Ibryn steps on shaky legs. They feel the others of them.

Less than how they were born.

Four.

Ibryn is only four.

But even still, they remember the urge. Know how to make it right. They stumble, as a group. Together. Into the shelter. The Instrument sits there. Undamaged. They breathe a sigh of relief. None of it is important compared to this.

One sits down. Lifts an appendage up to play.

And stops.

They do not know where to let it fall. So they guess.

No sound comes out.

They try again. And again. All of them, one after another. Mimicking the flow. Wavering. Then banging. Desperate to get a glimpse, a single note, of what they once were.

But no sound comes.

And they realize they cannot even picture the melodies they once played. Where once there existed scales and harmonies spread across a thousand minds, there now exists only the knowledge of what was lost.

No music.

No symphony.

Just deafening, thunderous quiet.

* * *

Kiernan Livingstone

Mirror-hole

by Beth Goder

February 28, 2025

The mirror-hole appears on Haley’s sixteenth birthday as she’s putting on eyeliner. A huge, jagged oval in the middle of the mirror.

Haley shrugs and puts on mascara. It’s not like she’s never seen a mirror-hole. Still, she doesn’t let anything get close to it.

She waits until Friday before telling Jessica, while they’re in line for avocado pizza.

“Have you ever put anything through one?” Haley asks.

“It’s fine,” says Jessica. “It comes back, just different.”

“What do you mean?”

“Just, I don’t know. Different.”

Things disappear from Haley’s house. First, her eyeliner, then socks, a bundle of leeks, a love letter. Haley can see the stuff through the mirror-hole if she angles her head just right.

When her mother’s favorite earrings go missing, and her mom tears the house apart looking for them, Haley reluctantly shows her the mirror-hole.

“Why didn’t you tell me we had one of these?” her mom asks, sticking her hand in.

Her mom pulls everything out, reaching into the mirror-hole again and again. She dumps it all in the sink, and puts on the earrings, asymmetrical green triangles.

“Mom, your hand,” says Haley.

The shadows cast by her mom’s fingers aren’t right. They’re too bent, too angled.

Her dad chops up the leeks for dinner and Haley has two helpings, because she imagines that’s what Jessica would do.

Her stomach feels fine, but there’s something different about her mouth. In the mirror, she says, “I made a mistake,” but her mouth only moves after speaking and the shapes aren’t the same.

She doesn’t want to wear the mirror-tinged socks, but they turn up everywhere—in her backpack, on her favorite chair, between the pages of her book. When she finally puts them on, everything is fine, except that her toes feel different, like her shoes are on the wrong feet.

“Did you ever wear socks from a mirror-hole?” she asks Jessica during badminton practice.

“No, but I wore a shirt once.”

“Was it weird?”

“You are so obsessed,” says Jessica. “It was fine. Just different.”

Haley forgets about the love letter, which was from three boyfriends ago, but she finds it while cleaning her desk. The words are the same, but the meanings have changed. “How do I love thee?” her boyfriend had written. (He was very extra. This was why they’d broken up.) The letter seemed romantic at the time, but now Haley wonders if he meant, “How do I love you? How could I possibly love you?”

Haley’s mom is knitting a scarf. Her hands move razor-quick.

“Mom, your hand,” says Haley. Her mom’s fingers are wrong, curving backwards, but her mom doesn’t seem to notice.

Haley stops talking about the mirror-hole, but she can’t stop thinking about it. Every night, she pushes a finger around the jagged edge, but never through.

It seems like something is moving inside, but no matter how she tilts her head, she can never quite see it.

Haley throws a bunch of stuff through—her notebook, pink nail polish, a piece of paper that says, “I know, I see you.” When she cranes her neck, she can see some of the stuff, but not all of it.

This goes on for weeks. Haley touching the mirror, pushing stuff through, desperately trying to see what’s moving on the other side.

Finally, she’s had enough. She sticks her head through.

A copy of her bathroom exists on the other side. She sees the body of another girl who looks like her, head poking through the mirror. From this angle, it looks as if the girl doesn’t have a head at all. “Guillotine girl,” Haley thinks.

She grabs her pink nail polish with her mouth.

When she takes her head out, everything is fine, except the pink nail polish looks different. It has a certain essence, like it could move on its own but chooses not to.

Now anything that’s been through a mirror-hole looks different to Haley. She looks at her socks, blinking hard. She paints her nails pink, but then has to remove the polish because she can’t stop blinking.

It feels like someone is watching her, always. Like there’s a big mirror stretching over the sky.

When she goes for a run with Jessica, she asks, “Does it ever feel like someone is staring at you? Like, all the time? Someone you can’t see?”

Jessica just rolls her eyes and sprints ahead.

Whenever Haley’s mom cooks, Haley says, “Mom, your hand.”

Her mom’s fingers are bent like broken stalks of grass. It’s most obvious when her mom is holding a knife, chopping up chives or chicken or leeks.

Haley wonders if Guillotine Girl is still on the other side of the mirror-hole. She doesn’t know because she avoids looking at the mirror.

Sometimes, Haley finds stuff in the bathroom that isn’t hers, like dark red lipstick and fashion magazines with the letters all going backwards.

She can’t shake the feeling that someone is watching her, that they are reading the details of her life. It feels like there are mirrors everywhere, only she can’t see them.

Haley looks at everything too hard. When an alive thing seems dead or a dead thing seems alive, when the light hits at the wrong angle, she blinks. Every time, she blinks, like a shutter clicking closed on a camera.

She looks at trees and stop lights. Clocks. Sisters. Lipstick. Hands. Melted chocolate bars, textbooks, the space where things used to be, like a gap in a bookshelf or mouth with a missing tooth.

She tries to understand what’s different about them.

She looks at everything she can, but never mirrors.

She looks at you, taking in the contours of your face, as if you were on the other side of a mirror. “Everything is fine,” she tells you, smiling. “Just different.” Then she blinks. And blinks. And blinks.

* * *

Beth Goder

Comments

  1. Paul says:
    Another imaginative and excellent story from Beth Goder. Looking forward to seeing more from her.

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