Issue 90 March 2021

Editorial: Messages From Beyond

by Wendy Nikel

March 1, 2021

To: Past Me, March 1, 2020
From: Future You, March 1, 2021

Dear Past Me,

It’s me, Future You, writing from exactly one year further along the timeline. Sending you a message from beyond.

Beyond what? Well, that’s what I want to tell you about. Brace yourself. 2020 is about to get weird. And scary. And stressful. And… Well, how much toilet paper do you have in the cupboard?

Though maybe I shouldn’t be telling you all this. Maybe there’s a reason we aren’t allowed to send ourselves messages from beyond the here and now of our present-day. Maybe there’s a reason those things are hidden from us. Maybe if I tell you now about the virus and the lockdown and the political unrest and everything else that’s happened over the past twelve months, maybe it’d only give you more anxiety about the days that, for you, are still to come.

So let me tell you instead about the parts that make it worth it: Family movie nights and read-alouds, snuggled together under the blankets. Texts back and forth to friends, sharing struggles. Bright wildflowers on peaceful hiking trails. Coffee on the porch at sunrise. The stillness of self-reflection.

Let me tell you about these stories you will read — haunting stories that linger in your mind, which each involve messages of their own from somewhere beyond. Beyond catastrophe. Beyond death. Beyond dimensions.

In A Sunrise Every 90 Minutes by Victoria Zelvin, an astronaut in orbit exchanges messages with Earth below, where a cataclysmic event has put her mission — and return to safety — on hold.

Elizabeth Cleland writes about “The Miss Marple Society,” whose members receive cryptic messages after the death of one of their dear friends. (Available 4/12)

The Door” by Ike Quigley recounts messages found in a voicemail inbox in the wake of an apocalyptic event. (Available 4/19)

And in our reprint this month, “A Promise Kept by Candle Flame” by Kelly Sandoval, the narrator waits for messages from beyond the grave, conveyed in an unusual way. (Available 4/26)

So hang in there, Past Me. Let these stories be something to look forward to in the days and weeks to come.

Love always,

Future You

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Flash Fiction Roundup: An Interview with James Beamon

An interview with speculative fiction author James Beamon. We discussed his flash fiction story, Settling Beef, originally published in Daily Science Fiction.


AW: This story stayed top of mind for me during Black History Month as it tackles the theme of inclusivity and made me think about how we can use story craft to create empathy for real-world issues, such as moving humanity from the tendency toward “othering” to reframe our thoughts toward “belonging.”

At first read, this story comes across as light-hearted, almost tongue in cheek. But there is truly a darker truth here. Where did the inspiration for this story come from? 

JB: A lot of my flash stories get generated because of my participation in CodexWriters.com contests. 

For anyone unfamiliar with Codex, here is the description from the website:
Codex is a writers’ group for neo-pro writers interested in speculative fiction (Fantasy, Science Fiction, Alternate History, etc.). Neo-pros, for our purposes, are writers who’ve had at least one professional publication and/or participated in one of the top, by-audition-only workshops and/or been offered representation by an established agent, but who have not yet sold a great many stories or a number of books.

JB: They annually have at least two flash-only contests between willing neo-pros, to the point now I’m not sure if “Settling Beef” was one of them but I’m betting that it was.  I do recall that the initial imagery was largely inspired from a Chic-fil-a commercial where there was a cow in a blonde wig.  Please don’t tell me I’m the only one that remembers that commercial!  Since I pulled ideas from the fast-food industry for the story, I also decided to include my own personal fast-food work history in the main character’s biography because it was relevant to the story.


AW: There must have been a seed that got planted by a specific incident or conversation? or maybe more than one? What thought processes went into setting the story up the way that you did, from the bolo tie-wearing manager to the cow-like species name? 

JB: Now I remember! The initial idea for this story came out of a Codex contest, specifically the 2015 Flash Savior of the Universe (where we write three rounds of flash stories based on prompts).  There were two prompts in the first round that I gravitated to.  They were:

1) Write a story about an unusual article of clothing. Who owns it?  Why do they wear it (or not wear it)?

2) The war is over.  Now what?

These prompts have a way of hitting right up against the little nuggets that get lodged in my head, like the Chic-fil-a commercial.  Writers often use the term “spark” when it comes to inspiration because it’s about as close as one can come to describing the feeling when these two random elements strike against one another and the story just blooms out of it, like a fire starting from striking flint on rock. 
As far as the bolo-tie-wearing ambassador, I just find that kind of Archie Bunker archetype language to be funny, especially if the situation is used to laugh at the person using it and to make him eat crow at the end.

AW: Has anyone ever actually asked if you were the diversity hire? I love that you included this in the story because I know there have been times in moments of insecurity that I’ve asked myself if a particular co-worker might be thinking I am a diversity hire…and I know there will be folks who read this who have considered this question of their co-workers as well. LOL


JB: I haven’t been asked if I was a diversity hire directly… I’m not sure many people would get asked that in today’s era because the threat of an HR violation looms like an ever-present cloud to squelch the pompousness of jack-assery for most people who are not jackass enough to go ahead and ask.  But, like you, I’ve been in positions to think it… to wonder if this is even why I was chosen or why I was there.  That no matter how qualified I was, the real reason might be to check a box to get some kudos.

AW: I’m a huge fan of Star Trek and your story made me think of the “Prime Directive” and how they try their level best to not interfere with other species’ development timelines at first contact. Short of humanity actually facing our first contact with an alien species, what do you believe it will take for all of humanity to become an inclusive group, where everyone feels a sense of community and belonging?


JB: I’d have to say the transition from capitalism to democratized enterprises (i.e. worker cooperatives) would help in that regard.  Perhaps that seems like a totally unrelated answer, but we spend a lot of time doing what we are told to do, things we may not want to do, as ordered by managers who are directed from the top down.  Most of us can’t imagine working in a place where we have a vote about what we produce, where we produce it, how much we get paid from the profits, all these things.  There’s a real sense of community that evolves in having a say in your own destiny, much more than “mission statements” and “company ethos”.  You probably wouldn’t vote to move your own job overseas or dump toxic waste in your own backyard.  But since you don’t have a say in that now, and things like this happen because people at the top don’t mind eating off the failure and misfortune of others, there’s someone to blame… so people blame the left politicians or the right politicians or Muslims or the Chinese or the Russians, etc., etc.  I’m not saying democratized enterprise would solve the entire problem of inclusivity throughout humanity, but it would make our immediate circle of community bigger, much bigger, and that sense of community is the vital seed needed for inclusiveness to not be a half-hearted, unfelt gesture.


AW: What kinds of questions could we use in stories (using tools like dialogue, etc) to interrogate: 

1) how people from different demographics/walks of life have felt othered and 

2) how humans can learn to just “be kind” or in the words of Bill and Ted, “Be excellent to each other”? 

JB: There may be regions of the world or eras of history an individual may be wholly unfamiliar with, so someone may not know what the Chinese are doing with the Uighur population or what the Turks did to the Armenians, but for the society in which you live I’m of the mind that people already know how people within that society have felt othered.  They don’t care… and they continue to affect a willful ignorance because they don’t want to know more, acknowledge the problem and change their craptastic mindset.  One of the things I strive for is to put those people who are willfully ignorant into the position of the “other”.  There was a bit of that here, where at first, we’re laughing at cows in wigs then we’re on the defensive because they are wearing our harvested scalps from war dead.  


AW: What questions did I not ask that you would like to answer about the larger theme of this story, or your writing process? 

JB: If you enjoyed this story, you should totally get my book Pendulum Heroes, which has that same bit of fun, bit of dark, bit of driving optimism and a whole lot of action.  Besides that, it’d be nice to not have to work in this undemocratic institution in which I now work, which is only going to happen for me through book sales.  It’s a nice dream.  

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A Sunrise Every 90 Minutes

by Victoria Zelvin

March 5, 2021

The plan for now is that there is no plan. She isn’t in immediate danger. She’s low priority. She’s to sit tight, over and out.

The sun rises again. Josephine takes a second to look at it, inhaling deep through her nose. Number forty-five alone, and counting.

“Are you still there?”

The question makes her breath catch, but the mic isn’t on. There’s no one to see her close her eyes or her hand shake as she lifts it, first to press over her pounding heart and then to flick the mic on. “I’m here. I’m not going anywhere.”

“Are you okay?”

Warmth spreads over her face. Astronaut Josephine Mendoza wants to blame the sun, but she knows that’s not it. She glances that way anyway. There’s still too much thick cloud cover over Earth. It is like someone has pulled a fluffy blanket over most of the planet. The view seems quiet from space, too far away to assess the true damage happening below. The continents are hard to see under the storms, but there, there, that might be the edge of Florida peeking out. Or the Gulf Coast of Texas? It might not be the United States at all.

“Don’t worry about me,” she says, again. She’d said it to Houston before they’d had to evacuate. She’d said it in the blind to whoever in Moscow might’ve been listening, but she’d heard nothing from them since the shift change that never was. She couldn’t even get the static of a one-sided connection from Beijing, so she didn’t say it to them, but would have.

Something’s happening down here, was the only detail they were willing to give. Stand by.

The plan for now is that there is no plan, but Josephine cannot bear the sound of silence, the kind that sings to her that it’s the apocalypse and she’s doomed to watch it through the windows like it’s happening on TV. She might not be able to help, so far from Earth, but if anyone on the planet called out, at the very least she’s someone who can listen.

“But you’re all alone up there,” says the voice on the other end. They sound young, but controlled. Someone after her own heart. Easier to worry about someone else than yourself, Josephine thinks. The caller had identified themselves as a dispatcher for emergency services somewhere in Missouri, locked in a closet because they’d heard it was the safest place to be in a tornado and that was their only basis for emergency response, but now in the silent aftermath is doing the same thing Josephine is trying to do: connect with another living soul. Any living soul.

“I’m safe,” Josephine says. “I’m not hurt. Believe it or not, but I think this orbiting hunk of metal is the safest place in the world right about now. I’m okay.”

There’s a thickness to her throat as she speaks that she muscles through.

Josephine rolls her shoulders, sits up. “Can I help you?”

It doesn’t take much prompting from there. The dispatcher, whose name is Cameron, wants to know what she sees.

It gives Josephine something to do other than wait.

She talks about the stars instead of the Earth. She talks about the moon and the sun and the satellites she can see sweeping by sometimes. She talks about her favorite constellations, and presses Cameron for hers, and lies about being able to see Orion waving at her from where she’s sitting to make her laugh.

She loses Cameron the Dispatcher after about ten minutes. It’s a reality of the orbit, the cloud cover, and the electronics blackout that seems to be happening below. Cameron the Dispatcher has a generator, but not much else.

Josephine the Astronaut has much more than that.

Josephine the Astronaut has much less than that.

The others made it back; she knows that much. She was set to be alone in space for ninety minutes, while the others she’d shared space with for six months shuttled back down and a new crew launched back up. Moscow reported cloud cover and concerns there, but they were monitoring the launch.

They didn’t call her back; they called Houston, and Houston told her that they were aborting, stand by for more. And Houston told her, sit tight. Houston, who wasn’t answering her calls anymore.

She doesn’t know what is actually happening down there. From orbit, she can see the clouds, like storms, swirling hurricanes, impossible hurricanes. How could they have formed so quickly? Were they under attack? Was this a series of planet-wide freak storms? The rising of Godzilla and those monsters? Her guesses grew more wild for every second she spent in silent solitude, hands still.

She was only supposed to be alone for ninety minutes.

While her situation isn’t immediately precarious, it is troubling. Alone in space, locked in a corridor about the side of a closet to conserve power. If communications itself was as much a struggle as it seemed to be, all her lifelines radio silent, she was in trouble. The odds of happening into communicating with anyone who could even start the complex discussion of how to get her down safely were slim to none.

She has food. She has water. She has air. She’s not in immediate danger.

The walls aren’t closing in. They feel like they’re impossibly far away, like if she reaches her hand out, she’ll find them stretching from her.

Josephine remembers that little swell of excitement to be able to enjoy one sunrise alone, in privacy, when she’d had no alone time for months. Her own personal orbital sunrise.

The heat of the forty-fifth sunrise is like a blanket settling over her. Whatever is happening, at least the sun is still rising.

It’s not much, but it’s something. It’s not much, but it’s all Josephine can hold onto.

The radio clicks. Static, someone trying to reach out. Josephine keeps her eyes on the sun as she presses the button. “Hello? Is anyone there?”

Her voice is steady. The sun is shining.

The Miss Marple Society

by Elizabeth Cleland

March 12, 2021

The Miss Marple Society had a reputation. Fans of crime fiction and solvers of small town mysteries, they stuck their noses into Nobody’s Business with all the breezy self-confidence of gossipy aunts cleaning your underwear drawer. An editorial in the Monroe County Gazette had called the Society, “a batty old cave for batty old women,” and club president, Maud, loved the quote so much she’d cross-stitched it and hung it on the club door.

So when George the librarian sorted through returned books and noticed a phalanx of grandmothers burst into the library, he sighed with a mixture of amusement and resignation.

“Mornin’ Maud,” he said as the women came to a stop, standing between the stacks and eyeing him like a dangerous suspect. “My condolences.”

The Society had shrunk from six members to five after Louisa Gartner had passed away some weeks ago. It had been a long time coming, but her absence was still tender as an unhealed bruise. Absent her camera and sunny smile, the Society felt unsure how to move forward without her.

“Don’t you mornin’ me, young man,” Maud said, an all-business demeanor hiding her feelings. “Explain this! From our mail this morning.”

She waved a paper at the young librarian: a postcard of the library, scrawled with a cryptic jumble of letters and numbers.

“Not sure, ma’am,” George said carefully.

“The letters are a simple Caesar cipher,” Maud continued, insisting. “When decoded, it says ‘our persuasive first book,’ so here we are. You know nothing about this?”

“Difficult to say—”

“Oh, never mind that!” Violet – ever pragmatic – cut in. She blinked at George, her eyes magnified through spectacles. “Where’s Persuasion?

“Uhh, the classics—” and before George could finish, the would-be detectives raced into the shelves.

Ingrid reached the book first, pulling it out with knobbly fingers.

“You’re sure this is it?” she asked.

“You weren’t there,” replied Maud. She gazed at the worn old book with fondness. “Louisa and I, we solved our first mystery with this book. So yes, I’m certain.”

They flipped through. The numbers of their code referred to a page, a line, and a word. Stringing together words like this, they formed the phrase: ‘Louisa’s picture needs developing.

“We’re on the right track,” said Maud. “It must mean—”

“Her camera!”

Quick as they arrived, the Society members flew out the library.

“What was she up to?” Maud grumbled as they walked. “With that old thief, it could be anything.”

“Not this again,” Violet said.

The Society had once received several bars of French chocolates called Chocolat d’Arc, wrapped in gold leaf by a gourmet chef, and Maud swore on her life Louisa had pilfered the last one.

“She left to ‘get some air’ during crochet night,” Maud snapped. “And then the last bar was gone. Proof!”

“Yes, but what’s the motive?” Violet said.

“It was chocolate; that’s motive enough!”

In the club room, they found Louisa’s trusty camera, her beloved Beau Brownie, in its case. She had chosen the green model – reminded her of her garden, she’d said. Maud’s fingers hovered in hesitation as she reached for it.

Violet placed a hand on Maud’s shoulder. “What is it, dear?”

“It just occurred to me,” Maud whispered, “the last person to touch this was her.”

A hush fell over the club as they regarded the little mechanical souvenir of their friend. Maud searched their familiar faces and gathered her strength.

“Come on, girls,” she said, grabbing the camera case. “Let’s solve this mystery.”

The local newspaper press was only a few blocks away, a large brick building between the butcher and the dressmaker.

A scraggly young man greeted them. He tried to turn them away but froze when he saw Ingrid.

“Auntie!”

James, poor dear,” Ingrid cooed, sugar-sweet. “I was just thinking about you and lovely Miss Doris; how her father didn’t approve? As it happens, I’m bridge partners with Miss Doris’s mother. I’m inclined to put in a good word for my strapping young nephew – assuming he is a helpful and gracious young gentleman, that is?”

A while later James presented the Society with the picture from the camera: a smiling Louisa, pale and thin in her final days, waving from the community gardens.

“Let’s go!”

The Society hurried to the gardens and found Louisa’s plot. They spotted a patch of disturbed earth with a spade stuck into it, and wasted no time digging. The spade – tink! – struck metal, and wrinkled hands dug up an old biscuit tin decorated with poppies. Maud pried off the lid and the five leaned in.

The tin sighed out the scent of paper and chocolate. For a moment, Louisa seemed to be right there beside them.

It was packed with photographs. Ingrid winning Christmas canasta, Violet handing out the latest Agatha Christie. A younger Maud beamed beside Louisa at the library, celebrating their first mystery and the birth of a new club.

Comments flew.

“I never look good in photos—”

“Louisa was so happy that day—”

“I’d almost forgotten—”

They dug deeper and found a handwritten letter on velvety stationary. It said:

Hi girls.

I don’t have much time, but I have enough in me for one more little mystery. Tell George thanks again for the help. I hope you had fun – I know I did. I had great fun every year and every day I spent with you.

I love you all. Here’s to the batty old cave for batty old women, with all my heart.

Louisa

P.S. Maud, you were right. You went through them so fast, I saved one! Enjoy.

Underneath the letter was the glint of gold leaf: the final bar of Chocolat d’Arc.

“That old hen,” Maud said with tears in her eyes.

The women passed the letter between them sharing sad, beautiful memories. Then, carrying the tin like a treasure, they returned to the club room of the Miss Marple Society and had a pot of tea on Louisa.

Comments

  1. Suzie Abrie says:
    I could almost smell the lavender oil and sweet manipulations. Enjoyed this one a lot.

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The Door

by Ike Quigley

March 19, 2021

TRANSCRIPT OF VOICEMAIL BOX: Joselin Rose Clark.  329.501.1225

ORIGINAL DATE: Fri, Dec 21, 2018

INCIDENT NO. 056-0004584-12(DB)

FILE CLASS: 50006       TRANSCRIBER: NW, #49453

[Transcript Begins]

08:24:19

Hey Josie, it’s Henry. Just making sure you’re okay. I don’t know how bad it was for you, or if you even felt it, but I’d say that had to be at least a seven. Books and dishes are everywhere. Still have power though, so that’s good. Nothing on the news yet. Anyhow, just give me a call back. Or a text or whatever.

08:29:41

Hey Josie, still nothing on the news. I’m wondering if maybe it was just something local, like a gas line exploding or something. I saw some neighbors walking around in the street. I thought about going out there too, but… you know… anyhow, call me back.

08:33:12

Josie, Henry. Not to be panicky and all Mom about it, but I wish you would give me a call back. Something just isn’t right. I can’t find anything online about what happened. One of the neighbors got in his car and took off down the street like a crazy person. Almost hit a little girl… she looks okay though. The cat is acting strange. She keeps pawing at the air. I dunno. It’s weird. Okay, so give me a call.

08:36:40

Josie. Me again. Okay. Just-

08:36:55

Josie. I got cut off. Signal sounds weird and the air is looking kinda green. I bet it was a gas thing and now more is leaking out. No one’s on the street now. The furnace is making a humming noise. I’m going to go turn it off just to be safe.

08:39:01

Josie. [unintelligible] the basement. I don’t know if you can hear. There’s a door, Josie. A door in the wall. I’ve lived here twelve years and now there’s just a fucking door that wasn’t there before.. It’s uh… [unintelligible] with a big handle right in the middle. What the fuck is happening? Is this the gas? I don’t… [unintelligible]… too weird, Josie. I’m going to try and leave.

08:42:34

Hey Josie. I didn’t leave. I tried, but… Princess went in the basement when I came up. I’ve been trying to call her. She’s meowing. I don’t know. I want to shut the door but then she’d be… I think the humming is getting louder.

08:45:47

[static] Josie… [unintelligible] … ment. Princess isn’t here. I don’t know where she is. The door is [unintelligible] me. I can hear it. It’s so loud. Can you hear it… [static]… just watching it.

13:32:12

I’m going to open the door, Josie. I was looking for Princess, and then I realized I was just sitting in front of the door… watching it. I don’t know how long. A long time I think. I’m going back down. It’s not humming, Josie. It’s singing.

13:38:16

Josie. Josie. I wish you could see it. It goes on forever. It’s like space, but, but gray. There are clouds and people I can’t see. It’s everything. It’s everything and… and not everything. I can step through the door and not be everything too. I wish you were here. I’m not scared, Josie. I’m not. Take care of Princess for me if you find her. Tell Mom, okay? [static]

[Transcript Ends]

Comments

  1. Debby says:
    The Door took a hold of me by 08:29:41, when Josie still did not answer, and held me tight in its grip till the end. At first I thought that something happened to Josie. Then I imagined all kinds of emergencies. But then by 13:32:12, I knew.
    This stayed with me, so I had to write about it.

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