Issue 92 May 2021

Editorial: Monsters of Our Own Making

by Wendy Nikel

May 1, 2021

What does it take to make a monster?

The world is full of terrors: creatures that stalk and pounce and tear to pieces; perpetrators that prey on the weak and vulnerable; and all those other strange and unsettling things that lurk on the edge of our vision or whisper into our ears. Look back into history, and you’ll find man-eating beasts and ruthless killers and cruel tyrants around the world. And fiction has its own versions of these in its Draculas, dragons, Godzillas, and giant squids. They frighten us because of their seemingly randomness — the impression that anyone could fall victim.

But there’s another set of monsters as well: the ones that don’t choose their victims based on chance or opportunity, but whose victims are, in fact, the very ones responsible for their existence. These are the Frankensteins or the creatures of Doctor Moreau, killer robots or the superintelligent sharks of Deep Blue Sea. These are the monsters that are created through carelessness, through cruelty, and through the hubris of humanity. These are the monsters that never asked to be brought into this world or put into these situations and who, oftentimes, are just trying to survive the best they know how, even if it means destroying the ones who made them. 

It’s this second type of monster we’re featuring in this month’s issue. Race against the clock and an experiment-gone-wrong in Andrew Kozma’s “The Ecology of the Engineered Oyster” (May 7). Become something new and powerful in Saswati Chatterjee’s “I Wrote to My Queen” (May 14). Balance the needs of the dead and living in Peter S. Drang’s “My Lakeside Graveyard” (May 21). And survive long enough to destroy it all in Steven Fischer’s “A List of Forty-Nine Lies” (May 28).

And ask yourself, as you read these tales: Who’s really the monster here, anyway?


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The Ecology of the Engineered Oyster

by Andrew Kozma

May 7, 2021

We strapped the breathing jellies to our faces and walked into the thick soup of the sea, each step forward a slog until our legs breached the thinner water beneath. Above us, the flare clock tolled, so bright the seascape blanched translucent for a moment, so loud the water pulsed down to the sea floor, both sound and light designed to quiet the oysters. The guards on the shore were dark shadows, barring our way out. In fifteen minutes the jellies would disintegrate, and either we or the oysters would be dead. Some of us thought our predicament only fitting—a just payment for our crimes. But I didn’t want to die.

Twenty yards from shore, the ground fell from under our feet and the difference in water pressures sucked us under, our jellies dragging a coat of slime which made the underwater world softer, friendlier. Wiping the slime away revealed the sharp edges of it all, from the broken bottles blanketing the sand to the blunt-nosed plecos. Their sucker mouths had been genetically modified with grinding bone to take on the oysters, but they’d settled for easier prey like the poison-spined sea urchins. The edges of our breathing jellies were already blackening, but they lasted longer than rubber or plastic. We had fourteen minutes.

Swimming to the underwater city was grueling. Even with oil protecting our bodies from the corrosive water and masking our scent, we were intruders. Plecos head-butted us, then gnawed our bodies tentatively. Joseph spasmed as one snipped a few of his toes with a quick bite. The other plecos disappeared into the sudden blossoming cloud of blood. We swam between the lazy tentacles of a dying mega-octopus, another of our failed solutions, its organs slowly being crushed by its ever-expanding body. The underwater city was just beyond, concrete towers designed to look like coral now furred in oysters. The oysters looked harmless, despite the spiky edges of their shells. We had eleven minutes.

We each carried a belt of resonators, each resonator looking like the cap to a plastic bottle. Painstakingly, we spread out across the length of the nearest building, keeping our distance from the oysters. Rotting bodies and broken skeletons littered the seabed under the oysters. The oysters strained the water of almost all life, so the dead decomposed in slow motion. Some bodies were undoubtedly from attempts to control the oysters after they first spread four years ago. Designed to resist pollution and predators for sustainable farming, they ended up invasive themselves, pushing most other living things out. The ocean lit up with another burst from the flare clock, the oysters’ black shadows like rows upon rows of uneven teeth. We had ten minutes.

It was slow, the unraveling of the resonators. Practice drills in salt pools hadn’t prepared us for the buffeting currents which swept us uncomfortably close to the oysters with every pulling out of the tide. The strings of resonators had to be connected to be the most effective, but the connecting was slow and dangerous. At one end of the line, Hubert was swept into the oysters, only narrowly avoiding their sharp tips with a frantic pull on the resonators connecting him to Ijeoma, next in line. The resonators hummed, vibrations blurring the water around them until they shook apart into a dark slurry which fogged the water with the massaging of the currents. Annette cut herself free before her resonators detonated, but she was left motionless, her eyes seeping from her head. Together, she and I’d worked on the oyster’s filtration capabilities. Hermann shook me, pointed at the resonators in my hand, still unconnected. We had seven minutes.

The resonators connected, we slipped the belts from our waists and drifted closer to the oysters. They were packed together like crystals, oysters sprouting from oysters, clustered into branches and swirls and cacti and geodes, the shells a rusty black carved through with iridescence. The black was the same as that spreading over our breathing jellies. In the Arctic, there were rafts of this same black, some as big as city blocks, some the size of small towns, barren but expectant, as if waiting for their population to move in. We were at the source, the original oysters. The flare clock flashed again. We had five minutes.

The oysters slowly began to pivot, angling themselves towards us. If we didn’t finish soon, we’d envy the quick deaths of the others. Slowly, we sidled up to the oysters, holding the line of resonators centimeters away from the shells, waiting until we were ready affix them at the same time. The flare clock flashed four minutes, then three, and it was only in those bursts of light we noticed the tiny black pearls in the ocean around us. The oysters were already seeding the water. Our breathing jellies twitched as the inner layers began to die. We had two minutes.

As one, we pushed the resonators against the oysters, the devices clamping on with tiny claws. The detonation was automated from this point on. We threw ourselves back through the water, through the tentacles, around the sated plecos that dumbly watched our desperate swimming, even as Hermann crusted over with black pearls and Shayan burst apart with an eruption of oysters as their breathing jelly failed. The sea flashed the flare clock’s final tolling, and we felt the thud and collapse through the water as the resonators began a chain reaction which would, hopefully, eliminate these oysters and clear the city, freeing this bit of ocean for farming again. And we would be free, too, our criminal pasts forgiven.

My body thrummed with downslope of adrenaline. I threw my blackened breathing jelly to the ground and knelt beside it, thankful for the sand biting into my skin. We were alive. Our minutes were done. The air smelled as bright and clean as the rising sun.

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I Wrote to My Queen

A letter, marked in gold and copper. At the corners, I write my name in the spidery writing she knows to be mine. I dispatch it to the nearest cobweb and watch the babies eat it whole. And then I wait.

The next morning, the woman called Mother is still alive.

I watch her arms carefully during breakfast, for any trace of spider-web or spider-poison. I pick through her clothes, looking for broken spider bodies in case she had found them. The maids find me and chase me to my room in the attic.

***

A letter, marked in honey and milk. I find an old wine bottle and pour three drops onto my words – please please please. 

The spiderwebs in my room are plentiful. The maids don’t come here anymore. I find the fattest spider and watch him eat the letter whole.

The old bitch strides into my room the next morning and throws the covers off me. From my corner, I watch her smirk as she holds up the fattest spider, dead.

***

A letter, marked with tears and sweat. I write and write and write and write. The morning passes and I grow hungry. I drag myself down the stairs. The wood is cold and my legs are sticky. The maids laugh at me. I curse them and eat the bread they throw at me. They sing at me as I leave:

Little freak spider girl,

Little freak spider girl beggin’ for bread,

Little freak spider girl climbing the stairs,

Little freak spider girl, we’ll squish her dead.

***

A letter, marked in blood and bone. I finish writing it and she comes in. I hastily stuff it into my mouth and chew as she watches, one eyebrow raised.

Come now, little freak. Spit it out.

Too late, I tell her in triumph. And now I’ll eat you too.

How? she taunts. How when your mouth is weak and your legs are bound? How when I-

***

A letter, marked in web and weave. I write it, words spasming across the walls, as my arms grow, wide and long and taut. I propel myself off the bed with astonishing speed. I land on the opposite wall, my feet sticking to it like adhesive. I pace the chamber, from ceiling to ceiling, my hands reaching opposite ends before my body has begun.

I hear her coming up the stairs. The maids have long ceased to haunt my floor. The maids are dead.

I hear they tripped over spiderwebs.

***

A letter, marked in hope and triumph. I take the stairs, one arm at a time. They creak under my weight and I laugh an almost-laugh, and watch a thousand spiders spill downstairs. They swell like a wave around me and I am propelled by their force, carried by their love. I hear them spill out of every nook and cranny and as they come skittering down the walls, I hear them say: We’re here, we’re here, we’re here.

***

I’ve eaten the last letter. No more letters.

I’ve spread myself along the length of the dining room. My feet go from end to end. I feel cobwebs form where they touch the cold walls. The walls crack open and the cobwebs fill them in. My family fills the halls, I am surrounded by them. Soon they will live in me. Soon, I will be Queen.

Outside, I hear them trying to set the house on fire. I want them to try. I want them to come, with their great blunt maces and swords and knives and their unending misbegotten arrogance. I will shatter it, as I have already shattered the house. It is only held together by the web that I’m spinning, that I’ve always spun. Somewhere in me, I delight in hoping that they will try to eat me.

Far beyond the windows, I see her. Still cold. Still terrible. Still here.

Maybe I shan’t eat her. Maybe I shall keep her in a room with her mouth and feet bound up and wait for her to write to me.

Comments

  1. muriel says:
    this is amazing

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My Lakeside Graveyard

by Peter S. Drang

May 21, 2021

My lakeside graveyard’s all I got. I inherited it from my Pop, like he did from his Pop, and you get that old picture. I’m king here—ruling over my quiet darlings. And I wear all the crowns: sole proprietor, groundskeeper, gravedigger.

Been digging graves since I was a kid. I’ve planted hundreds of folks.

Just last month I planted Mom. That was hard—I had nobody else. Nobody. I whimpered and dripped the whole time I dug. Went six inches deeper than spec, just to make sure she’d have peace. God bless her.

The updigs are what bother me most though; they keep me tossing at night. Sometimes after an updig I dream about the graveyard lake, about all the abandoned spirits I sent there. Pop always said, “No mourners, you get the lake.”

See, problem with owning a graveyard is: it fills up. Ain’t no profit after that, just upkeep. But Pop figured that though God ain’t making no more land, Pop could still make more plots—and he taught me how before he died.

Winter’s coming, busy season—I need plots to sell. Haven’t done an updig since Mom passed, so it’s high time.

I consult my buried treasure map: it’s hanging on the shack wall, shows the graveyard, the lake, everything. Covered in scribbles and color-coded lines. I track visitors every day and carefully update the map. At night I reckon, plan, scheme like a general about to siege a citadel.

I zero in on my prey, hiding in the thicket of those lines and scribbles. And there it is: Elenore Heckerson hasn’t seen a visitor in twenty odd years. Nobody’s left who mourns poor lady Heckerson. So exactly nobody will notice if this plot suddenly frees up. I’ll change the records too, just in case a long-lost relative appears.

Imagine that scene: “Oh, yes, here’s the paperwork, you’re quite mistaken! She was cremated and scattered over the Grand Canyon. Can’t imagine who told you she was buried here.”

At sunset, after visiting hours, I drive out on a landscape tractor towing a flatbed cart.  Her plot overlooks the lake. Pop always told customers it was called Serenity Lake. On the county map it’s officially Dead Soul Pond, owing to some strange swimming accidents over the years. The most famous got made into a local poem: two young lovers skinny dipped one night, found floating naked at morning’s light.

I locate the headstone: Elenore Heckerson, Beloved Daughter. I make the sign of the cross and start digging.

Pop must’ve planted her because I hit the coffin only a foot down. Lazy coot. See the whole “six feet under” thing ain’t true. Law says eighteen inches of dirt over the lid’s enough, but Pop skimped on drinking days.

I get the coffin fully exposed and smell that sweet musty reek. Takes an hour more to get the portable windlass set up. The coffin’s corner gets banged hard as I winch it onto the flatbed, sharp metal splintering out. Gotta mind that.

I open the lid, always do. Probably shouldn’t. Body’s caved in, skin stretched, clothing rotting, bones exposed. Eyelids gone–her sockets stare through me. Pleading.

It’s the rule, darling. No mourners, you get the lake.

But she don’t agree. She insists this ain’t right.

I think long and hard. I could slide her back into the hole easy enough. But plots are getting scarce …

I heave the heavy headstone in. Dust rises as it crushes her. I look in again from a different angle, and she’s still staring straight at me. Headstone must have shifted her gaze.

Serenity Lake is small but deep. That’s good. Always room for one more. Always.

I pull the tractor lakeside to a homemade barge. I winch Elenore down nice and easy, then muscle the casket into place.

Almost midnight. Frogs chirping, little ripples in the water. The lake swells up in the half-moon light. It’s pulsing, like it’s ready to receive another soul. Like it’s eager. Hungry. I shiver, though it ain’t cold.

I get ready to pull-start the outboard when a scratching sound comes from the coffin. Frogs all stop. Air, still. Another scratching, like crusty old fingernails. Elenore?

Naw. Probably a rat. Smelled the leathery flesh and jumped into the casket while I was wrangling the headstone, maybe. I start the outboard and head out to lake’s center.

Elenore argues again–something about human dignity.

But darling, there’s dignity in the lake. Think of it like a baptism, or a burial at sea.

Elenore ain’t having it. She’s harping on about decency, morality, sin.

The lake’s hungry for a soul, Elenore. Hungry. What I’m doing ain’t wrong–who does it hurt? Ain’t nobody visiting you, darling. No mourners, you get the lake.

Bubbles rise in the water, all around me, like a rolling boil, like every corpse I ever dumped here is exhaling. Those bubbles pop and swell up little ripples all around, rocking the boat. What the hell?

I’m going crazy, that’s what. Plain damned crazy. Swamp gas? But … never been any here before.

I jump onto the swaying barge, start pushing the coffin, to send Elenore to her true final rest.

The scratching becomes a pounding, boiling hot water splashes up and sears my arms. The bubbles churn harder, and the screams of all those sunken souls bubble up too, cussing me, damning me.

Finish this! I lean into the coffin, push hard–it slides. But I lose my footing, try to catch myself–that jagged metal corner swipes me, sinks into my jeans. I jerk and pull but it’s got me good.

Hooked like a fish … dragged down by coffin and headstone and Elenore’s empty sockets … I flail desperately … pantleg won’t slip past my boots … water chokes off my screams.

Why, Elenore? Why?

The lake’s blackness swallows me up, and Elenore replies.

No one’s left to mourn you, not since your Mom died.

No mourners, you get the lake.

Comments

  1. John Edwards says:
    Lol, this was good. I sort of expected that ending, but still enjoyed reading it!

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A List of Forty-Nine Lies

by Steven Fischer

May 28, 2021

My name is not Levi. I am not afraid. The machines that hover in swarms over the streets cannot read the thoughts inside my head.

I am not running from them. I have nothing to hide. Citizens who have done nothing wrong have no reason to run or to hide from the machines.

The New Dawn has my best interests in mind. The New Dawn has brought peace and truth to the world.

Only truth can bring peace. Only peace can bring safety. Truth and safety cannot exist in a world that holds secrets. Secrets do not exist anymore.

I did not have a wife. I did not have a child. He did not have eyes that burned like starlight. Her laugh did not make me happy to live.

The wife and child that I did not have were not killed in the war when the New Dawn took power. The war in which they were not killed did not ever occur. The New Dawn was elected peacefully by unanimous vote of the world’s population.

I have never met the criminal Huang Li. I would never transport weapons or information for the so-called People’s Resistance. The criminal Huang Li does not exist, and she does not lead the People’s Resistance. There is no resistance to the New Dawn, because truth brings peace, and peace brings safety, and secrets do not exist anymore.

I do not have a bomb in my pocket. I will not detonate it in the city center. The bomb that I do not have is not set to release a large EMP. An EMP could not disable the machines, not even for a short while.

There are not armed men waiting outside the gate. They are not waiting for me to disable the machines. They will not rush inside with guns in their hands.

Huang Li is not with them. She will not proclaim rebellion in the central square or stride through the streets with revolution on her lips. Her cry will not echo from the mouths of the masses or make the sky ring with the sound of revolt.

There is no way any of these things are true. There is no way I could be discovered if they were. If I were discovered, I would not resist.

If I were discovered, and I did not resist, I would not be captured, tortured, or killed. If I were discovered, and I did not resist, the information would not be stripped from my dead brain.

I am not reaching into my pocket. I am not arming the bomb in my hand. It will not harm me when it explodes.

It will not tear me to pieces or burn me to ash. It will not scorch each neuron in my brain beyond repair. The bomb in my hand will not turn my body to dust, just as my wife and child’s never were.

I did not have a wife. I did not have a child. I do not see them each time I close my eyes.

My name is not Levi. I am not afraid.

I am not afraid.

I am not afraid.

 

Previously published in Fantasy and Science Fiction (January 2018). Reprinted here by permission of the author.

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