Issue 110 November 2022

The Flamingo Maximizer

by Dafydd McKimm

November 4, 2022

Someone must have fucked up at the zoo, Rhodri thinks when he wakes up one morning and sees a flamingo standing on his recycling bin.

There’s a flamingo on my bin, he texts his friend Lowri.

Bullshitter, she texts back, flamingoes being a sight uncommon in the grey-green winding valleys of South Wales.

But before he can get a good shot, the bird flies away, leaving only a suggestion of pink on a blurred photo of his backyard.

* * *

The next day, there are two.

Now there’s two of the buggers, Rhodri writes.

Lowri replies with a picture of her own: three flamingoes pacing over her Fiesta, followed by the word Fuckinell and a flurry of exclamation marks.

* * *

On the drive to work, flamingoes are all Rhodri can think about. They wade about pinkly in his head, looking at once upside down and the right way up. Topsy-fucking-turvy, Rhodri thinks. The mountain across the valley is on fire, the flames tearing through the fernscrub and gorse and leaving great black patches of ash that will, after it pours and pours, contribute to the formation of an alkaline lake–the perfect habitat for flamingoes to thrive.

Kids again–Rhodri thinks while rolling his eyes–sneaking off to smoke ciggies in the bracken.

A line of pink birds threads across the sky, where once there would have been crows.

* * *

Down the pub after work, Lowri asks, “Rugby on Saturday, Wattstown girls playin’ Ebbw Vale. You comin’?”

“Yeah,” says Rhodri, getting his round in.

They do not mention flamingoes, but instead try to name as many famous people as possible who have never been photographed wearing predominantly pink.

Rhodri wins when Lowri names former First Minister of Wales Alun Michael and he finds a picture of him in a pink cowboy costume at a fundraiser for breast cancer.

* * *

On Saturday, the match is off. Pitch is flooded, Lowri texts. Neither of them know, but in the empty grounds, scores of flamingoes wade on the submerged grass.

* * *

Rhodri can no longer move for bloody flamingoes. They jostle him when he goes to buy tea bags from the corner shop; they peck at him when he climbs the steps to his front door. He can’t help feeling like something is desperately wrong. The air feels different–hotter, wetter, and his taps keep getting clogged up by green gunk and what look like tiny prawns.

Lowri keeps messaging him with flamingo facts, one after another after another, like they’re answers to a test he’s forgotten to revise for.

* * *

There is silt all over the floor, ruining the carpet. Lowri sends Rhodri a picture of herself wearing a feathery pink coat and a plastic beak. She’s got on pale skinny jeans that make her legs look like sticks. She’s giving Rhodri the thumbs up. Below, she’s written: If you can’t beat ’em followed by a pregnant ellipsis.

Rhodri laughs at first, and then tucks his legs underneath himself and cries on his sofa. Behind him, damp creeps up the wall, causing the wallpaper to peel.

* * *

When he was a kid, Rhodri used to tease his mother by saying he wished he was English, insisting that he was going to change his name from Rhodri Jenkins to Roderick Johnson and speaking with a posh accent until his mother clipped him around the ear and snapped frustratedly in Welsh, “Stopia dy ddwli, y Dic Siôn Dafydd.”

Stop your nonsense, you Dic Siôn Dafydd. It’s what you call a Welshman who denies where he comes from and pretends to be English.

* * *

There are Dic Siôn Dafydds everywhere now, standing on one leg on what were once street corners, dipping their plastic beaks into the green-tinged waters. Rhodri can barely move for them as he goes for his car, and they crowd around him while he struggles to get the door open.

“Fuck off!” he cries out, knocking one of them to the ground with a splash. He looks down at it, the beak half hanging off its face, Lowri’s face.

Lowri, who he’s known since the first day of comp, who has the soul of a poet and the mouth of a sailor, who belts out Bonnie Tyler like a champion on karaoke nights and is the last one to ever stop singing, who now honks in distress and splashes away through the knee-high water. The rest of the flamingoes–whether real or costumed he can no longer seem to tell–turn and beset him with their beady black eyes.

* * *

He rushes back into the house, tripping over a bin bag stuffed with something lumpy and soft on his doorstep. He kicks it inside, locks the door, draws the curtains, hoping it’s all a terrible dream.

You’re not a flamingo, he repeats to himself. Just remember that. It seems so easy, but the whole world seems to want him to forget that one simple fact. “You’re not a flamingo,” he says aloud, but the words feel strange on his tongue. His legs, too, feel too thick; his arms, too gangly, unfeathered.

The electricity isn’t working. The room is too dark to see. He opens the curtains a sliver, letting in a beam of light to banish the room’s shadows.

The bin bag sucks in his gaze like a black hole in the centre of a galaxy, the words For Rhod scrawled on it in silver marker. 

Reaching inside, feathers tickle his fingers.

* * *

He hangs the contents of the bag full length from the light fixture in his living room. 

From outside, a swell of monstrous squawking, rising like a flood tide, overwhelms his senses, dropping him to his knees.

The flamingo costume looms before him, pink and brilliant like a rose-tinted dawn.

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Can Anyone Tell Me What Kind of Moth This Is?

by Susan Taitel

November 11, 2022

Posted (12:04 AM) Sorry for the grainy photo, my phone camera isn’t the best. I was working on my Econ paper when this moth landed on my laptop. I may have emitted a very dignified and high-pitched shout because this sucker is huge. I think it’s around three inches long and maybe five across with its wings open? (See the energy drink at the left of the frame for scale.) Color is mostly bronze/gold with flecks of red and puce. Those little black markings are hard to see in the photo but they almost look like writing, only not in an alphabet I recognize. But, of course not, ‘cause it’s a moth.

Anyway, I took the picture then inched my chair back and crept to the kitchen to get a jar to trap it and when I came back it was gone. No idea where it is now. I’m not normally one to freak out over a bug, but it was too big and too close and it’s too late at night for this shit. I’m definitely not sleeping. Which is fine because the paper is due first thing tomorrow.

Updated (12:48 AM) I tried an image search like many of you suggested but no match. Thanks to everyone reassuring me that moths are harmless, and yeah, that’s great but if they only eat liquids, why does the mouth-tube thing look so sharp? I dare any of you to write about The Impact of the Greek Crisis on the Global Exchange Rate with one of these hairy bastards staring you down.

Updated (1:33 AM) Holy shit, you guys! I went to the bathroom and there were THREE of them on the shower curtain just chilling in a perfect isosceles triangle. I swear they were folding and unfolding their wings in some kind of code. Like how ships used flags to communicate at a distance in the olden days? Semaphore. I looked it up.

Updated (1:54 AM) “Why didn’t you open a window and shoo them out with a broom?” There’s no window in the bathroom. The closest window is in my bedroom and I didn’t want to send them in there. Or any other part of the apartment.

I’ll just never use the bathroom again. That’s a livable solution, right?

Updated (2:12 AM) There’s got to be at least six or seven now. They’re circling the light fixture in the hall like a crib-mobile out of a Tim Burton movie. Where are they coming from? This is really freaking me out. Half a dozen doesn’t sound like a lot of moths, but believe me, it is.

I left a voicemail for my management company. I probably sounded deranged but I need a freaking exterminator like yesterday. Or a flamethrower.

Updated (2:20 AM) This is a serious question. I’m hearing this high-pitched melody, and I need to know if moths can sing? Because if they can’t, who or what is singing?

Updated (2:28 AM) Yes, I know crickets “sing” by rubbing their legs together, but this sounds like real voices. Imagine thirty tiny Edith Piafs singing “La Vie en Rose” only without recognizable lyrics, a consistent tempo, or an orchestra. It’s coming from everywhere.

I tried recording it, but my microphone didn’t pick it up. It’s either the moths or my imagination. I don’t know which answer I’m rooting for.

Updated (2:37 AM) Did you know that moths can swarm and mimic human shapes? Like butterflies in your stomach when you fall in love? This looks how that feels.

I’ve never seen a feeling before.

Updated (3:16 AM) Thank you again, everyone. I took your advice and got out of there. I took my laptop and research materials to wait on the front stoop. I called my friend Michelle to pick me up. She was SO mad that I woke her but I convinced her it was an emergency. She should be here in fifteen minutes. Going to keep working on my paper until then.

Updated (3:23 AM) Almost jumped out of my skin at a regular, normal-sized moth flying around the porch light. Doesn’t even sing. I kind of miss the singing.

But I’ve gotten some fresh air. The moth weirdness was my imagination plus the pressure of finals and the lack of sleep making me loopy.

My laptop battery is at thirteen percent. I knocked the cord loose when I saw the first moth. Then I forgot to grab it when I left. I’m thinking of going back inside for it.

Updated (3:49 AM) I can’t not turn it in. It’s not “just a paper.” It’s sixty percent of my final grade.

Michelle should be here by now.

Updated (3:50 AM) She isn’t answering. Did the moths get her? Dumb joke. I don’t believe that. Her phone plan is crap, cuts out all the time, but she’ll be here.

I’m going to fail Econ, aren’t I?

Updated (3:51 AM) My battery is at nine percent. I have to get the cord.

Updated (3:52 AM) Of course, it’s safe to go inside. They’re ordinary moths. One huge moth becomes twenty becomes a person made of moths singing about “a beautiful melding” can’t be real.

Updated (3:57 AM) It’s fine. Back inside. One landed on my hand. It’s soft and its voice isn’t too awful once you get used to it. Mouth-tubes don’t even hurt. It thinks I should join the meld. It’s making some good points. The moths are…mellow. Happy. I like happy. I probably will join. I mean I’ll decide after I turn in the paper. If I turn in the paper.

First I should sleep. Sleep is good.

Updated (8:00 AM) thanks you for concerning Fine now right. No moth no none moths. All fine no worry no paper no moth. normal. happy Come see. all come see. We sing.

Make an X, Then Another

by Jennifer Popa

November 18, 2022

Bruce and Bok Choy, the crooning lovebirds, wish to be alone with their Kleenex box at the base of their cage. They make Liz feel like the third wheel while she sips her morning coffee. They are all flutter and feather and strips of People Magazine ripped into jagged ribbons and stuffed into Bok Choy’s tailfeathers.

It needs to be said that Liz does not love birds, not even lovebirds. Bruce and Bok Choy were a birthday gift. Gifted with two names she didn’t choose, would never choose, and yet repeats thousands of times per day. She much prefers acapornis. But James had already named her gift before he delivered it. The birds were never really for her. Liz’s love language is “acts of service” James told her once, though who knows how much she loves it. What did he know about love languages?

Bruce and Bok Choy answer their altar call with chirps and squeaks and they nibble at each other’s peach cheeks. They’ve been at it for a week and a half. They interlock their beaks like each is trying to resuscitate the other. Bok Choy stretches her wings wide in anticipation or invitation for Bruce, who climbs on her back. It’s all over in a couple minutes.

By late afternoon, Liz heats the kettle and follows the directions from the vet, an ugly man who shrugged when he said, “It’s the most humane way.” As if humans have cornered the market on compassion. Liz scowled at him, but her scowl was always missing its mark. She would handle it. She always did.

When their warbling love quiets, she moves the birds to their perch and retrieves two eggs from a pile of paper ribbons in the box’s corner. Bok Choy is now producing them every other day. Liz tilts James’ chipped coffee mug, the one she can’t bear to throw away, and places the eggs inside. The lovers shriek and hop from perch to perch inside the cage.

James used that cup every day. Insisted it still worked fine—it’s not like he was going to bloody his lip on chipped ceramic. Besides, it was on the side he never drank from. He said this as if he was exhausted by her questions. As if she were his mother, not his lover. Liz didn’t need to see his face to know his eyes rolled, to know there was no chip of glazed ceramic along his lip, like eggshell.

In her dreams, she sees him sometimes. Liz’s woo-woo aunt says this might be the only realm where they may know one another anymore. Whatever the fuck that means. In her dreams, they eat bulgogi and sip Cokes. But he is barely there, made from a tangle of want and spit. His back is always to her. Whenever she’s about to see his face, the hummingbirds in her chest duck and dive, reclaiming territory.

In the maw of night, sometimes James calls her. He mouths clumsy apologies into the receiver; apologies that only arrive after midnight and an excess of bourbon. They are for him, never for Liz. But these days, she lets the phone ring and ring. After all those years together, Liz is learning how to craft an elegy for a man who is very much still alive, but perhaps more so, an elegy for a version of herself who quietly dissolved without her noticing.

When the kettle sings its reply, Liz removes it from the heat and pours the boiling water on the two eggs from the growing clutch. Bruce and Bok Choy chirp their disgust, though it’s unclear if it’s with her or the fact that they want her to reopen the cage. She sets a timer for five minutes. When it beeps, she drains the water very carefully and places the eggs on a paper towel. Once dry, she takes her sharpie and draws an X on each egg.

Two little eggs asleep on the granite countertop. Like eyes. Like little twin deaths. XX as in kiss kiss. X marks the spot. Marking nonviability in case Liz should ever lose track. As in dos muertes. As in, Liz cannot turn her home into a fucking aviary. As in, here’s a mercy, now have another. As in, in the name of the father, the son—or maybe it is a sun with a yolk boiled to stillness.

Ever so gently, Liz returns the two eggs to their Kleenex nest to join the previously X-ed egg that began this clutch. Bruce and Bok Choy will tend the Kleenex nest and their stagnant egg-shaped possibilities that will never crack open, wet with life and budding feathers. Liz envies their ignorance. From one strip of People Magazine, a smokey eye looks up to watch Liz returning what was never hers. She might feel sorry about this if things had been different.

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The Flock is Your Blood

by P. H. Low

November 25, 2022

You do not want your wings.

You twist your back toward the mirror, tweeze, pull. Grey stalks at your shoulder blades, slow intimate slide of extraction, the satisfying stretch and snap of your skin as it clings and then surrenders.

You do not want these wings. They are—will become—not the luminous white of a snowy owl’s, nor an eagle’s streamlined obsidian. Only a patchy dung-brown, the gawking limbs of a vulture.

You know, because those of your parents sprouted long ago.

Tweeze, watch feather stems spiral into the trash. If you pull hard enough, they won’t gather in second-third spines down the backs of your ribs; if you pull hard enough the stumps of your shoulder blades will bulge only a little, like baby hairs, so itchy you could claw out your skin in the middle of Calculus—and you almost do, once, get sent to the nurse’s office with blood all under your fingernails as the blonde girl next to you texts vomit emojis to her snickering friends.

If you just watch yourself, every word, every breath, you can hold it off for another year.

* * *

There is a boy.

You meet in drama club—not because either of you knows how to act, but because he’s watching you forget your monologue from the grubby dark doorway of the auditorium and afterward he says, hey, I’m new, his eyes bright in the shadows, and you catch a pale tuft of down feather on the sleeve of his peacoat.

There is a boy, and the next day at lunch he sits at the table in front of yours and you watch him out of the corner of your eye, wondering if you’ll see another grey wisp, another portent of unbelonging, and when he turns to the side his grin flashes too wide and you think he knows, he knows, he knows.

The next week the itching gets so bad you sprint to the bathroom and tear off your coat and sweater and t-shirt— it’s so cold in this school, you’re always cold—and pull, right there in front of the sink where anyone could be watching, and blood is weeping trails down your back and it hurts like mad and you’re making these crying-gasping sounds like a dying cat and you hear his voice—are you okay?—around the corner.

You tell him to fuck off, and he fades away.

But in the library that afternoon, when he brushes past you with an indifference so flawless it’s a work of art, it’s your hand that shoots out to catch his sleeve, your mouth that tumbles out the words—hey, I’m sorry—and then, choking: please.

He looks at you then, the bloody crescents you couldn’t scrub from under your fingernails, and then he tugs up the hem of his shirt and says me too and there they are, pressed against the backs of his ribs, dark and growing and whole.

I’ll show you something, he says, something else, and you follow him out the back door, past the art class trailers and the tennis courts and the parking lot, out into a field where there’s only swaying wheat and a faded barn and he says, look up.

* * *

You stand and look at the washed-out sky.

What? you say. Your fingers itch for tweezers.

Wait for it.

Cold wind snakes down your neck, tugs your hair. You stick your hands in your armpits. The highway drones behind you—truckers and families on holiday speeding wearily past, counting the endless spool of mile markers as fields give way to mountains give way to sea. No one ever stops here.

You want to crawl out of your own skin. You have always wanted to crawl out of your own skin.

His breath clouds the empty air. Here they come.

Your fingers have frozen by the time you see them. A trickle of birds, then a stream, wings spanned longer than arms. From so far below, you can’t make out the mottle of their feathers, the choked forest of bristles where shaft must meet skin—only flight, the aching grace of bodies streamlined and borne up by nothing but wind. They are the image of—the word that comes to you is honor, the way stagelight casts a face, any face, in arrested focus, makes them worthy of being seen.

For some reason, you want to cry.

One of them lands near you, as if drawn by your scent, your hunger. Its feathers are glossy amber, its curved beak proud, stirring, lethal. As it regards you with one golden eye, it occurs to you that you and it are two lives borne of the same blood. Parallel histories drawn, for a moment, perpendicular.

That you are as much a monster as it is, and as little.

Hello, you say, and it nips your ear, though not hard, as it might one of its children.

When it takes off, an ache settles in the back of your throat, as if someone you know is leaving for a long trip. It doesn’t look back—why would it?—and the flock circles one more time and is gone.

You look at the boy. He looks at you.

Now do you see? he asks, and you walk back to school together in silence.

You think about how you’ve never seen your parents fly, the gawk of their half-sprouted appendages like third and fourth arms—a flattening, a negation. You think about the bitten twinge across your ear, and the way that bird looked you in the eye, and how it must have grown up surrounded by sky.

You think about how your back still itches like hell.

At the door to the library, the boy stops, waiting, and you realize you’ve stopped too.

Yes, you say, and it feels like the whole world leans in to hear. The world or just him, smiling and grave, his wings tucked neatly against his skin, keeping him warm. Yes, I do.

Previously published in If There’s Anyone Left, November 2020. Reprinted here by permission of the author.

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