Issue 142 July 2025

Cover for July 2025. Cover art is pen-and-ink drawing of a church in ruins within a futuristic city.

Recitations

by Jacob Baugher

July 4, 2025

Science Fiction

I came down to the disaster zone in a bubble-skiff, launched from a Responder-class galaxyship in high orbit. It skips and bumps on the turbulence. There are six of us, each wearing the flat white uniforms of United Galactic’s Crisis Response division.

Outside the tempered window, the Nerian settlement Galapos burns. My synaesthograph’s goggles telegraph emotions from the rest of the crew: yellow-grey anxiety, black fear. Color bursts from their heads like sparks. An iridescent fog condenses near the grab handles on the ceiling, little bits of soul leaking into the atmosphere.

Lonnie, my team’s newest member, sits across from me. Our knees almost touch in the cramped skiff. He mutters prayers under his breath frenetically, holds a small crystal obelisk in one hand, his leather-bound book of Recitations in the other. White-hot particles stream from his chest, absorbed by the pendant’s spiritual vacuum.

“Leave it,” I say over the dull roar of the skiff’s engines. “They’re full enough.”

Lonnie jerks in his seat as if he’s been caught, but stows the obelisk in a black case near his feet. It joins countless others, all filled with obelisks containing the emotional weight of millions, fuel for the synaesthograph’s injector: bottled hope to help victims of tragedy move past their trauma.

“Clean up your signature,” I say, noting the cloud of yellow surrounding him. “It could interfere with the infusion.”

He nods, hair flopping across his face. “The sacrifice of many is hope for the few.” A direct quote from Recitations: the book of Comforts, chapter 29, verse 11. He presses a button on the gauntlet on his left wrist, his own personal obelisk set within, and shudders as the energy passes into his blood. His aura fades to blue. He closes his eyes.

“Sure,” I say, as if thoughts and prayers were an actual sacrifice.

The skiff shudders, engages landing protocol. I prime my own gauntlet and let calm fall over me like a coat, deadening me to the distress I’d surely witness outside.

The bay doors at the shuttle’s stern crawl open. Winter rushes in, carrying with it the red mist of intense pain. We exit into a grassy park that’s been converted into a med bay. Nerian doctors, blue-skinned and half our height, tend to patients, their forehead antennae waving. Blood stains the snow.

“What happened?” Lonnie asks.

“Does it matter?”

On a bench, a young Nerian girl in a white dress hugs her knees, clutches a bloodstained teddy bear. A notification flashes on the synaesthograph’s goggles, alerting me that its algorithm has detected an image likely to draw sympathy, and sends it to our donor engagement team on the galaxyship. The pain of the innocent drives the empathy of the privileged. (Manipulations 17:31).

“Right,” I said. “Let’s get to work.”

* * *

We stay at Galapos a week, then take the skiff back to the galaxyship and make the slipstream jump to our next assignment. This is my life. Disaster to disaster. Trauma to trauma. A messenger boy carrying manufactured hope to places people only care about because they’re featured on the quantum-distributed newsstreams.

A Thetolian dies of plague, thick mucus clogging his fragile lungs and respirator vent ducts. I initiate the synaesthograph, tubes connected to his wrists and neck; electrodes on his oblong head. He smiles, cradled by the goodwill of the galaxy. His aura shifts like billowing smoke from red to blue. My personal obelisk feeds me a steady stream of comfort through my wrist gauntlet, sweeps away the echoes of his gurgling breath.

An Avandii child clutches at my face, fur thick and matted with orange blood, body broken from one of the great mudslides that afflicts their dying planet.

“Your pain will not be forgotten,” I whisper to her (Comforts 89:2). She gasps as the synaesthograph takes hold, babbles in her singsong language, and dies before her aura clears. The rains start again. In the next valley over, another mountain begins its collapse.

My obelisk grows hot on my wrist from overuse. Morale must be kept high.

A young human male bleeds out after a raid by political extremists, ecstasy on his face, knowing now that someone, somewhere in the quiet universe cared for him. He makes the Orion’s Arm evening quantum stream. His teary-eyed parents weep their devastation to the cameras.

After they sign the Likeness Release form, I tell them that his sacrifice will fuel the recovery of thousands (Motivations 8:52). The obelisk stutters on my wrist. Instead of a rush of calm, it’s a phantom of what should be. A stranger’s hug in a thunderstorm. Wet feet on a winter day. I submit a request for service, but maintenance claims all is functioning properly. A note accompanies the technical report, “Sometimes, we must feel reality to appreciate relief.” (Flagellations, 16:31).

In response, I file for a transfer from Direct Action to Supply Chain Support before our next mission.

* * *

On the Garbusken, an intergalactic luxury station orbiting Sagittarius A, I stop at a local congregation for collection duty. The priest, a young human — rare this far in the galactic core — preaches: “Our only salvation is through continued prayer. It is the most effective direct action we have available.” (Motivations 1:15).

Incense curls from a golden thurible. Expensive projectors paint the cosmos on the cavernous ceiling. Sagittarius yawns in the cracked sky above a hulking marble altar where a pile of dead obelisks sit.

It’s a ridiculous expense, transporting a massive slab of rock 62 light-years for an energy transfer disguised as mystic tradition. Non-religious obelisk refills are performed daily, for free, at any public library. Diffuse particles stream from the chests of the faithful. The priest thanks them for their sacrifice.

The service ends. The congregation chats, laments that there’s nothing else to be done for far-off suffering. They return to their unworried lives no worse for wear.

I approach the silent altar, sweep the glowing obelisks into their case.

The synaesthograph does nothing to ease my disgust.

* * *

Jacob Baugher

Comments

  1. Casual observer says:
    Very interesting take on the bible
  2. Janet Wright says:
    Great story. So clever. I enjoyed it.
  3. Casual observer says:
    Very interesting take on the bible
  4. Janet Wright says:
    Great story. So clever. I enjoyed it.

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A Concise History of the Goldfish Trade

by Jason Pearce

July 11, 2025

Historical Fiction

“Use English,” says my mother, Nkij. “Like your father used to. The traders hear one word of what they call ‘Indian talk’, they’ll cheat us extra bad.”

I arrive after a half day’s paddle, following the route my father described to me in his dying days. The settlers call this the Public Square. A dust and gravel field, with a church at one end and a joyless brick building called a bank at the other. Fishermen and trappers fill the square, pretending to haggle even though there are only two prices: one for the settlers, and one for us. Nkij has her own idea of what’s a fair amount of flour and molasses and salt to demand for fourteen kopit pelts, which the settlers call beaver.

Some traders ride horses with carts in tow, the sides hung with display goods. Others are content to walk from their boats and spread the contents of their packs out on the ground. One trader stands out from all the others. He has neither cart nor pack and peddles only one ware that I can see. He roams the square, holding his offering aloft.

“God Fish!” he yells. “Only one in the Colonies. Own a piece of Heaven for just twelve pelts.”

I’ve never heard of a God Fish, much less seen one. God is what settlers call Creator, but somehow better because it comes with a son and a holy ghost. This trader’s belief must be strong. He holds the God Fish high, his voice cutting through the noise.

“Only one of its kind! Just twelve measly pelts!”

“Feck off!” one of the horse-and-cart traders shouts at him. “Some of us have real business here.”

I can’t help myself. The God Fish draws me in. It hovers motionless in the very middle of a glass jar. I step closer, careful to avoid eye contact with the trader. This fish is no bigger than my thumb, yet its bright metal orange outshines even the finest copper wire. Side fins like fly wings paddle furiously to keep it on a straight path into the side of the jar. An endless voyage to nowhere.

The trader’s eyes turn to my pack. “You have twelve pelts?”

Fourteen is more than twelve, so I nod. “I’m trading them for flour and molasses and salt.”

“Young friend,” he says, “the owner of the God Fish wants for none of these things. With this kind of power, you could own your own flour mill. With molasses by the barrel and enough salt to pickle a moose.”

My mind slips to every time my father came back from this very place, red-faced and tearful. He’d set the stingy portions of flour and molasses and salt in Nkij’s lap, and they would talk in hushed tones about how to make do with what we had.

With our own flour mill, we’d never have to worry about making do again. We’d eat until our bellies burst, with plenty to share. Or better still, trade for meat and fish. No more running snares in the wet cold of winter or chiselling through ice to set bait lines. Just the endless warmth and sweet smell of bread baking over our fire pit.

I open my pack and start draping pelts over my arm, counting as I go. When I reach twelve, the trader squints into my pack.

“Did you bring a jar I can pour Him into?” he asks.

“No. Was I supposed to?”

“Not to worry, my friend. Two more pelts, and you can have the jar, too.”

I hold the heavy, clumsy jar up to my face as the trader stuffs all fourteen of my pelts into a linen sack. The God Fish stares back at me, expressionless eyes catching the light. His mouth opens and closes with perfect rhythm, singing to a drum only He can hear.

“Does He just know the one song?” I ask.

I look up to find the trader has vanished. The crowd ripples like eels under moonlight, until I can no longer tell one body from the next. A patternless swarm of greys and blues. No sign of the man with the linen sack.

I turn to the glass jar cradled in my hands. The God Fish stares back at me, eyes and mouth opening with painful slowness. And then, His silent song stops, the tiny mouth motionless. The fins stop paddling, too. The God Fish turns first onto His side, then His back. His pale belly teases the surface of the water. A sickly lump sets up camp in my stomach.

Still no sign of the trader and my pelts in the growing crowds. I close my eyes and breathe a long, slow breath through my nose.

Sunlight seeps through clenched eyelids, dim orange light taking me back to our wigwam. My mother’s face, disappointed and pained, gazes at me through the darkness.

“Oh, Sosep,” Nkij says. There are no other words. The imagined sound of her voice uttering my name is enough.

I open my eyes and let in the full glare of the sun, squinting at the comings and goings of the Public Square. A pair of settler boys in stiff wool pants and white shirts carry a hand barrow between them. It overflows with beaver fur. Their heads turn this way and that, confused faces desperate for answers, like they don’t know where to start.

I straighten my back and square my shoulders, forcing a smile as I hoist the belly-up God Fish high overhead. My voice rides the tide of the deepest breath I can manage.

“Ancient Indian God Fish!” I yell. “Only fish in the world that can swim upside down. Powerful good luck. Only fourteen pelts.”

* * *

Jason Pearce

Author’s Note: This story features the Indigenous language of L’nui’suti, also known as Mi’kmaw. The word Nkij directly translates as “my mother.”

While Mi’kmaw is still spoken throughout Atlantic Canada and Maine, the last fluent speaker in my family died around 1850. Like many of my generation, I have been working to learn and revitalize my lost ancestral language. I am grateful to the Ktaqmkuk Mi’kmaw Fluency Project for its education and support in this endeavour. For more information, please visit www.mikmawfluency.ca.

Comments

  1. Jason Pearce’s story beautifully blends history, culture, and symbolism in a brief but powerful narrative. Through the eyes of young Sosep, we glimpse the difficult realities faced by Indigenous traders navigating a colonial marketplace where fairness is elusive. The mysterious “God Fish,” vibrant yet fragile, becomes a striking symbol of hope, prosperity, and perhaps the precariousness of Indigenous traditions under settler pressures.

    Pearce’s inclusion of the Mi’kmaw language and his author’s note deepen the story’s resonance, honouring language revitalisation efforts and Indigenous identity. The story captures a tension between survival and aspiration, cultural loss and resilience, all while evoking the complex emotions tied to trade, family, and belonging.

    The narrative’s subtle magic a fish that “sings” and swims endlessly in a jar, enriches the tale with layers of meaning about power, belief, and vulnerability. Ultimately, the story invites readers to reflect on history’s costs and the enduring spirit behind cultural revival.

  2. Jason Pearce’s story beautifully blends history, culture, and symbolism in a brief but powerful narrative. Through the eyes of young Sosep, we glimpse the difficult realities faced by Indigenous traders navigating a colonial marketplace where fairness is elusive. The mysterious “God Fish,” vibrant yet fragile, becomes a striking symbol of hope, prosperity, and perhaps the precariousness of Indigenous traditions under settler pressures.

    Pearce’s inclusion of the Mi’kmaw language and his author’s note deepen the story’s resonance, honouring language revitalisation efforts and Indigenous identity. The story captures a tension between survival and aspiration, cultural loss and resilience, all while evoking the complex emotions tied to trade, family, and belonging.

    The narrative’s subtle magic a fish that “sings” and swims endlessly in a jar, enriches the tale with layers of meaning about power, belief, and vulnerability. Ultimately, the story invites readers to reflect on history’s costs and the enduring spirit behind cultural revival.

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To Ashes

Fantasy

I.

There are countless jets flying over the apartment. They announce themselves with roars so loud they vibrate in my shins. Sasha and I close the blinds and shut off the lights. We huddle on the floor in my room, and I’m sure that we’re about to be blown away any second.

Sasha laughs. I don’t think she knows what else to do.

The emergency alerts buzz and screech through our phones letting us know that, while the jets are armed, they show no signs of hostility. As if their existence alone isn’t hostile.

The initial reports say that there is no reason to panic. There are hundreds of thousands of them flying all around the world. No country is claiming them, and they don’t seem to have pilots. Aviation experts have identified them as everything from old World War II designs to jets so new that they’ve only been seen in blueprints. To me, they all look like bulky, plump birds.

Sash goes out to watch them fly. I stay in my dark room with the shades drawn, hoping the absence of light will make me a harder target.

 

II.

The jets are changing. I only know this because Sash took the blinds off the windows in the living room. She was tired of me closing them, tired of coming home to darkness. I still avoid looking outside, as if glancing at them will turn me to stone. I don’t know. I know I’m being ridiculous, but the sound hasn’t stopped and my nerves are raw edges.

When Sash looks out the windows in the morning she swears, and I look before I can stop myself. I see a jet flying low over the duplex across the street, and trailing behind is a long silver tail, like the ribbon of a kite.

On the news, they’re showing viral footage of a man walking through a park in Chicago—not even two hours away from us—when a jet swoops low, wraps him in its tail and carries him up, up and away. Somewhere past the skyline.

They’re telling us to stay inside unless we absolutely must go out.

 

III.

The wings have been slowly evolving over the last few months. They bend and flap, and the propulsion systems have dissolved into flat, thrashing, webbed things. People on the internet are worshiping them now, as if they are angels watching over us, taking only the chosen to whatever mysterious destination they carry people off to.

Everything is still so loud. Earplugs live in my ears, and I feel like every cell in my body is buzzing. Like my skin is going to melt off at any second.

The apartment complex has organized group trips to the grocery store so no one walks alone. We take turns standing on the outside of the pack while we make the two-block trek.

I’m able to stay home and work my tutoring gigs, but Sash manages a Wendy’s down the road, so she walks to and from work every day.

At one point, she asks me if I would walk with her so she wouldn’t be going alone. I say I already go to the store for us, and the sound is too much when I’m outside. She looks hurt and for a second I think she looks a little scared. She never brings it up again.

 

IV.

They’re dragons. The spines have finally formed, and the solid silver bodies of the jets have become scaly and flexible. They slither through the sky with their newly formed dragon heads, but they don’t sound like dragons. They still sound like jets. They open their mouths, and their cries rip through the sky like long, mechanical thunder.

Sash comes home from work, walks past my open bedroom door, and finds me curled up on my bed with my laptop. I’m exhausted from having to pretend to be fine for the kids I spent all day tutoring in the pythagorean theorem.

Her face is blank. “Aren’t you tired of being scared all the time?”

“I don’t know what else to be,” I reply. After a silence, I add, “Aren’t you?”

She thinks about this for a moment, her flat gaze melting into pity. “I don’t really have the time to be scared.” Then she walks the rest of the way to her room and closes the door.

That night, she puts the blinds back up in the living room.

 

V.

The dragons that used to be jets have started burning things. It’s not like real fire. Last week they burned the pine tree in the courtyard. The flames ate it up into nothing. When I’m brave enough to peek out the windows, I try to look at the empty ashen space, but my eyes refuse to see it.

I spend hours researching fireproof blankets and jackets online. All seem to be inconsistently effective against the strange new fire. But something is better than nothing.

I offer to buy a jacket for Sash when she gets home. She glances over the product page. “I’ll think about it.”

The people who worship the dragons have started to stand outside with their arms open, begging to be engulfed. Sometimes it works. I wonder if it’s worth it for them.    

Later that night I order two jackets.

 

VI.

Sash is ready for work and turns to say goodbye before she leaves.

“Do you want me to walk with you?” I spit it out before I can take it back.

She pauses and looks surprised. “Are you sure?”

“Y-yeah.”

She smiles a little. “It’s okay, but thank you.”

I think for a second that I should push her more, but I’m too busy feeling relieved. I can ask again tomorrow.  

Sasha never comes back from work.

I cry into the empty space she left behind until all I have left is the sonic booming roar of the dragons outside.

* * *

Emlyn Meredith Dornemann

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The Sacred, The Sacrificial

by Kel Coleman

July 18, 2025

Fantasy

You lead the boy to the copse of tainted fairwoods. It reeks of innocence spilled and soaked into the soil.

The boy is just nearing the eve of his adolescence, brown skin smooth and unblemished save for the scrapes and bruises of rough play with peers. Your own brown skin has been corrugated by the decades and is ornamented beneath one ear with a tattoo of the sun.

He stares up at the trees. “They look no different than the rest.” It is almost a question.

Another time, you will teach him the subtle signs that a tree is tainted. For now—finally understanding your own mentor’s brittle eyes at this moment—you press his palm to the bark.

A wren streaks skyward at his scream.

He struggles, but you clench your jaw and tighten your grip. One breath. Two. Three.

You let go and squeeze him to your chest until the rhythm of his heart is not so frightening. It’s not in keeping with your oaths, but you remind him, as you have every day since he was placed under your tutelage, that he has a choice. You try to hand him the satchel of food and water—enough for four days. Neither of you is surprised when he shakes his head.

Sighing, you open the bag and hand him a jar of salve that will blunt the pain. He applies it generously to his palms, then kneels and grabs hold of one massive root.

He was chosen—as were the other children, as were you—for the same reason the fairwoods were propagated: a talent for drawing the malignance close. For seven hours, he sweats and occasionally whimpers, but never loses his grip or his focus. Afterward, you show him how to wield the axe and cut away the fouled portion of root, wide across as his splayed fingers; thin as a wrist. He places it in the satchel and the two of you head home in the hushed dark.

As long as the land remembers your people’s suffering under occupation—and it’s been less than a century since the empire was driven out—the trees will be needed to prevent the soil from poisoning the water and crops; and you gifted few will be needed to keep the hungry trees from growing too big, stretching their roots too far, suffocating everything.

* * *

Back at the guildhome, you prepare him a draught and he sleeps for two days. This will be one of the rare, final times he’s afforded such respite. In the early morning, he receives his tattoo; the ink is made from the ashes of the tainted root. You told him it should be something he loves, so he’s chosen a calf—a cherished pet from before his gift was discovered and he became your charge.

You can never again encourage him to spare himself. He’s made his choice.

After the two of you break your fasts, you follow him through the forest, back to the copse of tainted fairwoods. It reeks of innocence spilled and soaked into the soil.

* * *

Kel Coleman

Originally published in Pipe Wrench, October 2021. Reprinted here by permission of the author.

Comments

  1. Tera says:
    Beautiful, transporting, dark.
  2. Tera says:
    Beautiful, transporting, dark.

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My flesh, my beating heart, a willing meal that refuses to remember the danger of being eaten

by Deanna J. Valdez

July 25, 2025

Horror

The monster is back, but if it knows I know, it will do worse than eat me. Claws close around my throat as I pay for my soda and Tylenol at the shitty, sticky convenience store down the street.

“Keep the change,” I stutter.

The clerk cocks his head to the side as I blink back tears, stretching my lips into a thin smile, pretending everything is alright. The clerk can’t see the monster, no one can. This monster is mine.

“Thanks.” The clerk hands me a receipt and goes back to watching the hockey game under the counter.

I turn but not too fast. As we pass through the door, the monster scratches at the fluorescent sign. I hear it spark and sputter behind me as we step into the moonless night.

Mama said monsters stay put when you’re brave enough to leave them, but she’s wrong. This monster keeps hunting me. Its breath moistens my neck like a graveyard breeze, and its groping claw pinches my waist like a promise. I need to get home. The protection Mama put on the house should safeguard us from the monster—so long as I fix my gaze forward and do not look. What would I do if it weren’t here? Breathe, maybe.

I miss the light. The monster laughs as I kick the crosswalk, and it kicks a parking meter in return, felling it in a single blow. I wince but the clang against the pavement doesn’t shock passersby. We’re all used to this city crumbling around us.

A growl vibrates down my spine and my hands shake as I pull out my phone. Mama doesn’t answer. My little sister doesn’t answer.

“Shit,” I mutter. They’re probably eating. The thought of dinner makes me nauseous. I tug at my scalp, desperate to relieve the pressure beneath my skull. I pop open the Tylenol. Monsters sense migraines, scraped knees, sleepless nights—any weakness that keeps you down.

The light changes. My phone rings.

“Mama?”

“Don’t forget my magazines! And your sister wants chocolate.”

“I…I forgot.”

“Ay nako! Go back!”

“I’m tired. I want to be inside the house, Mama.

Mama goes quiet and I hear her shuffling towards the kitchen, leaving my sister at the dining table.

“Do not look,” she whispers.

I hang up and take one step forward, but the monster doesn’t like that. It wants me to squirm as I tread carefully towards my house. Each time I pass someone on the sidewalk, the monster squeezes at my neck.

It wants me to run. I want to run, but the house is still too far.

Sweat trickles down the ridge of my back, gathering beneath my tits, soaking the creases of my jeans, like my body is crying. One more block.

My phone rings.

“Hello?”

“Mama said you didn’t get chocolate.”

“I’m sorry. Be home soon,” I whisper like a prayer.

“But, Ate!” I hear her stomping her feet and I want to laugh. I really want to laugh. “Go back? Pretty please?”

“Tomorrow!” I squeak as a car wooshes past. I didn’t make the light again, and I’m starting to think this is just another way the monster taunts me. Calling the restaurant where I work, creeping behind me during class, liking my stories, turning all the lights red.

“I’ll buy you a whole chocolate cake tomorrow,” I say.

“Promise?”

The timer on the perpendicular crosswalk counts down. The monster pulls my hair so hard my head snaps back and I stare into the streetlights. I drop the pills and soda. A thousand tiny teeth brush against my rib and it releases my neck a little, an invitation.

“Promise,” I gasp. She hangs up.

When the light changes, I run.

I hear the monster’s bones crack as it grows new legs, pounding its hooves hard and heavy into the concrete. I’m panting, barrelling towards my door with blurry eyes. Alarms ring out as it pounces over parked cars and scrapes against windows.

I reach for my doorknob, but the monster tosses my body into the alleyway beside my house. Broken glass and beer caps puncture my side. It slams me against the bricks. Again and again, my head crashes against solid wall. The monster shakes me until blood soaks my neck, and my head is on fire, but I keep my eyes shut.

To see the monster is to forget the monster, and that’s the real danger. Its hollow-bone nose scratches against my face, sniffing me, purring, rubbing at my eyes to look.

The first bite hurts more than I thought it would. Monsters are hungry by nature. They eat at you in selfish gulps. Mine chews a chunk of my cheek as I scream.

Forgetting cannot save me. If I forget, the monster will keep on chewing, no matter how much I kiss and caress it. Love and devotion won’t fill its stomach. It wants my flesh, my beating heart, a willing meal that refuses to remember the danger of being eaten.

“Ate?” My sister calls from above. “What are you doing?”

My eyes snap open at her voice, and it has me. I’m done. I don’t have time to regret. I only have this moment before it’s all gone—before I welcome the monster inside.

“Shut the window! Don’t…”

But I’m already forgetting, my panic fading fast. My sister grumbles and shuts the window above. I blink and see a familiar face. Doe eyes. Dark hair. Sensual piano hands cupping my wet cheeks.

“Baby, where’ve you been?” He brushes a curl from my forehead. His eyes flash with something I’m sure is concern.

“Hey baby!” I kiss his palm, confused. “Didn’t I see you yesterday? Sorry, my migraines are killing me. Have you eaten?”

“No, I’m still hungry,” he says, his smile full of teeth. “But your mom hates me.”

“No, she doesn’t!” I laugh. “Come up for dinner.”

“If you want me to.” His fingers caress my throat.

* * *

Deanna J. Valdez

Comments

  1. CB says:
    Amazing read! Loved it!!
  2. David M. Barry says:
    Brilliant horror piece. Grabs you by the throat as hard as the monster does. Keep an eye out for this author.
  3. K.S. Shay says:
    Absolutely loved this piece. Will definitely keep my eyes on this writer!
  4. K.S. Shay says:
    Loved this piece! The ending was sooo chilling, obsesed
  5. CB says:
    Amazing read! Loved it!!
  6. David M. Barry says:
    Brilliant horror piece. Grabs you by the throat as hard as the monster does. Keep an eye out for this author.
  7. K.S. Shay says:
    Absolutely loved this piece. Will definitely keep my eyes on this writer!
  8. K.S. Shay says:
    Loved this piece! The ending was sooo chilling, obsesed

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The Harrowing of Hell (Third Circle, Sausage Counter, Contracts Office)

by S.L. Harris

July 29, 2025

Fantasy

Senior year, my best friend Tony and I worked the sausage counter in Hell. Third Circle. Yeah, I know, but they pay better than Wendy’s, and once you’re working in fast food, Hell isn’t that much worse.

Sure, you didn’t want to think about what the sausages were made of, you came home smelling of the rendered fat of the damned, and the gluttonous groaned endlessly, forever dissatisfied. Again, working fast food. On the bright side, no custom orders, and no one ever asked to talk to the manager.

It wasn’t that bad, for Hell. This older guy, Cameron? He worked down in Eight, cleaning the hooks. Now that’s rough, but he’s got a chronic condition, and Malebolge gives insurance. All Tony and I needed was enough money to get us started in college next year. I was already dreading full-time over the summer, but compared to staying in our hometown the rest of our lives, forty hours a week in Hell sounded just fine.

We were on our way back across the Styx one night when he broke the news to me.

“You what!” I yelled, loud enough for Charon to pause ominously.

“I needed the money quick, man,” he said. “Mom lost her job, and we were going to lose the house…”

“But you sold your soul? You’ll be here forever? What about college?”

“Aw, you know I’m not college material. I’m not smart like you.”

“That’s ridiculous! Why didn’t you tell me?”

“Because you would have wanted to help and done something stupid.”

Fair point. Because the next thing I said was, “We’re going to steal it back.”

“You can’t just steal back a soul. You don’t think they keep track of that stuff?”

“Look at this place! They’re overcrowded, overworked, understaffed. They’re hiring kids like us, for Christ’s sake.” Tony flinched, but it didn’t look like Charon had heard.

“Sorry. Look, you’d be doing them a favor, honestly. You think they need any more souls down there?”

He shook his head firmly. “No. I made a deal. Signed a contract. I can’t just go back on that.”

Tony is stubborn about the Right Thing, which is precisely why he’s the kind of guy who shouldn’t go selling his soul. I’m probably going to end up here anyway (Circle Two, based on my browser history). But Tony…Tony’s got a chance to make it out for good. Not just out of town, not just to college, but out of here, you know what I mean?

If he would just let me help. Which he won’t. Because he made a deal.

So I make a little deal of my own. This one with Cameron, for some of the Lethe water they hand out to the Malebolge workers to ease the PTSD. Just two drops on the forehead when you’re focusing on something and you forget all about it.

* * *

Next time we were on closing shift, I told Tony I’d wrap up and catch the next ferry.

 I gathered the sausage scraps and vomit into the roller bins and headed toward Cerberus, who guards the main office on 3. His tails wagged when he saw me: he knows I mean food. Now that I think of it, maybe that should be cause for concern.

Normally we dump the slop out into his gigantic bowl, but this time, I turned the three big bins on their side, and every head disappeared into them. I ran past into the Main Office. Cerberus would down the slop in ten seconds, but I’d smuggled some branches from Seven and stuck them in the bottom for him to chew on. So I had maybe a minute, minute and a half.

No one was in the office. Hell’s got too many souls and not enough devils nowadays. Tony’s contract wasn’t hard to find; Management’s so dramatic about these things, all parchment and red ribbons. I grabbed it and was about to go, when my eye fell on the computer with the Permanent Records. 

Outside Cerberus was banging around in the bins. It might not take too long. Maybe I could get myself out, too. I mean, for good. Wipe the ol’ history.

But Cerberus was growling a distinctly done-chewing-on-the-stick growl, and I decided I couldn’t risk Tony’s soul for mine.

I pocketed the contract and slipped out just in time.

* * *

Next day after school, I pulled out the contract and explained the situation to Tony.

Honest to God, he said, “I’ve got to take it back.”

“The Hell you say! I just risked Cerberus for you. You’ve got the money, you’ve got your soul, and we can be roommates at State next year! You’re free now! You’re good!”

He shook his head stubbornly and grabbed for the roll of parchment.

“Damn you, Tony,” I said, reaching for the Lethe-water in my pocket.

* * *

So here we are, freshmen at State. Tony doesn’t remember the contract and can’t quite figure out why he’s paying for room and board in obols. But he’s thriving in college—he’s plenty smart, it turns out, just like he’s plenty good. I like college too. Thing is, I know this is probably as good as it gets for me. Probably headed back home after graduation, probably headed back downstairs when I die. But Tony? He’s escape velocity.

I just made one mistake—well, one more. Add it to my Permanent Record; I don’t care. But of all my mistakes it’s maybe the one I really regret. I screwed up that Lethe dose somehow, and now my best friend doesn’t remember me at all.

* * *

S.L. Harris

Comments

  1. Michael Edwards says:
    Wonderful story!
  2. Michael Edwards says:
    Wonderful story!

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