Issue 96 September 2021

Echo Echo Heartbeat

by Beth Goder

September 3, 2021

The forest where I lost my heart was full of autumn. Trees clung to leaves drenched in yellow. My chest pulsed with heartbeat echoes.

Perhaps my heart was hidden under a mossy log or in the belly of a fox, perhaps in the cold twilight of a brook.

Three roads diverged in the wood.

I took the first road, as it looked the straightest, with the leaves swept neatly away. I found a clearing with pieces of a heart cut evenly, arranged like tools in an operating theater. For three days, I assembled this heart, the pieces pulsing in my hands. Once it was done, I had a fine heart, strong and sure, but it was not mine.

I thought of all my love not returned, of the sick starched smell of the room where I’d last seen my brother, of the barn in ashes. How much easier would it have been to bear these moments of my life with a heart so perfectly made?

I held the heart, felt its strength.

But this heroic heart was not mine.

Somewhere in the woods, my lost heart knocked its quiet beat, waiting for me.

I left the strong heart in a patch of sunlight, wishing to take it, not daring to touch it, knowing that if I held it again, I would shove it into the blank space in my chest.

* * *

Unlike time, a road goes forward and backward, ending where it begins, a new beginning waiting only for a traveler to turn around and start again.

I traveled back down the first road, then took the second, which brought me to a lake where a fisherman stooped over a raft, his lantern casting a glow over the water.

“Fish with me,” he said, “and you may catch a heart.”

For three nights, I dipped a rod into the lake. The fisherman caught perch, which he fed to his pet heron, and books and scrolls and delicate journals, the pages dripping ink, and poetry etched upon bark and the soft sound of pages turning.

I caught a heart glittering with knowledge, twisted corridors pulsing, stained with writing in a language I couldn’t understand. As a child, I had hoped to grow into a heart such as this, to speak with philosophers and walk the halls of a college, to tease apart taxonomies and understand the mysteries of the world. Instead, I had made myself useful at the farm, reading by candlelight in the evenings, puzzling over words I’d never heard before.

“This is an extraordinary heart,” I told the fisherman, “but it is not mine.”

“Not mine either,” said the fisherman, patting his chest.

I longed for such a heart, full of mystery and the gentle scratch of the quill. Perhaps it wasn’t too late to live a life of full of study and quiet contemplation, to fill my mornings with archival papers and my nights with books of philosophy.

But this heart did not belong to me. It was not my heart.

I tossed the heart into the lake. It sank with a sound like a candle going out. Water rippled gently against the raft, then stilled.

* * *

The third road stretched out like a painting, a glorious growth of life. Sun-touched trees reached toward the sky like prayers, like answers.

At the end of the road, I found flowers growing from an enormous stone. Bright crocus and gentle larkspur, brilliant asters and folded chrysanthemums. Roots submerged themselves in the stone, like fingers reaching.

Vines wrapped around a hammer at the foot of the stone.

I traced an inscription, the word pulsing. To get the heart inside, I would have to smash this stone from which life grew.

I pressed my head against the stone, my chest aching in time to the heartbeat inside.

In a closet in my farmhouse lay crumpled paintings, their lines never right. I had never been able to correctly paint shadows across snow, the intricate whorl of ferns, and always, I painted only what I could see. Hadn’t I wished for a heart that would let me paint with joy and talent, a heart that would turn my crude brushstrokes into something more?

I picked up the hammer, ready to free the heart inside and claim it as my own.

But it wasn’t my own. It was not my heart.

For three days and nights, I clutched the hammer, ignoring the memory of my lost heart pulsing in my chest.

At the end of the third night, I almost smashed the stone and all that was inside it, imagined the thud of the hammer swinging again and again into the ruins of a heart, because this heart did not belong to me and never could.

* * *

Three roads diverged in a yellow wood and I traveled all of them, through and back. Three roads that flowed outward like the future and the past and the ever-pulsing present. Three roads that showed me hearts that could never be mine.

I felt the ghost of my heart in my chest, calling to me.

A heart is an easy thing to lose. When the autumn wind had teased open my chest, I’d abandoned my heart to the soft silence of the wood as easily as exhaling. Or maybe my heart had abandoned me. This heart, which all my life had knocked its constant rhythm, never asking anything of me.

Trees trembled gently, leaves falling like rain.

I made my own path through the woods, pushing through dense brush where trees ran thick like wool wrapped round and round a spindle.

I found my heart half-covered in leaves. It was a scrawny, pitiful thing. Not strong like the first heart or knowing like the second or full of life like the third.

But it was my heart. It was mine.

I wiped off the leaf mold and swallowed my heart, letting it settle into the proper place in my chest, letting its beat wash over me.

PATREON EXCLUSIVE: INTERVIEW WITH BETH GODER

FFO: “Echo Echo Heartbeat” is such an evocative and gripping title. Do you have any method or process for coming up with titles for your stories? How do you know when you’ve settled on the perfect one? 

BG: I often struggle with titles, and “Echo Echo Heartbeat” was no exception. When I submit drafts to my critique group, they will offer me kind and insightful feedback, and then they will usually say something along the lines of: “But please, please consider changing that title.” The original title for this story was “Three Roads.” Serviceable, but not a great title. My husband, who is a great sounding board, suggested “16 Chambers” because of the 4 chambers in each heart. I thought this was a cool title, but I doubted that many readers would immediately make the connection…

A Girl Forages for Mushrooms

by Ruth Joffre

September 10, 2021

Her father picks her up at her mother’s apartment and drives her out to the nearest national park to hike and forage mushrooms. His battered SUV pulls up right at six on Saturday and idles until her mother tucks spare pajamas pants into her backpack and sleepily kisses her forehead. His mother-in-law cabin is too cramped for two of them, so the girl always sleeps in the guest room at her grandparents’ house after hiking, then has breakfast with them in the mornings. On Sundays, her father sometimes stays in bed until one in the afternoon, leaving her to knit and do puzzles with her grandmother, who smells pleasantly like herbal tea and fresh laundry.

He pulls over a few times on their drive to check on spots where he has foraged high-value fungi in the past: giant lion’s mane mushrooms clustered together, like hundreds of ghost wigs on the trunks of hardwood trees; pale, curling Sparassis radicata blossoming like readymade wedding bouquets at the roots of conifers; the delicate ripple of angel wings, a more heavenly lookalike of the oyster mushrooms her father has been cultivating on a stump in her grandparents’ backyard, where he lives in their mother-in-law while recovering from the divorce.

This is only way she can describe her father’s fascination with fungi: a kind of recovery. A deep belief in the ability of dead and dying things to transform into another form of life. One capable of moving on and finding love again.

“Many trees have evolved to rely on fungi,” he tells her today, while cutting off a bright orange chunk of chicken of the woods mushroom. “For instance, that silver birch I pointed out near your mother’s apartment building. It probably has mycorrhizal fungi filtering vital water and nutrients from the soil to its roots in exchange for the sugar the tree produces. You see? It’s a symbiotic relationship.” He deposits the chicken of the woods into a brown paper bag, which she curls closed and places delicately on top of the others in his pack. He has to squat for her to reach his pack, and for a moment she is taller than him and can see the small bald spot emerging on the top of his head.

A few minutes later, she asks, “Have you ever thought about selling what we forage?”

His quiet little laugh sounds sad to her. “Did your mother tell you to ask me that?”

“She’s worried about you. She says you lost your job.”

“I quit my job, but she would probably think that’s worse. I know my dad does.”

She considers this for a moment. “Grandpa’s always been kind of a hardass.”

He laughs out loud this time. “I won’t tell him you used that language.”

“Thanks,” the girl says, though it had never occurred to her that her father would tattle on her to Grandpa. Their relationship, thus far, has operated in the reverse: she was the one who told her mother when she spotted him crying in the forest, when he ran out of gas that one time, when he ate nothing but chocolate bars and gummy worms on their hike one day. Then, too, there were the secrets she kept for him: the cash she has seen him tucking into an empty tea tin; the sacks of sugar he has stockpiled in his cabin; that book he experimented on, which grew oyster mushrooms until the fungi overtook the bindings and the pages were consumed.

They hike to a distant mountain lake where the only other person around is a kayaker so far out on the water that they appear to cut across the lake like a knife, without even making a ripple. She jumps in as soon as they arrive, but her father hesitates, resting on a log and sweating profusely in his long sleeves until he finally peels off a layer. He only slips into the lake after she announces she’s coming out, and even then he keeps most of his clothes on, just pulling off his shoes and socks, though she warns him, “It’ll take forever to dry off after.”

He ignores this concern, and she thinks nothing of it, turning her attention to a field guide her grandparents passed down to her on trees of the Pacific Northwest, until he emerges from the water drenched and exhausted.

With his t-shirt soaked, she can see how loose it has become, how much weight he has lost in the months since the divorce, and how the skin under his arms and on the back of his neck has started to stain sickly yellow colors. Her first thought is jaundice (a term that she learned in health class and never thought would be relevant to her life), but then she sees the protrusions in his left armpit, the distinctive golden gills of chanterelles peeking out under the cuffs of his t-shirt. On closer inspection, she discovers two spots where fungi fused with his skin, spurred on by the sugar water he has been soaking in since the divorce.

“They’re helping me,” he explains. “I’m going to be one with nature.”

He says it like a confession, as though she’s the only one he can trust to understand the symbiotic relationship he is fostering, and despite her fears and reservations she does understand. This is just another secret I have to keep for you, she thinks, as he wrings out his shirt and invites her to identify fungi on his chest and torso—oyster mushroom, angel wings, shaggy mane, lobster. She knows them all.

PATREON EXCLUSIVE: INTERVIEW WITH RUTH JOFFRE

FFO: Did “night-time logic” inform the lovely sense of strangeness permeating “A Girl Forages for Mushrooms?” If so, would you explain “night-time logic” in the context of writing flash fiction for our readers?

RJ: Funnily enough, until you asked this, I had not consciously realized this, in part because night-time logic has become so engrained into my writing process. I envisioned this story as a sister story to “A Girl Climbs a Mountain” (published in Pithead Chapel), which, though not a speculative story, begins with the recounting of a nightmare. Like that story, this one involves a parent and child journeying into nature, often embarking early in the morning, while the girl is still waking up. I wanted to capture some of the inherent strangeness of early morning drives and of divorces by combining them into a new way of grieving. Grief, like dreams, often has a logic all its own, and so it may be more accurate to say this story employs grief logic.

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When the Trees Spoke Back

by Taylor Rae

September 17, 2021

My mother taught me the language of the trees.

She carried the language within her just as she once carried me: swollen, kicking, full of life. If words could blossom in blood, I would have been born singing the trees’ songs.

But words are not blood. I know that now.

When I was a girl, my mother would lead me out of our village and into the Crimson Forest’s red arms. I remember the bone-beads on her belt clicking as she walked. She seemed so eternal then. Tall as the trees themselves, just as unshakeable.

I would scamper in the forever-red leaves like a fox-child as my mother pointed at roots, branches, bark, and asked me, “Do you know what that’s called?”

“A branch,” I would tell her, like it was obvious.

She would shake her head gently and tell me a word that sounded like bark under your fingernails. Like earth opening for a root to find water.

“How do you know?” I would ask.

“My mother taught me, and her mother taught her. Just like the tree’s mother taught her how to listen.” She would smile warmly. “All the way back to the First Mother. It is our duty to remember.”

Even then, the world was already changing.

A living-city crawled somewhere beyond the mountain, exhaling black clouds that choked rivers, poisoned crops, drowned the sun. Its legs culled entire forests into pineblood graveyards.

The day the trees spoke back, I did not know the color of the sky was a warning. I had lived only seven sun-cycles; if I was a tree, you could have split me bare-handed.

That day, I only knew my mother’s thumb tracing circles against my scalp, as if unwinding time, just for me.

She sang the sunlight-song. Life-giving song, song of the First Mother. As the heat of my mother’s words blanketed me, I knew how birds felt in the open palm of the sky.

The trees arched and swayed around us, caught in my mother’s song.

(Sometimes, I try to remember that song, to turn language into light. It has been so long, no one feels the sunlight but me—a warmth flickering against my heart).

The tree standing before us was not the greatest tree, nor the tallest, nor the loveliest. But as my mother’s song finished, the knot in the tree’s side hinged open. My heart drummed as the tree blinked its single huge eye at us. A smile curled its bark.

Tree-words spiraled around me like maple seeds: thank you for the song.

But as we walked home that day, the sunlight-song still thrumming in my chest, I saw it for the first time.

The living city: a huge black beetle on the mountaintop, devouring its way through the forest. It left an ash trail as wide as a wound.

In those days, I still knew how to sing the tree-song.

But that wasn’t enough to stop time.

* * *

The living-city roared its way down the spiny hide of the mountain. Every morning, the valley echoed back the cries of the trees splitting and splintering like twigs under those great legs as the sky went greyer and greyer.

The adults of my village would cluster around a slow-dying fire and argue long into the night. My mother was often among them.

Our house in those days was a wood-frame, its sturdy mud walls dappled with my mother’s handprints, holding our lives together. I used to put my eye to the woven-wood door and press my palms into her handprints as the firelight drew shadows across her face.

The smoke made her cough and cough and never stop.

Every day, the living-city trawled closer and closer, until at last it reached our wood. The Crimson Forest, reddened with the blood of a hundred forgotten wars, the forest that was meant to stand forever.

The living-city ate its way through like a parasite.

It beetled along on six huge mechanical limbs, gouging deep into the earth with every step. Its front two limbs uprooted trees like weeds and shoved them into the fire-red engine of its belly. Buildings steepled along its back, their windows glowing with amber light. Faces peered out from behind them: people in strange clothes, as colorless as the living-city’s huge back.

Everything blackened in the wake of the living-city: the forest, the sky, my mother’s lungs.

For them, we were a blip in their history, immemorable as a new moon. But we were scarred forever after. The belching smoke, the screeching metal, the ashing air—all of it sent life scattering like dropped beads. The sun became the eye of a dead god, suspended in the empty air.

My mother did not flee. Not like those who let the living-city carry them away.

No. We stayed here with the trees and the sickened air as our village emptied itself out. Like the forest, we stood gutted. I used to walk in the living-city’s trail and sink up to my knees in upturned earth.

But still my mother sang. She offered healing-songs to even the smallest dying thistle. The plants would perk and reach for grey air and, when her song ended, slump again.

I once asked, “Why do you bother?”

“Because if I do not, I will forget. That is the truest death.”

My mother did not survive my eighth sun-cycle. I whispered her healing-songs, but she never stirred. After she was gone, we buried her in the roots of an ancient tree. Hers was not the first funeral, nor the last.

One by one, we withered like the trees that were supposed to last forever.

Now I am the last. I have survived more sun-cycles than my mother. I walk alone among the trees and sing my mother’s healing-song.

I can only remember scraps. Enough to uncurl a dying leaf, to revive the tansey-heads. Enough to unwind time.

I sing and I sing and I pray the trees will speak to me, just once more.

Comments

  1. Amber says:
    This is such an incredible story. It is heart wrenching and beautiful all at once. I wish there was more, but at the same time I think it ended perfectly.

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Beneath Her Sweet Roots

by Sylvia Heike

September 24, 2021

Beneath the roots of the honeyglow tree, a small creature dreams. Not the cold, empty sleep of winter, only a nap on a warm autumn day. His bed, a nest of moss and grass, has been fortified with yellow leaves, and there he lies, curled like a vine, hugging his thick silvery tail. His nose snuffles and his mouth twitches as he dreams of fruit.

With a yawn, he unfurls, skitters along a tunnel and emerges into the light. Nose up, he sniffs the air. There’s a change in the wind. A new scent, cold and sweet, mixing with distant wood smoke. It makes the trees shiver.

He climbs the honeyglow tree, all the way to the highest branches, but finds no clusters of fruit, only golden leaves.

* * *

He spends most of the light-hours of each day looking for food. Unlike the squirrels zooming past with fat acorns in their mouths who bury food for winter, the small creature eats all he can find. Berries and mushrooms, the core of an apple dropped by a crow. All is well in his world as long as his belly’s full.

* * *

Yet another darkness descends. The small creature shifts in his nest, hungry for summer fruit, hungry for anything at all. His eyes are pinched tight, his sleep ragged and light.

A gentle wind swirls around the honeyglow tree, plays with the branches and moves on.

Dreams come—comforting, strange. The warmth of sun against golden bark. The scent of summer days. Secret underground chambers bursting with fruit.

He relaxes, lets go of his tail.

Dreams won’t fill his belly, but it’s the only way the tree knows how to speak.

Ever since the furry one made his home beneath her, she has warded off nightmares and scared off foxes venturing too close to his trail. It’s a kindness, but hardly unearned. All summer he fed on her golden fruit, freeing her branches from its weight. Sitting on her shoulder, he licked his sticky paws for hours, not letting a single drop go to waste.

He thinks of her as home, but through the sugar of her fruit, she lives inside him too.

* * *

The nights grow more biting. The small creature’s hunger grows until it’s bigger than him, bigger than the dreams floating inside his head. He sniffs, nose close to the ground, travels a circle around the honeyglow tree.

Something smells sweet like summer. He digs, nose and paws dirty in the soil. The smell in his nostrils intensifies. He sees it. A thin, golden fruit buried in the soil. No, not a fruit—a root. His mouth waters. He sticks his nose down, inhales, almost faints from the heavenly scent.

A little nibble won’t hurt, he tells himself. There are many more, a whole network twisting and curling underground. And so he sinks his teeth into the sweet, sweet root.

A flash of lightning against black skies flickers through his mind. A cold, dark feeling like an echo of winter. He jumps back, eyes wide with fear, heart racing down a dark tunnel.

He looks up. The sky is blue, not a drop of rain on his nose or a cloud in sight. And the invisible beast of hunger still growls in his belly, unsatisfied.

He takes another bite, and another. The roots are sweet and hearty, good work for his teeth. There’s no lightning this time, nothing to stop him.

* * *

The small creature, his belly fat and round, should be sleeping, but something dark at the back of his mind keeps him from rest. He goes outside one last time.

He crouches in the sea of golden leaves, making a small and terrible sound. Beneath the leaves lies destruction, tunnels upon tunnels where he gorged on the tree’s sweet, sweet roots. He snuggles against the base of the tree, against the cool bark, closes his eyes, and waits.

The tree stays silent, sharing no more image-feelings. Her naked shadow falls over her very last leaves.

* * *

The small creature curls into his nest for the last time before spring. Bundled tight, he hugs his round belly and thick silvery tail. More than foxes, he fears the nightmares that may come.

His world becomes soft and black as he falls somewhere deep. Between here and there, everything slows and cools. His heart, his breath, the flow of blood through his veins, finer than the finest roots.

There, he stops, so close to the border of death that, if not careful, he might slip over to the other side.

A voice slices through his black, empty sleep. It creaks, “I’ve been waiting for you.”

“I didn’t mean to,” the small creature squeaks, imagining dark snakelike roots dragging him away. “But I was so hungry.”

“I know you were, and though it hurt, I wanted you to eat.”

“I filled my belly with your roots. I killed you.”

“Everything you took was freely given. My branches are old and brittle, and would not survive the coming snow. I knew this winter would be my last.”

The image conjured by his fears changes, begins to fill with light. The roots, turning golden, don’t pull him away. They push back and protect, keep him from slipping away.

The tree whispers, “Now sleep till spring, my little friend, and let me dream for you.”

 

Originally published in The Mad River (January 2019). Reprinted here by permission of the author.

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