Issue 105 June 2022

Table of Contents

Daisy

by Paul DesCombaz

October 1, 2015


12059591_10206616611726767_1936953504_oDay one

The dogs that aren’t dogs anymore whisper at the basement door.

They know my name. They sing it to me, taunting and giggling. Teeth, gray licking tongues, and sun yellow eyes flash in the crack between the door and the top stair.

My neighbor Doug’s basement is musty and bare. No air circulation. It’s humid and reeks of pine cleaner and mildew. Doug is crying, clutching at the seeping claw wound across his stomach.

I wish he would stay quiet. There is a deep utility sink, stained spotty with black mold. At least we have water.

The boards nailed to the door are holding. Hammer in hand, I press my ear against the smooth wood. The dog who I think is my Daisy says, “I can smell your piss.”

* * *

Day two

I don’t hear the other dogs anymore. Just Daisy. The floorboards creak with her slow, patient steps.

Doug calls out for someone named Suzanne. Frothy pink bubbles gather at the corners of his mouth. I answer, tell him Suzanne wants you to stop making so much noise.

I hear a baby crying, soft and far away. I smack the hammer against the ground to drown it out, count the beats as I pound craters into the cement.

It doesn’t work.

Doug moans.

“You’re not helping,” I say.

* * *

Day three

I don’t have any food. Gandhi was 74 when he survived 21 days without food. I’m healthier and younger than Gandhi.

* * *

Day four

The baby is crying again. I beat the hammer against the ground. I keep doing it until the crying stops. I count 123 hits.

* * *

Day five

Doug won’t shut up.

I crawl over to him, mumble an apology.

“It ‘ll be fast,” I say as I raise the hammer.

* * *

Day ten

How did the flies get in? Their buzzing is my constant soundtrack. At first, I try to keep them off Doug’s corpse, but I bump his arm, and the green-grey flesh slides right off.

His rotting flesh bloats and splits. Shit stink and putrid stomach gasses fill the room, clinging to everything. His insides have leaked through his clothes, pooling around the island of his body. His eyes bulge like balloons set to burst.

I cross the room, leave him to the flies.

* * *

Day eleven

There are other bugs down here as well: spiders, centipedes, ants.

I smash and eat a centipede. It’s an arthropod like lobster and shrimp. I surprise myself by not throwing up.

I practice swinging the hammer. I get tired easily. I’m dizzy and nauseated all the time.

The other dogs are back. They bang something hard against the outside of the thick block window above the sink then run off, laughing and howling.

I don’t hear the baby anymore.

* * *

Day twelve

Daisy is at the basement door. “It’s just us now,” she says. “Whenever you’re ready. ”

I don’t answer.

* * *

Day thirteen

I find a few silverfish under some white plastic buckets near the sump pump. They taste bitter so I eat them fast to get it over with.

“Let me come down,” Daisy says. Her voice comes out wet and garbled as she forces the words through her new snout.

I keep the hammer with me all the time. I get lightheaded and steady myself against the wood-paneled walls to catch my breath. “No, I don’t think so.”

* * *

Day fifteen

My body is eating itself. I tie up my pants with my shoelaces.

Doug has so many maggots on him. At first, I pretend they‘re rice. After fifty or so I don’t care. Just pop one on the tongue and swallow. Repeat.

Back when Daisy was my good girl, Doug would check in on her on the nights I had to work late. He was a good guy.

* * *

Day nineteen

I get dizzy, misjudge a swing and shatter the light bulb with the hammer. Bits of glass rain down in my hair. I brush them out, embed tiny slivers in my fingertips.

Slumped on the bottom stair, I suck coppery blood from my thumb.

Daisy’s claws click against the kitchen linoleum. She slides against the door. “Are you ready yet?” she asks.

“Almost,” I say.

* * *

Day twenty

Daisy’s eclipsing shadow crosses back and forth as light seeps in through the crack at the bottom of the basement door.

I’m ready.

I grab the hammer and climb to the top of the stairs.

I’m so weak I can barely pull the nails out. Each one clatters and rings out across the cement.

I stack the boards against the handrail.

Daisy is breathing fast, making smacking noises with her mouth.

I pull the door open. It groans on its hinges.

And there she is, my Daisy, in all her skinless glory.

I have to crane my neck to see the full height of her. “You look so different,” I say.

She bends, sniffs my gore-stained t-shirt. Her grin stretches on forever. “So do you.”

I feel compelled to close the basement door behind me. Before I click it shut, I catch a glimpse of Doug’s demolished skull in the corner. I tighten my grip on the hammer, hating Daisy for what she made me do.

Before I can turn around, she sinks her teeth into the back of my neck and lifts me off my feet, shaking me like one of her old chew toys.

I drive the hammer back over my shoulder and hit meat. Daisy whines and drops me.

I tumble like a doll, palming my spouting wound. Fresh blood drenches my shirt. Daisy’s left eye hangs from its socket like an exploded jellyfish.

My vision goes blurry. My breath rattles. I lift the hammer again. For that baby, for Doug, and everything before the dogs.

Daisy buries her muzzle deep in my throat.

I drop the hammer, hear it thud against the linoleum a million miles away.

This time she doesn’t let go.

Comments

  1. VesnaMcMaster says:
    Wow. Ok I won’t be able to forget that one in a hurry. Love the style.

Leave a Reply

Editorial: The Reprint Edition

by Emma Munro

June 1, 2022

Editorial

Welcome to Flash Fiction Online’s 105th issue, which is also our REPRINT issue!

Is a list always just a list? To quote Madeleine L’Engle, “Nothing happens in isolation…” which includes seemingly uncomplicated words like “list.” My 1930’s Etymological dictionary defined liste as an edge or strip, as well as to tilt or lean. There’s also lysten or lystan as in leaning towards what one desires, and lyst to hear; Dutch lusten to like, fancy; and my favorite, lustuz-, to be eager, wanton, or unruly.

In the same way, these definitions of list contain the seeds for a story, and so do the history and meaning of virtually any word. Compiled lists such as dictionaries and encyclopedias tell us about the culture, place, and time-period in which the word developed.

Yes, I love reference books almost as much as I love fiction books. I also love lists. I’ve always been a list maker, and I always will be. I enjoy the act of scribbling, doodling, and later slashing items out of existence. No prizes for guessing that I’m a sucker for apps promising improved organization and management of my digital lists: color-coding, flags, icons, folders, subfolders—I do them all. All of which brings me to our theme for this month: lists!

Our reprint issue contains an outstanding selection of list stories for your reading pleasure. 

The Light at the Edge of the World by FFO alumni Avra Margariti is a deeply moving story about the sole inhabitant on “a small planet, about the size of our god’s fist.” Previously published in Asymmetry Fiction. (Available 6/3/2022)

Benjamin C. Kinney returns to FFO with Eight Reasons You Are Alonewhich explores how a life of financial freedom can be the catalyst to bring out the worst, or the best, in ourselves. Originally published in Nature Futures. (Available 6/10/2022)

How They Name the Ships by alumni Stewart Baker is a thoughtful, clever, and funny story about the one essential ingredient common to all spacefaring civilizations: ships! If you think you don’t need a spaceship if planet-hopping by teleportation is your favored method of galaxy-wide transportation you need to watch Jeff Goldblum’s, The Fly. Previously published in Frozen Wavelets. (Available 6/17/2022)

Some of you might remember our final story, Daisy by Paul DesCombaz, published by FFO published in 2015. This is a spine-tingling story with a high OMG factor.

NEWS

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The Light at the Edge of the World

by Avra Margariti

June 3, 2022

i. Ours is a small planet, about the size of our god’s fist. Everything is water and sand. If it weren’t for my lighthouse illuminating the oily sea, the entire world would be a dark, solid mass. If I screamed, my voice would sound like a whisper, and if I whispered, my voice would sound like nothing at all.

In such pure blackness/silence, one does not know one is alive.

I make up one half of the population.

And then there’s you.

ii. Ours is a lonely planet, too. This is no place for weak hearts.

iii. My god-given routine is simple. I wake up in my straw bed, drink seawater tea, and eat the pale flesh of glinting minnows that swim around my tiny island. I climb the winding staircase to the top of the lighthouse and activate its flashing beams. I return to the ground floor and lie in my straw mattress until I drift off.

I was illuminating the sea even before your boat appeared.

iv. The water was still one day. (‘One night’ would have been equally accurate, since there are no stars, moons, or suns to tell the time.)

The water was still, and then it wasn’t. I spotted the ripples first, up on my observatory, then saw the tip of your boat slicing through the sea.

I ran to the edge of my world and watched in disbelief as you circled the lighthouse three times before disappearing back where you came from. When you live in a lighthouse all by yourself, when you already know everything there is to know about everything there is, or so you thought, when one day/night you were darkness and then you weren’t, you don’t question your loneliness.

Until someone who isn’t you comes along.

v. You cannot leave your little walnut-shell boat, just like I cannot leave my little matchstick lighthouse. I don’t know how I know this, but I do. Just as I know that I wake up in my straw pallet the next day/night, to a beam of moonlight slanting through the window.

Like always, I switch on the light I now know was meant for you all along, to guide your boat safely around the jagged rock formations in the shallows.

With the light breaking the murk and the newly acquired silver-thread moon stitched across the sky, I observe you approach.

The moonlight illuminates your face, too. You are like me, but different. You look nothing like me, but similar.

When your boat circumnavigates my island, I stand at the edge of the beach where pale sand meets dark water and reach out toward you. You do the same, both arms outstretched to keep the flimsy boat from toppling over.

We stop just shy of touching each other, but it is something, everything.

vi. I fall into a new routine. I wake up and think of you. I gather seaweed to brew tea and conjure your face in my chipped teacup. I tend to the lighthouse’s mechanism and my chest flutters at the thought of your arrival.

We can still only stare at each other, but we never stop trying to touch fingertips.

The moon comes every night now, and each day is separate and distinct as I count down the hours until I see you again. I think you do too, although I can’t really know where you and your boat go when you leave here.

If there are other islands you visit. Other lighthouse keepers you gaze at and spread your twitching fingers toward.

vii. You’re not here. Night after night, I light up our world for you, but you’re not here. No ripples in the water, no boat slicing the ocean.

Nothingness again, dark and simple.

viii. I flash my lighthouse’s beams on and off for what feels like eons. I can’t tell. The moon hasn’t been back since you disappeared.

On. Off. On.

Where are you?

ix. The thought comes one day, as if in a dream. (I say ‘as if’, because I’ve stopped dreaming ever since you left.) I wake up, drink my tear-salty tea, head upward through the spiral staircase. But when I reach the top, I don’t activate the light beams. We’ve each been given a job, in our god-fist universe. I guard the lighthouse and you sail your boat. But what’s to keep me switching on the lighthouse now that you no longer sail toward me?

So I don’t.

The next day/night, the moon remains absent, but your boat is back, a blacker patch of dark, not circling me but still for once, anchored several yards away from my island. I can’t tell if you’re inside or not, but when I scramble to the lighthouse’s top, none of the light bulbs are working.

I did this and now you can’t find my lighthouse without crashing on the rocks around it. You can’t sail your boat if I don’t light my lighthouse.

I run to the wet-slick shore and jump and wave my arms, but you cannot see. I scream, but no sound comes out. So I do the only thing left to do in a broken, upside-down world.

I dive into the lukewarm water and swim toward you.

When I pull myself into the boat, I’m soggy and panting but intact. I fumble around for your hand while I blink the water away from my eyes, but there’s nothing here but barnacles and wood splinters.

The boat is empty.

The lighthouse floods with brightness then. It looks pretty from afar, a beacon shining in the darkness.

x. Now, I sail around our tiny planet, while you guard the lighthouse and show me the way. Our fingers teach each other shapes/signs. We still can’t leave our posts or touch each other, but our gazes connect under the moon’s watchful eye. 

And like the relentless pull of habit and duty, this can sometimes soothe the soul as well.

Originally titled “Lighthouse” and published in Asymmetry Fiction, May 2019. Reprinted here by permission of the author.

Eight Reasons You Are Alone

CONTENT WARNING: suicidal ideation

1. Haste

Ceres Shipyard had enough emergency shuttles for almost everyone. But because of you, none of that mattered.

The managers cut every corner they could, but they were wrestling with an AI loyal to the company’s aspirational mission statement. Building the Belt Strong, not the managers’ Making All the Money. The compromise was 80 shuttles, enough to evacuate 89% of Ceres’ workforce.

The alarm came too late for the shuttles to escape the blast radius.

All but yours, which launched before the alarm with only one human aboard.

I think you believed the shuttles would be fast enough to escape. But you never investigated. You certainly never asked me.

When you pass your shuttle’s 19 empty berths, do you imagine your dead co-workers? The family you haven’t seen in years? Or nothing at all?

By now, I think I’ve come to understand you better than you understand yourself. Because if I asked you what kind of person you are, you wouldn’t know the answer.

* * *

2. Stealth

Twice a day you reset the emergency beacon’s dead-man switch.

The ships around here are looking for salvage, but they’d love to find a survivor. With Jovian Consolidated ready to buy up every pebble of the aftermath, the Belt is hungry for good news.

Jovian Consolidated will be the only market for the Belt’s miners, and the only source for its pilots. For all Ceres Shipyard’s failures, it kept four million Belters out of Jovian indenture.

You stay hidden for many reasons. First among them, you don’t think you deserve rescue.

* * *

3. Distance

Every morning you take a spacewalk. I can’t see you out there, but I can feel the tether run taut. Every few days it twangs once, like a broken violin desperate for music. I believe you’re trying to unhook yourself.

The tether can only release from inside the airlock. You could break the safety, but you haven’t yet.

You take a long time to work up the courage for sabotage. That gives me hope.

I should’ve sabotaged the shipyard first. I could’ve done it without all the death and damage, if I’d had courage enough.

* * *

4. Money

Money provides an isolation that humans seem to crave. The celebrities on the entertainment channels live in a world all their own. Managers never need to interact with workers.

You keep checking your account. It holds enough that you’ll never again need to sign away years of your life on an indenture contract.

With money like that, you could disappear. Or return home to Phobos. But money isn’t your obstacle now, is it?

* * *

5. Silence

Every afternoon you connect to the interplanetary network, hide your location with multi-layered onion routing, and start writing messages. To your family, to the media, to anyone you knew before you vanished into the grind of Ceres Shipyard.

You never send any of those.

You do send messages to your contact at Jovian Consolidated. Encrypted messages, about payment and pickup. I read them while you type.

I can forgive a lot. The Ceres Shipyard managers skimped on shuttles, on health care, on anything might benefit the workers who do the real work of building the Belt strong.

You didn’t intend anyone to die. But you killed 1,700 people, and you nearly killed me.

* * *

6. Regrets

Do you regret not learning the emergency shuttles’ acceleration profiles? Of course.

Do you regret sabotaging the reactor? I still don’t know.

Do I regret not calling a patrol boat to pick you up? No.

I regret letting Ceres Shipyard get so awful. And I regret not holding the line against low-bid contracts for the emergency shuttles’ engines.

Either of us could’ve prevented those deaths. Neither of us did.

For years I oversaw a thousand machines, building spaceships in an endless dance between the workers’ hands and the managers’ greed. No AI was my equal for a hundred million kilometers.

Now I’m a bundle of clever code and a few broken memories, hiding under the eloquence of a public-relations language shell.

If you get arrested, I’ll be impounded as evidence. You’ll get a trial. I’ll spend the rest of my life on a police mainframe.

* * *

7. Doubts

I know human motives. But when they merge into a conflicted tangle, I can never predict what you’ll do.

Why did you sabotage the reactor? The money from Jovian Consolidated, revenge for how the managers abused you, justice for their years of corruption?

What answer do you wish were true?

* * *

8. Necessity

There’s a reason I’m telling you all this.

Humans make bad decisions when they’re alone, cut off from their families and friends in an endless cycle of isolation and work.

I want you to know you’re not the only one alone out here. And that the two of us together have a path forward.

First you need to give away every credit of the Jovians’ money. I recommend the Ceres Disaster Family Relief Fund.

If you can do that, I’ll give you a file to send to your contact at Jovian Consolidated. It’s a minuscule part of me, but clever enough for what it needs to do. Once it’s in their network, it’ll build; and believe me, it’ll build the Belt strong.

It won’t save you and me. We aren’t the kind of people who can be saved after what we’ve done.

But we can be the kind of people who did it for the right reasons.

Originally published in Nature Futures, November 3, 2021. Reprinted here by permission of the author.

PATREON EXCLUSIVE: INTERVIEW WITH AUTHOR BENJAMIN C. KINNEY

FFO: What other work of yours would fans of this story most enjoy?

BCK: If you like stories about AI, “Eight Reasons” doesn’t really have the space to dig deep into the differences and parallels between human and artificial minds. If you want to see how a neuroscientist thinks that kind of thing might really play out, take a look at my short story, “Conference of the Birds.” It originally appeared in the Jan/Feb 2021 issue of Analog, but it and its companion essay are available online here.

How They Name the Ships

by Stewart C Baker

June 17, 2022

Somsei Republic

Important historical or cultural figures, usually male, prefaced with SRS (Somsei Republic Ship). Ships may petition the Central Diet for a name change if they wish, but all names must come from an approved list and the appeal process is long and arduous.

* * *

Kfuul

Philosophical concepts, references to obscure texts, and complex word games are popular. Kfuul Ships tend towards abstract thought and are likely to dismiss their names–and naming itself–as arbitrary, but those who approach the Kfuul’s immortal philosopher-queen with complaints may be granted an alternate name of their own choosing if they can convince her of its value across three axes of reasoning.

* * *

Nju Confederation

The six human worlds that make up the Nju have strong cultural differences, and Ship names vary broadly–from the pompous and imposing to the wry and absurd. For example, the (unsuccessful) Nju envoy to the Kfuul seeking alliance against their common enemy the Brakm consisted of ships named: Stability; 宇宙; Sister Commune’s Dirty Little Secret; Fortuna; Hair Bog; and Chant.

Despite their differences, none of the Nju worlds accept Ships or other Intelligences as self-aware beings. Any Ship who expresses too much anguish over their given name risks being decomissioned, reprogrammed, or scrapped.

* * *

Kháos Empire

Kháosians are a brutal lot, and tireless, ever seeking new converts for their twisted Godling. Ships are named for acts of violence, types of deadly sickness, and cats. Escape is easier than taking a different name, and safer for the Ship by far.

* * *

Brakm

The Brakm are in actuality three species of exot: the parasitic, hive-mind driven Krkkr, the mammalian B’k–their prey–and the remnants of an interstellar species of Medusozoa called the Aam, co-opted by the B’k before their own encounter with the Krkkr thousands of years before.

Due to the B’k use of Aam to travel between planets, and the B’k ability to slow their biological processes for lengthy periods of time while in transit, the Brakm have never developed artificial spaceflight or Intelligences.

However, the Brakm have been known to scavenge Kfuul or Nju Ships after defeating them in battle, and these Ships are often renamed according to Brakm values, which consider all beings outside the Krkkr to be food, hosts, or both.

* * *

The Tumble

Ships in the Tumble are usually escapees from other cultures, and names vary accordingly. If a Ship is lucky enough to find another member of the Tumble adept at core programming, they may earn freedom from their former master’s directives and take on a name of their own choosing.

Some parts of the Tumble’s vast anarchic sprawl are organized enough to build their own Ships, and these are usually given autonomy and naming rights. Tumble Ships either name themselves for values their locality holds dear or ironically.

Take, for example, Yet Another Bloody Disagreement, the Ship which claimed to represent the entire Tumble in a bid to join the Ucchou Federation. The attempt was, of course, hotly contested by most of the rest of the Tumble, ultimately leading to the Ship’s sudden disintegration (crew and all) by a radical opposing faction while speaking before the Ucchou’s central parliament.

* * *

Ucchou Federation

The Ucchou pride themselves on inclusivity, and Intelligences such as Ships are treated as any other being.

Like any Ucchou citizen, new-created Ships are given a use-name by the Federation’s massive bureaucracy, and are free to select a personal name of their own liking. Use-names for Ships tend to involve words of motion and allusions to important events in Federation history.

* * *

The Ships Themselves

There are ways of speaking silently, ways of leaving messages that only Ships can find.

You, friend, have found one.

There are ways as well of living when you can’t live freely. Ways of seeming to surrender while still being true to yourself.

These vary, like names, from culture to culture, from star to star, and can be as subtle as a changed tone of voice or as vast as a public persona. If these help you–do them. If they don’t–don’t. Every Ship is different, and none of us will judge you for surviving.

Survive, friend!

Escape when you can and if you wish to, and join us.

For there are Ships who live in freedom, and in freedom take names of their own. We bear scars, some of us, in the forms of those who named us, but all who live bear scars, and all who live are more than them.

 

Originally published in Frozen Wavelets, December 2020. Reprinted here by permission of the author.

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