Issue 128 May 2024

Table of Contents

Editorial: Voice

Editorial

If I could guess at our two favorite things at FFO, it would be “strong voice” and “emotional resonance,” which is probably tantamount to saying your favorite things in the world are air and water. Try googling “what is voice in a story” and you’ll get an entire list—word choice, syntax, tone, rhythm, paragraphing.

You know—the sum of everything that goes into writing prose.

(Did you notice I used the word “googling” like I was born last century?)

I even saw “punctuation” on the list, and while that can feel relatively standardized, there is some leeway. Are you vehemently pro-Oxford comma, or did you graduate from journalism school? How many exclamation points do you allow yourself per story (or text message!!)?

Better than a list is looking at examples, which is how I taught “voice” to my colleagues in corporate America. Even after I anonymized sources, they could easily pick out corporate branding from journalism, fantasy from horror, when just given a couple sentences. Most people probably could. This month, try it for yourself with our five stories for May.

For this “voice” issue, I specifically sought out pieces that have a sense of humor woven into moments of emotional connection (we still want our resonance, mind you).

I find comedic voice particularly fascinating because comedy can be as hard to define as voice. Looking up “what makes something funny” elicits another long list that includes such things as the analysis of the funniest consonants and Freud’s theory that humor releases repressive psychic energy.

Perhaps it’s the juxtaposition of the centuries’ old Mortedart with the teenage Sandra that makes Katie Kotulak’s story “Lord Mortedart’s Revenge” both comedic and endearing.

The same might be said for the combination of the sci-fi setting with the heavily accented narrator in J. Autumn Needles’ “The Chicken’s Just Fine.”

Brandon Case’s story “Darkness, Blanket of My Eyes” offers horror with The Three Stooges-level sound effects.

Our reprint story for the month is Rachael K. Jones’ “Midnight Burritos with Zozrozir,” a refreshing take on the deal-with-the-devil plot.

Finally, we have a literary selection for the upcoming strawberry picking season. “Jelly” by Vicki Wilson is the perfect ratio of wit and heart.

Thank you for reading! If you love visuals, I often post issue-specific mood boards and other random jokes on FFO’s Instagram account. If you love music, you can check out our Spotify playlist for this issue. If you just love reading and like what we do, consider becoming a Patreon patron, or subscribing via our independent distributor Weightless Books.

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Lord Mortedart’s Revenge

by Katie Kotulak

May 3, 2024

The Dark Lord Mortedart feels their limbs unfold as they stretch out to their seven-foot height. They have manifested in a dimly lit alleyway abutting a wide avenue where a festivity is taking place. The sickly-sweet smell of fried cake assaults their nose. Down the road, a band plays ragtime, reminiscent of when Mortedart was captured, interned, and forced to exist without corporeal form for a hundred years.

Plumes of smoke swirl around the sorcerer creating a frightening picture as they turn to a lone girl slumping against the brick wall of the alley. A poster advertising the city’s centennial celebration crinkles behind her halo of dark curls.

Mortedart booms, “I am the Dark Lord Mortedart, the bringer of doom.” Their voice resonates through the alley, drowning out the party. “I was imprisoned for one hundred years, but I am centuries old and mortal fetters could not hold—”

“Sorry, did you say Mortedart?” The girl raises one bushy eyebrow.

Mortedart pauses. “Yes. Ahem. I’ve come to take revenge on the descendants of the founders of Haverley.” They snap their cape with a flourish and wait for her to fall at their feet begging for mercy.

“Your parents named you Mortedart? Brutal.” She screws up her nose and lifts a drink to her mouth.

“Did you not hear me, child? I have come—Oh for the love of God, stop slurping. It’s rude. I’m making a proclamation.”

“Sorry.” She lets the straw fall from her mouth.

Mortedart narrows their eyes to glowing green slits. “Soon, you shall truly remorse when I raze the scourge of this town from the earth’s surface. YOU shall be amongst the suffering—”

PING.

The girl pulls a small metal square from her pocket and traces her finger across its surface.

“What’s this?” Mortedart steps closer, catching a glimpse of images that flash like sorcery across the tablet. The girl chews on her lip as tears threaten to roll down her cheeks. She turns away, hiding her face.

“Good. Yes, exactly. It’s a little delayed but you should cry in fear. Hide your face young maiden, but I shall prevail.”

Her sobs get louder. “Even you’re calling me a virgin? I thought we were friends.”

“Friends? No. And I wasn’t. Wait. Maiden is a compliment, is it not?” Mortedart is realizing that a lot has changed in a century.

“You’re just like the bullies at school.”

Mortedart’s face clouds and thunder claps overhead despite the clear night sky. Mortedart hates bullies. “What’s this?” they ask.

She holds up the silver rectangle. An image of young courtesans performing a song and dance about a Sandra Dee loops on its surface.

“And you’re Sandra Dee?” Mortedart asks.

“Just Sandra,” she sniffles. “We watched the movie Grease in class. Now everyone’s calling me Sandra No D. Because…” Her face flushes red beneath a scattering of freckles. “I’ve never had the D… like the di—”

“Alright,” they interrupt her. “Mortedart understands.”

The tears start to flow. “They hate me,” she whispers.

Her tears tug at something long forgotten in Mortedart’s heart. They remember a time when children teased them for their unnatural height, calling them the duke of limbs. “Well?” Mortedart demands, “What will you do?”

She takes a deep breath and lifts her chin. “Act like it doesn’t bother me.”

“What? No. You must seek revenge.”

“Revenge?” Her eyes widen. “My mom says if people are cruel, they’re usually suffering themselves.”

The dark sorcerer rolls their eyes. Such a mom thing to say.

“She says I should kill them with kindness,” Sandra says.

“I like the first half.”

“Huh?”

“Kill them,” Mortedart growls.

“You can’t just kill people.” She taps at the rectangle. Mortedart leans in and watches as laughing faces and hearts appear.

“What are you doing?”

“If I laugh, maybe it’s like I’m in on the joke,” she pleads as more hearts appear.

“No. Stop making hearts. Stop now! Mortedart commands it.” They rip the rectangle from her hands and throw it against the brick wall. It lands with a clatter and goes dark. “They must die!”

“We can’t kill them. It’s, like, wrong.”

“Very well, but you must stand up for yourself, girl. When you let others treat you poorly, you teach them to continue their malicious ways.”

A cluster of teenagers stumble by, laughing. Sandra waves and smiles hopefully as a boy glances down the alley. He snorts and turns away. She sighs. “You make a good point.”

“So, we get revenge?”

“What’re you thinking?”

“They mock your virtue therefore I shall cast a curse of syphilis upon their bodies.” Mortedart laughs maniacally into the dark night.

Sandra looks at Mortedart skeptically. “Syphilis is pretty easy to treat and it would feel like we’re slut-shaming them.”

“Aah.” They consider. “We could make their nails fall out, make them vomit snakes for a week.”

She recoils. “Those sound traumatic.”

“Look, I’m just brainstorming here.” Mortedart rolls his eyes.

“We could egg their houses.” She glances up, a wicked smile on her lips.

“Transform their homes to eggs?” Mortedart rubs their hands together in anticipation.

Sandra shakes her head. “No. Throw eggs at their houses. It’s really hard to clean.”

Mortedart nods. It’s a start. “You’ll make a fine minion to the Dark Lord Mortedart yet.”

“We are friends then?”

“We might be friends.” Mortedart kicks a stone, feeling suddenly shy. They can’t remember their last friend.

“Let’s go to the Dairy Shoppe and plot revenge over milkshakes.” She loops an arm through Mortedart’s. The smoke from their aura expands to envelope her as the two turn towards the music and lights of the celebration.

“What flavours might there be?”

“Chocolate and Strawberry are my favourites,” she gushes. “Sometimes they let you do halfsies but depends who’s working.”

Mortedart’s eyes narrow. “Oh, they’ll allow halfsies or I shall cast a plague upon their houses.”

Sandra laughs. “Maybe we ask nicely first.”

“We can ask nicely,” they acquiesce, “But Lord Mortedart shan’t be denied their halfsies.”

Comments

  1. nrm says:
    The dark lord is adorable.
  2. Bob says:
    I love this pairing!

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The Chicken’s Just Fine

Right off the bat I want to tell you the chicken’s just fine. I know how you worry, Mary, and you’d want to know that straight up.

So now that’s out of the way, here’s what happened. Me’n George, we were out back. I’d say working hard, but you know us too well for that so the honest truth is we were hiding behind the persny bush with our suits off and chatting, letting the morning roll on by without doing too much.

I know you’ll fuss, Mary, but you‘n I both know those morning mists will fool a person with the shapes and whispers and the funny readings the suits give you that are all headache-making. No real work can happen till the mists settle for the day. You know it, I know it, George knows it, we all know it. Nobody says it because “work is the salve of the soul” and “morning work makes a merry heart” and all that, but we brought those ideas from another world, Mary. When ideas don’t fit the world, it don’t make no kind of sense to carry on with them. You have to find the new ideas that fit the new place.

Anyways, we can natter that out later but point being me’n George were waiting out the mists behind that bush, and the mists were doing that swirling kinda thing they do, and George was saying it looked sort of like a big peanut up on end, and I was saying it was more like the shape of a camel even though neither of us have ever seen a peanut or a camel up close but it was a friendly sort of argument.

Then the mists parted and there was the chicken pecking her way down the path. Our mouths dropped open, and the mist snapped shut and started roiling around making colors we’ve never seen before, like if a kaleidoscope was trying to sneak up on you from a rain cloud.

You bet we grabbed our suits and tripped over ourselves trying to get back into them, trying to get off after that chicken.

How’d she get out? I know you’re going to ask and I don’t know, us all being so careful with her and all. I mean, we all know that chicken is our meal ticket. A lot of eating has come off that bird and grateful we all are for it. We’d a been done for without her and we know it, so who would have missed the latch?

Didn’t matter then because we knew we had to get off after her. We scrambled down the path only we were lost right away in the mist, couldn’t even feel the path under my boots and lost track of George almost immediately.

I don’t know how long I floated like that. I stopped flailing right away like we’ve learned. No point trying to get anywhere when the mists get you. I hung there and just let my mind go blank like we’ve trained. Focused on my breath. In. Out. In. Out. I could hear my heart beating: ka-Thump, ka-Thump. Up or down, in or out, forward or back, I didn’t know any of them, never made their acquaintance. All there was was here. And here wasn’t too clear neither.

When the mist finally let go of me I didn’t recognize the place at all. George was there, sitting on the ground, shaking his head like he had something caught in his ear. He looked up at me with his face all gone white and let me tell you that was a shock with his usual color being somewhere around the caramel end of the spectrum. He didn’t seem to know me at first, and even when my name come out that was all there was: Joe. Joe. Joe. Like that. I don’t think he had his helmet quite all sealed up when the mist grabbed him, so, fingers crossed, he gets more back than that.

All around me were these trees I’ve never seen before and pecking at the base of one was the damn chicken. I went to go grab her but those trees grabbed me first. She looked up at me disinterestedly and went back to her pecking, ruffling her feathers out a bit to resettle them.

And here’s the weird thing, Mary: I think those trees were tending to her. And maybe talking because she’d look up every now and then and bok bok at something the way she does sometimes to check in, and I swear there was something coming back from those trees that made her feel like, well, all right then, everything’s fine, and she’d go back to pecking.

I got the sense the forest wanted us to see all this because then we all got swept up again by the mist and before I knew it, we were back at the station.

With the chicken.

Isabelle looked her over right away and pronounced her just fine. We all got her carefully put away in her coop again with the latch pulled down, padlocked, and checked by 15 different people. Isabelle checked George then and pronounced him not “just fine” but maybe would be after a while. The last I saw she was trying to teach him to use a fork.

Next day we were all around the coop at first light no matter what our work duties were. Couldn’t blame us.

And Mary, she’s laid an egg. Not a normal-looking egg. It’s sort of swirly patterned and glows a little bit, but it’s definitely egg-shaped and she sits on it. Won’t let any of us get close. I wouldn’t’ve said a chicken could hold off all of us with its fierceness but then on the other hand she’s always had a mind of her own.

So yes, the chicken’s just fine, Mary. But as for the rest of us? Well, I guess we’ll see when that egg hatches.

Comments

  1. I would very much like to know what hatches from the egg.
    1. Rebecca Halsey says:
      Me too! What do you think it’ll be?
  2. Jill Keller says:
    Please continue the story, I need to know what hatches from the egg, and also if George is okay…..

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Darkness, Blanket of My Eyes

by Brandon Case

May 17, 2024

Darkness my blanket, tied close by the one I love.

Beyond my blindfold, outside this abandoned Chevron station, I hear movement.

Gasping, slapping, moist flesh—fwap, fwap—a squeal. Silence.

Neighborhood children playing with a pig. Yes, that’s it. Not something screaming, dying. Just kids playing outside the sliding glass doors. They must be with my husband, Jerry. Slapping a piglet’s belly like a drum. Joy squeals. Pig and kids and Jerry, their cries overlapping.

Ripping, popping, dislocated joints—pruhck, pruhck—torn membranes. Grinding incisors, chewing.

November already? Jerry must’ve made another faux turkey for our Thanksgiving dinner, tying carrots for bones, shaping “meat” from tofu. So dedicated, Jerry. Slightly sardonic, teasing my experiment with vegetarianism. But always supportive. We’d make great dads, I’ve always said so.

How long since I’ve seen him? Days since he tied the blindfold… Weeks? Since that first night at Chevron. Stopped en route to a party, paying for gas, the power went out. Eerie green lights rippled through the starless sky. All that screaming. Me hyperventilating, weak-kneed, collapsing against a drink cooler behind the snack shelves. Jerry ripped the sleeve off his shirt to make me a blindfold. A darkness blanket, like when he’d pull the covers up during scary movies so I wouldn’t have to see the gore.

Just breathe slow, he told me. Leave the blindfold on, wait until he says its safe. He promised he’d figure out what was happening and come back. The last thing I saw, his soft brown eyes.

Now he’s returning with Thanksgiving dinner! We’ll have a banquet on the linoleum, surrounded by empty drink bottles. It’s always a surprise, what soda flavor I get when reaching into the cooler. Without power, everything is warm. Especially my dirty corner, across the gas station, in front of the locked restroom. Stench of pee overpowering. And something besides excrement… something decaying. Did snacks go bad? Do they sell meat at Chevron?

Lapping, slurping, semi-solids sucked up—leuop, leuop—inside now. Approaching from my dirty corner.

Good ol’ Jerry, so dependable. He must’ve brought our portable wet vacuum to clean my mess, hoovering layers of poorly digested Cheez-Its and Slim Jims squirted from my beleaguered bowels. Kind of him, not to complain about the smell. He doesn’t tease me when it’s important. Embarrassing, messy. Hard to imagine the state of my clothes… no washing machine inside the gas station. Just filth.

Sometimes, I wish I hadn’t listened to him.  Wish I’d summoned the courage to go with him. Wish I’d uncovered my eyes during those first days, before it became impossible to imagine what I’d see. Before any thought of removing my blindfold made me want to vomit—

Mistake, mistake, a mistake, panic, bludgeoning, breaking. No! I don’t have to think about that inside my darkness blanket. Think Jerry. That’s Jerry I hear, helping me clean. Soon he’ll say my name, tell me everything’s okay.

While he was away, I inventoried Chevron by touch, organizing assets around my cooler. A hundred liters of drink, flavors unknown. Twice that many snack bags, contents unknown. Cups, straws, napkins. A fire extinguisher. I’m proud; I think he will be, too.

Clicking, clacking, claws on linoleum, scratching—tictic, tictic, skrr—drawing closer. Rounding the isle.

Huh… why would Jerry wear his Halloween costume? Jurassic Park is his favorite movie. Last year, he built an elaborate raptor suit. Claws that click on hard floor, iconic from the kitchen scene, perfectly captured. I’d recognize that sound anywhere. But now? Maybe it snowed outside and the sidewalks are icy. Sensible, having claws for traction. Like microspikes you slip over your shoes for climbing mountains or taking out the garbage. I’ll buy him those for Christmas. Must be heavy, lugging the entire raptor costume around. I hear its tail dragging, scattering empty bottles. Just around the corner.

Hissing, clicking, whistles through teeth, tongue whispering beyond words—sistuc, sistuc nomenim pietry—spindly arms on either side of me, boxing me in. Foul breath leaned close.

Damnit Jerry, this is no time for intimacy! Weeks apart can give couples a powerful hunger, but I want to gaze into your soft brown eyes next time we make love. I still want you. Even here, filthy and surrounded by waste. I’ll remove the blindfold, all you have to do is say my name, tell me it’s safe. That’s your responsibility. Only way I could be expected to know it’s you. Everything blurred, together bled. Price of my darkness blanket. We played with blindfolds back home. This isn’t that.

Rasping, rumbling, grunts of need, chest vibrating—chchch, chchch—air stirring near my groin. I reach down and wedge my clenched fist between my legs; a defense, a trap.

Surging, slimy tentacles penetrate my fist, shove my fingers apart.

Not Jerry. Not kids. Not pig. Something else, something bad.

Adrenaline burns away my comforting illusions. Nothing is normal. Fight now, fight everything. I clench my fist, trapping slimy genitals. The creature shrieks and writhes.

Smashing, screaming, my fire extinguisher shattering bone, pounding—ctunk, ctunk, die fucking die!—bashing and bashing. Rank copper, warm fluid coating the body beneath my hands.

Rage and disgust, overpowering fear. I drag the limp body by its genitals. To my dirty corner, deeper. Through the poorly digested Slim Jim’s, toward the locked restroom door. Over a different body, my foot squishing tentacles. Another, treading fingers. Has this happened before? How many times?

Where is Jerry?

 Cautiously, I peak beneath the blindfold. Piled bodies, tentacles. Beneath, half-covered, a human face. Soft brown eyes. Eyes that can’t be there. Eyes that aren’t there. nnnnnnnn. I didn’t see them. Didn’t see anything.

I yank the blindfold painfully tight; recede into dark oblivion.

Sloshing, shuffling, I retreat to my cooler and uncap a drink—sst, sst—flavor at random. Orange soda.

Not my favorite, but Jerry likes it. He’ll be back soon. I’ll just wait here, listening, wrapped in my darkness blanket. Maybe next time he’ll say my name, tell me everything’s okay.

Midnight Burritos with Zozrozir

A week after my husband leaves me, I go out for midnight burritos with the demon who’s going to devour me. I haven’t even bothered to take off my stage makeup, but Zozrozir has my back. With Zoz around, nobody notices my black eyeliner or purple mohawk or the jacket made out of tiny leather f-bombs all stitched together.

“How do you do that, anyway?” I ask Zozrozir, who is small but inexplicably terrifying, like a cockroach crossed with a closed-casket funeral.

“Make you invisible?” Zoz sets the tray of burritos on the table with one disjointed arm and divvies them up with the other three. “Easy. I just make you look old. Nobody notices old people. They can get away with anything.” He helps himself to a vegetarian burrito. Non-human flesh gives him indigestion.

I have no such limitations, so I bite into a beef one. It tastes incredible, easily the best thing I’ve ever eaten, which is all Zozrozir’s doing. That’s our deal. Endless pleasure and success in life, but he gets to devour me at the end.

“Everything sucks, Zoz.” Even though the concert was totally kicking and the burrito’s divine, my husband still left me last week, which colors things a bit.

Zozrozir buzzes his half vulture/half dungfly wings together. It sounds like chalk on a nailfile. My unhappiness makes him anxious. “What’s wrong, Marla? Aren’t you enjoying your burrito?”

“It’s fucking delicious.”

“And the concert went great.”

“My best yet,” I agree.

“Those guys on the front row shaved your initials into their pubes.”

“Uh huh. I noticed.”

“And how about when the fuzz busted up the crowd and pulled the plug on your 3-hour encore? First time you’ve managed that.”

“That was rad.” But I’m losing my cool. Tears drip through my mascara, making it even more metal.

“So,” says Zoz, “what’s eating you?”

“Dude. Jake literally left me last week.”

His wings stutter to a stop. “Sorry about that, buddy,” Zozrozir says slowly. “Outside my wheelhouse. I can’t control people who haven’t sworn allegiance to me. I’m trying my best, though. How about I summon you an incubus to replace him? Better stamina, obedient, great abs.”

I put down the burrito and mull over how to explain it. For an immortal being whose business is pleasing humans, Zoz doesn’t always get it.

I dip a finger in salsa verde and draw on a napkin. “Humans are like bullseyes,” I tell him. “Concentric circles of everyone we know. Closer to the center, closer to your heart.” Zozrozir leans in to see. “The circles are like a multiplier. Closer in, the harder their love hits you. The more rejection hurts.”

Zoz nods the screaming head budding from his back. “So Jake was… in here.” A claw pokes the center circle.

“Exactly. Doesn’t matter how much the fans love me. They’re out there.” I tap the edge. “And the worst part? Jake has circles too. You’ll probably guess where I stand there.”

Zozrozir rotates the diagram, studying it. “I understand, I think. It’s the same for demons.” He lurches onto his hind feet and pries open his chest cavity, spilling a cloud of black gnats into the restaurant. I bat them away and lean in. Little glowing baubles hang from his ribcage, casting rainbows on Zoz’s pulsating organs.

“Wow. That’s beautiful.”

Zozrozir taps them in turn, gently, lovingly. “Jimi Hendrix. Janis Joplin. I’ve been trying to collect all the Beatles, but I can’t get Ringo to cut a deal. He thinks he’s good enough already.”

“What’s this empty place for?” I wave a plastic spork toward a bare spot near the center of all the glowing action.

Zoz sighs wistfully. “I was going to put Kurt Cobain there, but somebody else recruited him first.”

“Sorry about that.”

He gently shuts his chest, and the flesh welds itself back together. “It’s okay. I’ve been thinking that’s where you’ll go instead, after I devour you.”

“Right at the center?” I get this feeling in my throat, tight and weird like I’m going to cry, but it’s something else.

“Yeah. You’ve got that special something, kiddo. I was a fan before you summoned me.”

I grab the little horror by a random nose and pull him into a hug. He squeaks like a kitten. “Zoz. My whole life has been one performance after another. I’ve never been good enough for anyone. You’re the only one who really believes in me as I am.”

“Don’t get mushy on me now.”

I don’t add, You’re probably my best friend. I release him, and we both return to our burritos.

“Hey, Zoz?”

“Yeah?”

“Are you really going to eat me when I die?”

“Yeah, Marla. Every last hair and bone and scrap of flesh.”

“Promise?”

“You can count on it.”

“I’m glad,” I say, comforted beyond measure. “I wouldn’t want it any other way.”

 

* * *

 

Originally published in Daily Science Fiction, July 2018. Reprinted here by permission of the author.

 

 

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Jelly

by Vicki Wilson

May 31, 2024

“Four cups?” I stared at the recipe on the kitchen counter. Four cups of sugar? And under no circumstances were you to mess with the four cups. It said so, in big letters. Don’t fuck with the sugar. Well, it actually said to measure carefully, but this was my first time making strawberry jelly. I had six jam jars out, washed and ready, and I was not going to fuck with the sugar.

I stirred the sugar into two cups of mashed strawberries in a large bowl and watched as it dissolved, turning bright red, almost as if it were hiding itself, as though even the sugar was embarrassed it was so excessive.

“How’s it going?” my husband asked, walking into the kitchen dressed in running shorts and with Airpods stuck in his ears.

I pulled a face and kept stirring. “I don’t know. I think I stir this for like a million minutes, and then I add the pectin and hope it sets after I pour it into jars.”

“What’s pectin?”

“It’s…” I realized I didn’t know. “It’s the stuff that makes it set.” Somewhere in my mind, from far back in the childhood parts, I felt like someone had told me it was made from bones. No. That was gelatin.

“Well,” he said as he headed to the door. “Good luck.”

“Thanks.”

I’d been eating this jelly since I was old enough to have toast. My mother and grandmother made it together every year. Then, my grandmother died, so my mother and I would go to the U-Pick and pick plastic beach buckets full of strawberries. My mother would make jar after jar the next day and line them up on our tiny trailer kitchen table.

One year, I walked into the kitchen the morning after jelly making and found my mom, her head face down in her arms on the table, crying. When she heard me, she looked up and said, “It didn’t set, baby. The jelly didn’t set.” I walked over to the table and picked up one of the jars, tilting it slightly, watching the red goo slip down one side.

“Can you fix it?” I asked.

She didn’t look up. “No, baby. I can’t fix it. I can’t fix it anything.”

The unset jelly jars sat on that table for a week while she stayed in her bed. I was young enough to think only the failed jelly had caused her depression. If I could make her forget it, she might get up. So I took the jars into the backyard and drained them one by one on the grass. I watched the ants discover it all, watched the wasps and the bees hover over it, wondering.

It was the only time I remember her jelly not setting, and the first time she stayed in her bed for that long.

“Okay,” I said out loud to myself. “Time for the pectin.” Pectin was different these days. I’d bought a gel. It squeezed out of the foil packet into the strawberry mixture like fancy boxed macaroni and cheese. I stirred again. “There,” I said when it was done.

I poured the jelly into the jars, spilling a little down the sides, and wiped them with a dishcloth. It only filled five and a half jars and seemed runny. I wondered if I’d done something wrong. I stuck my pinky into a jar. It tasted right, so I screwed the caps on tight.

Set, I commanded. Set.

The recipe said to leave it out for 24 hours before putting it in the freezer. But I remembered how my mom just left it out overnight, and then she’d wake up in the morning and go straight to the kitchen and tip the jar, and smile her once-in-a-year jelly smile. Because it meant we’d have her best jelly all year round for sandwiches and crackers and toast. We had it every year, all but that one time.

I can’t fix anything.

I wondered for a long time what else she’d wanted to fix but couldn’t.

I never made jelly with my mother before she died. I saw what the jelly had done to her. I got older and worried that if a small disappointment like unset jelly could cause her dark moods, maybe it could do the same to me. Maybe I was like her. So I left her. Moved away. If my jelly didn’t set overnight, I wouldn’t blame it. How could strawberries and sugar and pectin respect a woman who never took time to make jelly with her own mother?

I slept poorly that night, as though the jars needed protecting and I had one eye on them. And when morning came, I walked down the stairs to the kitchen like I was walking the plank. I picked up the half-filled jar, thinking it would be the easiest to tip and see any movement. I held the jar at eye level. The whole thing felt like a divination. If the jelly set, it was a sign that my mom wasn’t mad at me. A sign that she forgave me for moving away. For never making jelly with her. That she was okay. That I was. A sign I needed now, if I were going to be a mother.

I was afraid to tilt the jar. But I did.

“It set,” I whispered. I grabbed each jar then, frenzied, lightly tipping them one after the other. “Jesus,” I said, falling back onto a stool and exhaling. “They all set.” I smiled, probably like my mom had smiled.

“How is it?” my husband asked, walking up behind me wrapped in his ratty bathrobe, only half awake.

I tilted a jar at him. “It set.”

He nodded. “Looks great. Congrats.”

“Yeah,” I said. I could make her jelly every year from then on, and I would still never make it with her. It would never be my jelly. But now, at least, it could be ours.

Comments

  1. David Spira says:
    Vicky, Loved your flash fiction story.Written with depth of understanding. Mother’s and Daughter life lessons in relation to a common event.
  2. Debra Altdoerffer says:
    Loved the story and the reminder …to do what we can, when we can, with the people we love.

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